Cloud Mountain is a magnificent tour
——Impression of the painter Wu Zhao
Wen - Liu Dashi
What is the use of the country, galloping freely.
What is the use of the wall, there is no gushing.
For an artist, it is also necessary to quench in the water and fire, like a meditator, a red dust love, a green light and a yellow scroll.
Mr. Huang Binhong's "Inscription Momei" Cloud:
Seventy years old to see the flower has been crippled, the first pity Mei Rui looked down.
Heqing can be easily encountered, and it is difficult to meet with the customs of driving.
Splendid embroidery and other idle breasts, Li Dragon Ball hugging the country and mountains.
If you want to leave a bright spot, your mind is leisurely and leisurely.
I love BinHong's master, poor his life, Li Long Bamboo, big opening and closing, and finally dacheng. From this, it can be seen that the roots of Chinese culture and Chinese painting and calligraphy are in life and years.
The ancients wrote about landscapes, which are considerable, swimmable, and inhabitable. I have always had doubts, and if I ask against the grain, this should be the origin of landscape painting, that is, to swim and swim and see.
Wang Weiju finally sang to the south: Every time xing comes and goes alone, victory is empty and self-aware. Walk to the end of the water and sit and watch the clouds rise. Pei Di has a poem of The River: Jielu Ancient City Down, Shi Deng Ancient City On. The ancient city is not the past, and the present people come and go. This is his poetic life with Wang Wei.
Today, it is not easy for my generation to go down to the ancient city of Jielu, and it is still possible to climb the ancient city. Therefore, the cloud mountain is more magnificent, and when the return is chanted, the chant is insufficient, then the painting is seen, so as to make the aftersound, the right should be around the beam, it is really an endless heart.
The painter Wu Zhao, a "little master" who has gone deep into tradition, has an ancient and interesting pen and ink, and his behavior is quite similar to that of the old scholars. His paintings are many temples, his people have ancient styles, and his traces are mostly left in the ancient sages.
Painting, which is sent by the state of mind, is the paradise in the painter's heart. Lin Quan is high, and my heart is in the other side. Thousands of miles back, smeared endlessly.
Wu Zhao said to himself: Living in the countryside as a child, the family mountain is nurtured, at the beginning of Danqing, he learned to paint more than he did in books, and copied more than lyrics. After entering and leaving the college, desk day and night, after painting, turning over books and traveling, traveling in the hills and valleys, wanting to open up the mind, in order to nourish the end.
See its ink handwriting, mostly in Jiangnan, pro-Buddha and Tao, literary style. For ten years, Jujing specialized in painting. Learning to seek knowledge, mitsuki and approaching the path, although life is like a message, but the joy is in it.
I saw Wu Zhao, a young man with a heavy heart, painting inside and outside, asking for the present and the past, physically and mentally, not exciting, especially respectable. I look at Wu paintings, my chest is full of feet, my intentions are far away, I am subtle, I see the vastness, and in time, how can I do nothing.
Some people say that in this era when smart people have wonderful splendid embroidery, there should be three or two stupid people. Wu Zhao, a painter, does not flow at any time, does not tend to be profitable, or is stupid. And this trick without tricks, when there is a gain, the years will not be negative.
Tiantai Mountain Series Sui Dynasty Pagoda 30x38cm Color on paper
Tiantai Mountain Series Shiliang Flying Waterfall 30x38cm Color on Paper
Kokuseiji series・There are mountains outside the mountain 30x38cm color on paper
Guoqing Temple series under the ancient trees of the courtyard 30x38cm color on paper
Ping trace Jiangnan series, Xinchang Great Buddha Temple 30x38cm color on paper
Ping trace Jiangnan series Wuzhen small bridge flowing water people 30x38cm paper color
Shaoxing Yan Brigade Series Bazi Go Head Smoke rain 30x38cm Color on paper
Laoshan Guanlan Series Yangkou Sketch 23x34cm Color on paper
Cape Series Shandong ChengshanTou Sketch 34x138cm Color on Paper
West Lake Dream Series Hangzhou Hupao Temple, 23x86cm color on paper
Canglang Pavilion series sketching 34x100cm color on paper
Suzhou Garden Series • Art Garden Rain 34x69cm Ink on Paper
Wuxi Travelogue Series JichangYuan 34x100cm Color on Paper
Wudang Qingdao Series Nanyan Lying Tour 88x34cm Color on paper
Wudang Qingdao series Nanyan Palace sketch 68x34cm color on paper
Lingyan Temple Series Rock Wall Autumn Sound 23x34cm Ink on paper
Xiling Visiting Ancient Series Lingshang Yunsheng 34x68cm Color on Paper
Iyayama series, Jingjuji Temple 38x100cm color on paper
Home Mountain Series Ewha Mountain Middle Childhood 90x180cm Color on Paper
Jiashan series Tingxiu in the old garden 100x35cm paper color
Saibei series on the summer dam
After the rain, lotus smoke green 20x46cm color on paper
Bamboo sketch by the window of the book 23x34cm color on paper
Wu Zhao WUZHAO
Wu Zhao, an independent artist, lives in Beijing. He has published professional papers, paintings, essays, books and albums. He has studied calligraphy and painting since childhood, and has taken reading, traveling, and painting as his way of life. Wu Zhao's paintings are known for their classical landscapes, Confucian and Taoist figures, literary house offerings, and Buddhist immortals, and are good at seal carving. The content of Wu Zhao's works is mainly to present the life scene of Yashi, expressing people's yearning for a leisurely and quaint and quiet life, and his painting style is timeless and gentle, reflecting humanistic feelings and ambitions.
In recent years, his works have been wonderful, and he has been invited to participate in cultural events and hold solo exhibitions many times. His works are collected by institutions and collectors at home and abroad.