Not many of Li Liufang's landscape works in the Ming Dynasty have survived, but according to researchers, as long as it is his original work, it generally has a good market response.
Of course, the most terrible reason why a master's work can be recognized by the market is that it depends on the work.
Admiring Li Liufang's works, many professional painters say that it is a kind of enjoyment, you can see the authentic landscape wet ink painting method from under his pen and ink, and you can learn a research attitude of the ancient predecessors for traditional brush and ink in the field of painting.
Li Liufang's works are characterized by his own unique painting style by being good at the thick ink distribution of wet pens, and then combined with the meticulous painting style of the Song people.
A group of "Ink Landscape Atlases" is now treasured in the Nanjing Museum. And Li Liufang's group of albums has also become the object of everyone's imitation. Painting well, painting well, Li Liufang's research on realistic ink painting has reached an unprecedented level.
Compared with some exaggerated landscape paintings of the ancients, Li Liufang's works are more realistic and grounded, and his free brushwork and ink use show how deep his kung fu of traditional pen and ink is from the works.
Li Liufang's works have the characteristics of imitating the shadow of Dong Yuan, as well as the works of Shen Zhou in the Ming Dynasty. If you look down according to the footprints of the literati of history, Li Liufang can be regarded as a real interpretation of the authentic vein of the landscape painting style, beautiful is one thing, and there is no lack of atmosphere and artistic sense.
Some researchers have said that Li Liufang's master is Dong Qichang, and from his works, we can indeed see some of Dong Qichang's appearance. With the natural atmosphere of ink, the way of painting with wet ink is obviously more than that of master Dong Qichang.
However, through some details of the work, it can still be seen that his fresh and elegant paintings, for the control of ink, it is estimated that Li Liufang's works have reached a first-class level. But to discuss the degree of detail, Dong Qichang's dreamlike landscape map is more attractive.
Good works, you can see some things between pen and ink, the paintings of the ancients originally paid attention to a sense of artistic conception. Li Liufang's works have a certain depth, and the authenticity of its content is reflected through the brush and ink of landscapes, not exaggerated, maintaining a real state of mind of ancient painting.
Seeing words like seeing people, I don't know what everyone will think when they see his works? Compared with Dong Qichang's works, do you think Li Liufang's can surpass his master?'