Why haven't I slept yet? Because going to sleep after crying will become silly. Why do you cry? Because looking back at [Hua Kui Du Ten Niang].
Lying on the bed, people's thoughts came to mind the melody of "Wan Hua Lou" sung by Li Jiaxin, remembering the Hong Kong movie [Hua Kui Du Shi Niang] li Jiaxin played Du Shi Niang, Wu Yanzu played Li Jia, and Shen Dianxia played the night fork mother.
The play begins with the story of Night Fork Mother telling herself and telling Du Shiniang, paying attention to a detail, she burns paper while talking. Her lines first explain the relationship between Ten Two and Ten Niang. It was a lady who bought it with ten taels of silver. This drama is very good, the plot is interlocking, and every line is not given in vain. Each plot has a deep meaning, and the previous plot is also paving the way for the future.
Including interspersing the emotional line between Twelve and the puppy, it not only confirms the prophecy of Shen Dianxia's previous lines, but also portrays the characters of Du Shiniang, Li Jia, and puppies into three points. Including the previous Du Shiniang wanted Li Jia to call his wife, he refused. Finally I saw a chest of treasures, one by one called the wife. The plot of the bald man, the plot of the puppy, and Li Jia all confirm the three views of the man in the plot, and the man loves the c woman.
And Shen Dianxia's lines, some are foreshadowing, some are prophecies, and some are explaining the background. (For example, her lines warn against real feelings for men, and she says to Twelve, you tell the puppy, you j 3 or 5 men, see if he wants you?) Including the previous ten two on the ground to pick up copper money for the puppy, the puppy's suspicion of the twelve is for the next ten in order to return the ten niang, collect her money, help her test Li Jia, and then the puppy misunderstands to leave and does not listen to the explanation to pave the plot. ）
A scene that is still fresh in memory is when Li Jia pushes away when he throws a hug. But after finding the hanger, the twelve fierce ^3^ and confession formed a sharp contrast with the previous one. Including the end, Li Jia sold the ten niangs to Sun Fu, and drunkenly read the names of the twelve, which was intriguing.
In the ending, the dialogue between Du Shiniang and Li Jia is also classic. Before the plot laid the groundwork, Li Jia did not call her wife no matter how much the tenth lady threatened and seduced, and the treasure was seen, and the word wife blurted out, endlessly. Li Jiaxin's expression can be seen that she mourns more than her heart dies, so she jumped into the river, it is worth mentioning that at the end of the film, Du Shiniang was wet, and the seaweed hanging on her head went back? Is it true that he didn't die back? But when the night fork mother tells the story, the paper is burned. When Li Jiaxin came back, she seemed to see through the red dust and did not believe in love, but she saw another person, which was also Wu Yanzu's interpretation.
It's just that this time it was a short haircut, and Du Shiniang's eyes seemed to be a little moved. Looking back at Du Shiniang before jumping into the river, Li Jia blamed Du Shiniang's suspicious personality for making him tired, and blamed Du Shiniang for liking to tempt people, borrowing Li Jia's mouth to point out this version of Du Shiniang's personality, while strengthening Li Jia's personality.
It's just that Du Shiniang threw the treasure and jumped into the river, even if Li Jia was distressed about the treasure, but the name of Du Shiniang could be interpreted as lost, and only then did he know that he loved her, or was it just guilt? (Whether it is the character of Du Shiniang in this version or the character of Li Jia and Puppy, they are all satires on the same type of personality and three views of real society.) Watch this film once, cry once, interested friends can feel the plot by themselves, good night [sleep] [sleep]