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Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

author:Representative of the calligraphy and painting class
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

As we all know, good calligraphy is inseparable from tradition, whether it is the formal technique of expressing calligraphy itself or the cultural content of carrying calligraphy. If calligraphy itself is concerned, Shigu is a necessary way to learn calligraphy. On the road of Shigu, there are two major schools of theology and epigraphy, most of the scholars of the good stele are known for their cursive writing, and most of the scholars of the good stele are known for their seals, and the calligraphy is both to be mastered.

By the time calligraphy developed into the Republic of China period, it was extremely rare for all kinds of calligraphers to be good at it, and most calligraphers were known for their integration. For example, Tan Yanmin, Hu Hanmin, Wu Zhihui, and Yu Youren, who are known as the "four great scholars of the Republic of China", are known for their own caoli. In this issue, we will introduce The Calligraphy of Hu Hanmin.

Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

Hu Hanmin's calligraphy is especially famous for his calligraphy. Its lishu or ancient clumsy and vigorous, thick and spicy, or subtle and introverted, clean and concise, deeply won the charm of Han Li's "Cao Quan Stele", "Ceremonial Instrument Stele", "Shi Chen Stele" and other famous monuments. Among these books, Hu Hanmin most liked to write the "Cao Quan Stele" in the style of writing, with a beautiful spirit and a loose and upright style.

Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

However, in addition to the Lishu, Hu Hanmin's writing is also quite accomplished, but because of his achievements in the Lishu, it is often easy to be ignored. His writing is written in a method, the silk is buckled, the lines are thick and relaxed, the majestic is free, and the chapters and methods are rigorous and natural, and the odd and positive are leaning on each other. In short, Hu Hanmin's calligraphy belongs to the characters with deep traditional cultural roots, and this alone is worth learning from today's "celebrities" who only care about their personality.

Back to the main topic, let's enjoy Hu Hanmin's works together on the book -

Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

Hu Hanmin (1879.12-1936.5), young name Yan Stork, later changed his name to Yanhong. Word exhibition hall, the late number is not the lord of the room. "Hanmin" is the pen name he used when he published articles in Minbao. He was a modern Chinese democratic revolutionary, one of Sun Yat-sen's main assistants, and presided over the compilation of the Complete Works of the Prime Minister. He was chairman of the National Government in Nanjing, Republic of China, and chairman of the Kuomintang of China. He is the author of "Poetry of the Bu Kui Room" and "Autobiography of Hu Hanmin".

Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters
Hu Hanmin's Lishu is clumsy and energetic, implicitly introverted, and the writing is sparse and upright, and it is good to rely on each other and good characters

Wen 丨 Calligraphy and Painting Class Representatives, more high-definition Jinshi calligraphy and painting works and the stories behind them, welcome all friends who love calligraphy painting and seal engraving to pay attention to us! Every time you "like, comment, favorite, forward and share" is our support, but also an important driving force for us to continue to create! We will continue to create and share more high-quality content, and live up to the original intention of "collecting the essence of golden stone calligraphy and painting".

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