Yu Yu was a famous scholar of the late Qing Dynasty. Zhang Taiyan was out of his door, which showed one of Yu Fan's learnings.
Yu Fan was also an influential calligrapher of the Qing Dynasty, and he liked to write books.
Among the scholars of the Qing Dynasty who were good at writing subordinates, it was difficult to enter the advanced camps of Jin Dongxin, Yi Bingshou, Deng Shiru, He Shaoji, and Zhao Zhiqian, and it should be said that they were similar to Zheng Gukou, Chen Hongshou, and Gui Fu, and he still had quite his own artistic characteristics.
Yu Fan's Lishu belongs to the "Lu Jun Monument" and "Zhang Qianbei". The pen is plump and thick, the knot body is neat and symmetrical, quietly reflecting its own authenticity, and has an ancient and elegant charm in the simplicity.
In addition, Yu Fan is also a master of drawing circles, as long as you pay attention to the word "樾" in his falling style, this is a joke, pure entertainment! Of course, it may not be unreasonable, huh!
Yu Fan (1821-1907) was a scholar, writer, paleographer, and calligrapher in the late Qing Dynasty. Zi YinFu, No. Qu Yuan, Zhejiang Deqing people. Daoguang Jinshi, Editor of Guanhanlin Academy, Henan Xuezheng. Can poetry, emphasis on novel drama. He was the great-grandfather of the modern poet Yu Pingbo, and Zhang Taiyan, Wu Changshuo, and Inoue Chen Zheng of Japan were all under his command. Yu Fan's calligraphy is unique, ordinary calligraphy, and the rate is based on the style of calligraphy. In the thirty-second year of Guangxu at the end of the Qing Dynasty (1906), when Chen Long, the inspector of Jiangsu, rebuilt the Hanshan Temple, he felt that the vicissitudes of change and the ancient stele did not exist, so he asked Yu Yu to hand-write the stone stele of "Fengqiao Night Berth".
At that time, although Yu Fan was 86 years old, he still used his full feelings, steady rules, and round strokes to make it all in one go. Dozens of days after Yu Fan wrote the book, he suddenly passed away, and the inscription of the poem became a masterpiece. It can be seen from the seven words of the Lishu collected by the Taixing Museum that Yu Fan's Lishu integrates the characteristics of the calligraphy, has a dignified and dignified temperament, although it is horizontal and vertical, and rarely uses waves, but it does not feel stereotypical and monotonous; the knot is close to square, introverted and subtle, without sharp and sharp, but showing an ancient and simple meaning.
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