Chen Lu, Ming Dynasty painter. The year of birth and death is unknown, the character charter, with the character line, such as the hermit, huiji (present-day Shaoxing, Zhejiang) people. Shan Mo Mei, Song, Bamboo, Lan Hui, the penmanship is elegant, and Wang Qian is equally famous. Although the two families have different meanings, the transcription power is better than Wang Qian. In the eleventh year of orthodoxy (1446), it was tasted as a memetu. His works include "Ten Thousand Jade Diagrams", "Smoke Cage Jade Tree Diagrams", "Plum Blossom Diagrams" and so on.
Ming Chen Lu Plum Blossom Diagram Vertical Axis, Silk, Ink Pen, Length 116. 5 cm, width 61. 7 cm. Collection of the National Palace Museum, Taipei, China
This plum blossom picture is similar to the painter's "Ten Thousand Jade Diagram", but it is more magnificent in momentum. This figure plum stems from the left, hanging upside down, divided into two branches, one branch bending straight down, all the way out of the picture, but the side strips of the thin branches are all draped and consistent with the overall momentum. On the picture, there are dense flowers and flowers, thousands of jades, and they are coming. The composition of the trunk is scattered to emphasize the beauty of the flowers themselves, which is as dense as ten thousand jade, and there is a joyful atmosphere, which reflects the painter's "prosperous life" of the Ming Dynasty, and "borrowing flowers to offer Buddha", in order to write the mood of "plum blossoms are proud and envious", thus reducing the arrogance and elegance in wang's crown painting plums.
Ming Chen Lu Wan Yu Tu Ink Pen, Length 111. 9 cm, width 57. 5 cm. Collection of the National Palace Museum, Taipei, China
This figure depicts an upside-down plum, the branches come out from the upper right corner, and the main trunk curves in an arc to form the general momentum of the plum branches. The twigs are interspersed and changed, forming a jagged and staggered branch, pitching and looking, plum blossoms blooming scene, in the picture with boneless writing dry, double hook circle flowers, light ink rendering background, highlighting the visual effect of thousands of jade, flowers and clusters.
Ming Chen Lu Smoke cage jade tree diagram vertical axis, silk ink pen. Length 137. 5 cm, horizontal 65. 4 cm. Collection of the Palace Museum in Beijing
Ming Chen Lu Plum Blossom Push Tent Diagram Vertical Axis, Paper. The center is 41 cm longitudinal and 461 cm long
Plum blossom push tent diagram (partial)
The layout of the "Plum Blossom Push Tent Diagram" is a part of a large plum tree represented by the cross-sectional framing method. In the center of the painting, two thick and vigorous trunks are the main body, interspersed with interlaced plum branches full of flowers. Plum branches are beautiful and resilient. In particular, the plum branches on both sides of the picture seem to swing in the breeze, moving in silence, which adds vitality to the picture. The paintings are mainly light ink, during which some thick ink is dyed, and the orderly interspersing of stems, branches and flowers is skillfully disposed of, and the look forward is looked forward to, giving people a sense of complexity and not chaos, freshness and vitality, which is very innovative. There are very few works handed down by Chen Charter, and such fine works are particularly precious.
Ming Chen Lu Jade Rabbit Scramble Qing Figure Silk Book, Ink Pen, Length 155.7 cm, Width 72.8 cm. Collection of the Palace Museum
Painting Haoyue when the sky, the old plum under the moon is strong, the multitude of competition Lingdai, like a holding of the moon, quite imposing; flowers like snow, dark and fragrant. The thickness and thickness of the branches are intertwined, and the black and white accents of plum blossoms and branches are full of melody and charm. The pen is very beautiful, the ink color is elegant, and the coincidence is clear. The left side asked itself: "Will be like the hermit Chen Zhang writing Jade Rabbit Contention Qing." There are three parties to the print, one side is "quiet", and the other two are unclear.
Ming Chen Lu Push tent spring drawing, 29 cm in length and 902.5 cm in width. Collection of Guangdong Provincial Museum
This painting is a long scroll of ink white plums, thick and energetic branches, plum blossoms, one flower and one bud, each in its own state, full of spring, and the scenery is attractive. At the beginning of the scroll, there is an inscription on Cheng Nanyun, the Great Changqing of Nanjing during the Orthodox Period of the Ming Dynasty: "Pushing the Canopy Spring Meaning, Tai Changqing and Waiting for the Feast to Book Cheng Nanyun." And there is a "Qingxuan" Zhu Wenfang seal. At the end of the volume, there is Chen Lu's self-titled "Pushing Tent Spring Intention will audit Chen Charter for Yufeng Xiang embroidery written in the Ancient Baitai Academy", next to the Chen Charter "Like a Hermit" and "Lonely Mountain Moon Color" two sides of the Zhu Wen Square Seal. At the beginning, there is the Zhu Wen Fang Seal of the Chen Charter "Friends with Literature" and the White Wen Chang Fang Seal of "Yun Shan".
This picture is collected by four people: Xiang Yufeng, Ji An, Zhou You, and Xu Shichang, and there are collection seals, approval seals, appraisal inscriptions, trailing inscriptions, and re-framed inscriptions. The circulation is ready, and the calendar is visible.
Ming Chen Lu Qingying Album Page, Paper, Ink Pen, Length 24.2 cm, Width 56.8 cm. Collection of Huai'an Museum
Bamboo and large trees droop, eclectic, painting bamboo is quite cursive, thick and thin, and still see movement, like bamboo in the wind. Self-knowledge "Chen Charter wrote Jing Rong in the studio of Qing Ying", And Zhu Wen "like a hermit" a seal. Chen Charterxiang is famous for painting plums, and Mozhu is the inadequacy of the narrative of painting history, which provides physical materials for the study of Chen's painting method.