Qianlong Aichen Liang Guozhi's "Thousand Character Text" Appreciation: The dot painting is strong, the muscles and bones are abundant, and the best work of Yan Body Liang Guozhi Xiaokai's "Thousand Character Text" is appreciated

For friends who like calligraphy, they must understand that the physical beauty of calligraphy is only the first step in appreciating the most basic calligraphy, and then to investigate deeply, it is the fusion of thousands of calligraphers and the ink characters they write. For example, when we see someone's writing, it is as if we were seeing someone with our own eyes.

For example, when we look at Wang Xizhi's characters, they are consistent with the dashing and handsome style of his Wei and Jin literati, and looking at the calligraphy of Yan Zhenqing and Liu Gongquan, "Yan Jian Liu Bone" is the best interpretation, not only because of the glyph structure, but also the image embodiment of human disposition. Yan Zhenqing, in his seventies, was still able to generously sacrifice his life without succumbing to the rebel Li Xilie, which proves that his heroic style and loyalty and patriotism have passed, although more than a thousand years have passed, although he is still alive; Liu Gongquan's "pen in the heart, the heart is correct" is his best portrayal, with the pen into advice, dare to speak and dare to hear, not afraid of power, not seeking fame and fortune. This is the reason why calligraphy can pass on the spirit and even immortality.

Yan Zhenqing Kaishu "Many Pagoda Steles"

Of course, there are positive and negative, for example, there was a famous calligrapher Zhang Ruitu in the Ming Dynasty, whose calligraphy skills are very deep and self-made, but he is the "castration party" of Wei Zhongxian's faction, although there are many authentic calligraphy inscriptions handed down, but the calligraphers who know him as a person see his calligraphy lines, perhaps thinking more about him for his own selfish interests and flying dogs.

Zhang Ruitu Xingcao "Former Chibi Fu"

Today we want to share the Qing Dynasty calligrapher Liang Guozhi's Linyan Zhenqing Xiaokai", which is now in the Palace Museum. Qianlong once praised Liang Guozhi: "Good character, good temperament, careful and cautious, yang Li li at home and abroad." "This volume is well-written, the font is dignified and round, the handwriting is clear, the dot painting is strong, just as its disposition is as upright and strong, and it is the premier calligraphy masterpiece of the Qing Dynasty." Let's enjoy it together——

<h1 class="pgc-h-arrow-right" > Liang Guozhi Xiaokai's "Thousand Character Text" appreciation</h1>

Liang Guozhi (1723-1786), a native of Huiji (present-day Shaoxing), Zhejiang, was a scholar of the thirteenth year (1748) of the Qianlong Dynasty in the Qing Dynasty. Talented and intelligent, Botong Jingshi, Gong poetry, and good calligraphy, when people called him the "Three Liangs of the Book World" along with Qiantang Liang and Mi Zhou Liang.

Liang Guozhi Linyan Zhenqing Xiaokai "Thousand Character Text"

Liang Guozhi was a major minister during the Qianlong period, and was compiled and revised from a senior official to a scholar of Dongge University and a minister of military aircraft, and a Shangshu of Hubu. He is diligent in his work, frugal and self-disciplined, eager to learn and love talents, and prudent and meticulous in his management. He was the deputy editor-in-chief of the Siku Quanshu and the author of the Jingsitang Anthology. Qianlong once praised him as "good in character, cautious and cautious, and in the past at home and abroad".

Wen 丨 Calligraphy and Painting Class Representatives, more high-definition Jinshi calligraphy and painting works and the stories behind them, welcome all friends who love calligraphy painting and seal engraving to pay attention to us! Every time you "like, comment, favorite, forward and share" is our support, but also an important driving force for us to continue to create! We will continue to create and share more high-quality content, and live up to the original intention of "collecting the essence of golden stone calligraphy and painting".

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