Late at night on November 15, 2003, Mei Yanfang's classic golden song concert ended.
The disease made her tortured skinny, her voice hoarse to somewhat vague, and her originally oil-depleted face, against the background of the white wedding dress she was wearing, returned to its former brightness.
At this scene, I lifted the veil and confided in my heart: "I would like to wear it once, even if no one marries, make a wedding dress of my own, wear it for everyone to see, a wedding dress of my own."
"Song of the Sunset" is sung, and the unforgettable affection until death, the regret of love and inability, rushes to the heart with the song.
"I have encountered a lot of wind and rain, weaving my intertwined dreams, running in the center of the gray cold, the road is turbulent and twists and turns."
Words kill the heart, like she once sighed, life is like this, sometimes the things that are expected, the things that are thought to be owned, but there are none, and the feelings of the non-human beings can only extinguish the dream in discouragement.
At the end of the song, carrying a long skirt, step by step up the stairs, walk to the end of the red stage, wave your hands, and say "bye-bye".
Waving is a lack of gratitude to the fans; bye-bye is a break from the past.
Sing, with the song of the man; farewell, the man named Makoto Kondo.
Makoto Kondo is a Japanese, a prodigal son of a love scene mixed in the Asian entertainment industry.
In his early years, Makoto Kondo was nothing unusual, but as a premature baby, he was born with a birth weight of only 2,500 grams and a weak physique.
In childhood, I often forgot the time after school, and my mother Mieko bought a watch or went her own way.
It took a stick to make him afraid, and he went home on time.
In 1979, at the age of 15, he debuted with the campus drama "Mr. Jinba in Group B in 3 Years".
This 32-year-old educational TV series, because of the direct face of unmarried mothers, school violence, adolescent drug addiction and other campus problems, caused a huge response in Japan, and became the foreshadowing of the hot-blooded campus gods such as "Spicy Teacher GTO" in later generations.
The super popularity of the series has led to the appearance of actors such as "Kanehachi Sensei" Takeda Tetsuya, along with the boy "Hoshino Kiyoshi", who does not have too many scenes, all of which have been wrapped up and pushed into the torrent of showbiz.
With a black cardigan uniform and thick mid-length hair pressing against a somewhat baby-fat face, Makoto Kondo's first impression on the audience was only green and ignorant, and he could not see any star potential.
No one could have imagined that he, who seemed ordinary and unremarkable, would stir up huge waves since then.
Just a year later, the famous Janis office packaged Makoto Kondo and created his Tahara trio.
The group undertook the "New Imperial Three Houses" route of the male idol of the 70s, although it did not shine, but it provided a cornerstone support for the "Junior Team" later formed by the company to reach the top of Asia.
The team's tepid contrast is The personal outburst of Makoto Kondo.
In December 1980, at the age of 16, Makoto Kondo released his first solo single, "Sneaker Blues."
The blues of the blues, which should have been aria, reached his hands, with the blood of youth, almost like a hysterical cry, spilling the hormones of youth at will.
This alternative musical expression shook the entire Japanese music scene, winning the first place in the public trust chart in the first week and winning for 5 consecutive weeks, making him the first singer in the history of Japanese music at that time to win the Oricon championship with a debut single.
Subsequently, 14 singles won the top spot on the public trust charts.
The following year, he won 17 Newcomer Awards at various music awards, and his appearance was comparable to a miracle.
Her position in the music scene soared, and only the following year, Makoto Kondo was on the NHK Red and White Song Club, and as a newcomer, he was not afraid of the stage, shocking the audience with a song "Leisurely Silver Light".
Originally an advertising song born from Fujifilm, it is characterized by a bright rhythm and full of dynamics, and is full of youthful and energetic Kondo.
Singing and dancing, fluorescent clothes, matchheads, on-site examiners were all ignited, fell to his white team in one fell swoop, and finally defeated the red team overwhelmingly.
The Red and White Song Festival, which has a super Bowl influence in Japan, swept this whirlwind of Kondo across Asia.
1982's "Highteen Boogie", using Walking Bass to march through the bass, cleverly blends the low and lyrical characteristics of the accompaniment, and the song itself has a strange tension, with Kondo's seductive stage performance, which is very eardrum impact.
Compared with the original song's blind pursuit of power, the gentle ending after each lyric is a stroke of genius, which also opens a window for his subsequent exploration of music.
In one fell swoop, the song established Kondo's status as the number one idol in the Japanese music scene and became the flagship figure of Japan's "Bangle".
Despite the controversy throughout his music, those who like him comment on him as deep and hoarse, and the attacks that do not love him are broken gongs and ducks.
However, in terms of music research alone, Kondo never stopped in the 1980s, and it can be said to be quite advanced in the field of J-pop.
In addition to adhering to the traditional J-POP style, it also constantly tries to add imported RAP and R&B elements, and is highly respected for its pioneering spirit in the Japanese music scene of seniority.
Even compared with the contemporaries Of Kuwata and Maeda, Makoto's understanding of love songs is not much better.
Despite his impressive achievements, Makoto Kondo at that time was still naïve and lively, and his hobbies after the announcement and recording were only to go to karaoke with friends, to say shortcomings, and it was only accidental that he could not contact him during the holidays, and he hid childishly.
Xiao Zhengtai, obedient boy, plus the record sales of more than one million.
Kita Maria, the actual vice president of the firm, loves him, and after the team partners Yoshio Nomura and Toshihiko Tahara left due to friction with the firm, Kondo was as successful as ever.
The prodigal son is not born to be uninhibited, at the beginning of life, there is often a messy personality, in their pupils, there is also innocence, without adding the turbidity of desire.
But it is undeniable that Makoto Kondo already has a wandering capital: career, talent, fame, like all young and ambitious characters, after spending the initial freshness, they are faced with a choice between Sonic Inuyasha and a generation of masters.
Acting and singing, singing and acting, this constant formula, also applies to Japanese performing arts.
Makoto Kondo, who is natural and geographically friendly, is preparing to span from the music industry to the film and television circle, and then upgrade to an all-round artist.
In 1983, under the vigorous operation of the firm, he was able to work with Nakamori Akira to shoot the film "Journey of Love".
Compared with The position of Makoto Kondo among male idols, if you must find a female artist from Japan at that time to match it, then this person can only be Nakamori Akira.
After Yamaguchi Retired in 80 years, Japanese performing arts have been struggling to find a successor, the appearance of Nakamori Akira made everyone shine, she challenged the variety show with her masterpiece "Dream First Case Insider", gorgeous bass and song melody with a brilliant shine, setting a record of 392 points for the variety show.
The perfect appearance made the media and fans shout out the Yamaguchi Baihui successor population number, which could be a gimmick for the win, and the company packaged her as a somewhat vulgar "beautiful female newcomer with a little sexual meaning".
Born in such a dilemma, "Maiden A", "1/2 Myth", "Forbidden Zone", the original cheesy fast beat song, is given a new connotation by the imposing texture, the wonderful vibrato, and the four or two thousand pounds to break the bad taste imposed on the body.
The characteristics of the voice, coupled with the unique style of the beauty in the bone, Nakamori Akira was crowned the god "Showa and the First Singer" in one fell swoop.
It is conceivable that the screen combination of Makoto Kondo and Akira Nakamori gives the audience a spiritual impact.
The young boy Wushiro Makoto met the terminally ill girl Koizumi Snow, sprinkled with white moonlight on the beach, melodious harmonica sound with the waves gently chanted: "Only this love is already my life, if time can stay in this moment forever, how good." "
The story of love and life makes the film have an almost hypnotic magic, so that the audience is fascinated at the same time, and quietly closes the hearts of young boys and girls.
At the film's promotional meeting, a shy-faced Nakamori Akira confirms the love affair, and almost everyone reflexively thinks of Yamaguchi Momoe and Miura Yuwa who have a relationship with each other because of the drama, and then cultivate the happiness of the positive results.
Epoch-making idol romance, harvesting the blessings of a country.
Catalyzed by love, Nakamori Akira is like a daytime shooting star.
The fast-paced tongue twister "Tears Are Not Ornaments" is a capital S pole, which is steadily tamed by her increasingly atmospheric voice of "Royal Sister Voice", becoming a personal landmark work.
The long middle and long tones at the end of the song are extremely full and penetrating, and they are called "Ming Cai vibrato" and are popular in Asia.
Two consecutive Japanese record awards have achieved a goal that even male singers cannot achieve.
Compared to Nakamori's musical invincibility, Makoto Kondo at this time was a meteor on the all-around road, with 45 stage plays "Mori No Ishimatsu", the field was full, and the all-Japan Racing Championship, fifth place.
Perhaps because the goals of the love field workplace are all at hand, Makoto Kondo gradually exposes the omen of depravity.
In order to stimulate, every night to meet the accomplices to the highway illegal drag racing, late at night and then huddled in various bars.
Over the years, Makoto Kondo did not know how many times he escaped the traffic police, how much absurdity he did after drinking, and even had a big drunk, a barrel of salad oil, poured on the heads of his accomplices, and then looked around for a lighter.
Gossip and rumors have also gone from looming to raging.
The young couple who are in high profile, so the yellow lights continue to be lit.
Long-term friction, cold war, the final victory is always Kondo, reaching out to Mingcai for 80 million yuan to buy real estate, several times asking for investment in the purchase of racing cars.
He began to lose freshness in love, but his demand was unequivocal.
Nakamori Akira is not an insensitive person, the new song "Difficult to Break the Ship" in 1987, which was originally very infectious vibrato, after adding a hint of humor to the ethereal, has a natural breath, interpreting the girl's love for a thousand times.
In the song of love, Nakamori Akira sings this song in concert, and the shot of being unable to choke on himself has become a great totem symbolizing love.
On the other hand, Kondo, who is stimulated by the senses, launched new songs of "Youth", "Baby Rose" and "Fool" in one breath, with a more uninhibited style, and then added the sense of life in the game world, boasting that he was dedicated to his coming-of-age gift.
The two met unexpectedly in the selection of the annual "Japan Record Awards", and Akiko chose to quit, and Kondo finally won the championship.
The happy expression became a footnote, indicating that Akira had completely lost himself and had become a vassal of Kondo.
In the music of the strong dish, emotionally is the weak person who suffers from gains and losses, the reason is nothing more than to return to the love struggle, choose to seek perfection, and repeatedly give up their bottom line.
Kondo, who is well versed in the psychology of his girlfriend, is strong and oppressive step by step, and then breaks the Mingcai defense line, for him, the attack object is equivalent to Normandy, only need a strong, a question, can make the hard shell collapse.
Similar to a complex of Stockholm syndrome, in the inner deformity of Ming Cai, just like Ni Zhen's 8 times of derailment, Zhou Huimin still chooses to indulge in dependence.
"It's always the people we get along with, who love each other, who should know each other, who blind us. Even so, we still love them. ”
Zhou Huimin's fallen singing voice can better represent the voice of Ming Cai's heart, and such a bad fate is doomed to the end of the tragedy.
In the 1980s, when it belonged to Japan, automotive appliances expanded the world and exported Japanese culture to the world, such as Makoto Kondo, as a symbol and a phenomenon, following the cultural export of countries and regions, representing the best era of Japan.
Hairstyles like match-lit matches, known as "match" by fans, have become a fashion for boys everywhere to comb their matchheads, and this trend is especially prevalent in Hong Kong.
Hong Kong is definitely one of the regions where Japanese music has a deep influence, jokingly saying that Miyuki Nakajima has fed half of the music scene in the Hong Kong pop music scene, and of course responds with enthusiasm for Japanese superstars like Makoto Kondo.
In 1985, Makoto Kondo visited Hong Kong and was warmly welcomed by the entertainment industry.
At the grand cocktail party, he and Mui Yanfang first met, many people think that the first encounter is the source of the two love, in fact, in 1986, Kondo Masahiko visited Hong Kong again for holding a concert, which was the real beginning.
With an attitude of observation, Mei Gu attended Makoto Kondo's Hong Kong concert, and the originally familiar hot song, under the interpretation of Kondo's charm, the strong Fuso style was purple and red.
The shocking effect of the stage made the face of Makoto Kondo in the center clear in her eyes.
Compared with early Japanese figures such as Ken Takakura and Toshiro Mifune, Kondo does not have a typical tough guy spirit, but it is precisely the "neutral" male color that gains the initial favor of "jianghu heroine" Ame.
At the celebration party, the two people meet again, unknown friends, still introducing the two to know, do not want Kondo Makohiko already has a smile on his face, insisting that he has known her last year.
The event after the reception was the disco, and Kondo repeatedly invited Ame down to the dance floor.
In a wine-green, red-lit, rhythmic, swinging, psychedelic atmosphere, he softly said "Can I kiss you", leaving Ame's heart door undefended.
Such as the wildness and tension of Bad Girl and during that time, Ame boldly refused vulgarity, followed the front-end fashion, and loved the top men.
A kiss that Ame will never forget in this life.
The next day, Kondo invited her to go shopping, Ame pushed off all her work, became an ordinary girlfriend, accompanied her man through the streets, received a diamond brooch, and sent an agate frame as a promise to open love.
Gathering less and more distant emotions, carrying the way of sustenance, the only way to sing his heart with his songs.
"Dream Trip" was changed to "Dream Companion", the voice was as low and powerful as ever, and the emotions at this time fluctuated with the rhythm of the dynamic, and the irrepressible miss was regarded as a "star twinkle", indicating the fall in love.
"Sunset Song" was originally a portrayal of Kondo Makoto to a fallen urbanite, and Chen Huixian took it to make "A Thousand And Thousand Que Songs", which fixed the soft and delicate intestines of the girls in the 80s.
Here to Mei Yanfang, adapted into "Song of the Sunset", a sonorous and powerful tone, covering up all the periods of Ai Ai, a kind of "I am good" stubbornness, struggling in the fall, desperately grasping the initiative of love.
From "Dream Trip" to "Sunset Song", it represents Mei Yanfang's attitude towards Makoto Kondo's feelings, a transformation, the strangeness of the entertainment industry, so that her attitude towards love is not so naïve, after the initial budding, she tries to keep a sober look at this man as much as possible.
Nakamori Akira is a hurdle that cannot be avoided, and although Makoto Kondo has vowed to break up, Ame, who is still aware of what is going on, repeatedly presses them about their connection.
At this point, close friend Zhang Guorong has always stood with Mei Yanfang and always examined Kondo, perhaps because of this attitude, Kondo Makoto thinks that "brother" is his potential love enemy, when the two met, "brother" praised him for "performing well", and was actually asked "why" by his face.
The "brother" hit back sharply and turned to praise Nakamori Akira, saying that she was the only girl who could make herself have "fantasies".
Even if Hui Ru Meigu, even with the blessing of her best friend, did not escape the love network compiled by Makoto Kondo, she went to Toyo seven times before and after, and bought a small apartment in Tokyo as a love nest, imitating the Japanese wife to wash and cook for her.
Makoto Kondo's method of targeting the female middle school Haojie Ame is undoubtedly a strategy that is diametrically opposed to Mingcai, he can humble himself into a "small milk dog", pestering, spoiling, coaxing, and stalking Ame in a way that makes Ame unable to get out.
Ah Mei, who has always relied on herself, the most undesirable thing is "machismo", and her weakness is precisely the consistent warmth, even if she knows that it is a cup of wine, she still can't help but taste it.
Gathering less and leaving more reality, more and more real understanding, gradually turning feelings into flat, Ame did not suffer too much hurt in this love, leaving each other with decency, leaving the most is his "good".
The unfortunate Ming Cai is still sinking in her love, she is still fantasizing about being able to come together, and her repeated insistence on forbearance is bound to inspire him to one day realize.
The waiting ending is a nightmare.
In early 1989, a news from the United States went viral in Japan, kicking and exploding Makoto Kondo's meeting in New York with Seiko Matsuda, Akari's old enemy, and secretly spending a good night together.
Akari, who learned the news, cut his wrist with a razor at Kondo's home, the wound saw bone, bleeding heavily, and his nerves were cut off, and he received 6 hours of rescue before he was out of danger.
The entire Japanese performing arts industry was indignant, in order to calm the incident to give an explanation, Kondo Makoto once again deceived Mingcai, pretending to hold a press conference to announce the marriage contract, believing that the real Mingcai thought that he had changed from evil to righteousness, and after agreeing to participate, he saw the golden screen symbolizing the announcement of the marriage, which was even more sweet.
No, at the meeting, Kondo only cared about announcing new songs and new racing plans, and was forced by reporters to ask tightly, and simply announced that he would never get married.
A word is no less than a thunderbolt on a sunny day, making Mingcai's heart chaotic, lost in the middle of his mind, such as the marionette at the mercy of Kondo, incoherently undertook all the blame, just to end this conspiracy and end the evil fate.
I don't know what I have done, the living can die, the dead can live, Ming Cai promised his own life and death to a love word, and the end of death is the cold of the unladylike encounter.
Fast forward to the 90s, and amid a series of ups and downs, Makoto Kondo's musical era came to an end, and he became a director of Janis, continuing his life behind the scenes and racing cars.
The most concerned emotion is just to find a civilian girlfriend outside the circle, and after sloppily announcing it, they entered the marriage.
From 1980 to 1990, ten years of time, for many boys who tied their hair, it was nothing more than a flick of the finger, and the childishness on the body could not be removed.
The soaring young fame, at his age should not face the entertainment industry of all kinds, but let the soul can not grow naturally, gradually under the temptation of desire to lose the heart, but also lost the perseverance of chasing music.
I don't know if he has ever repented, but marrying a civilian girlfriend outside the circle, there is no story to see so far, at least no longer as crazy as it was at the beginning.
In fact, from another point of view, perhaps it is the experience of those young and crazy, sensitive and amorous who have made his works, and it is not known.
The past can go with the wind, but the world has long been unrecognizable, Amei's death, the retreat of Mingcai, so that those fiery love, in the end, can only be left with years.
The sound and color of the dog and horse, a period of fanghua, can only be in the song, aftertaste sighing.