A few days ago, I encountered such a question: After all, what are the scenes in the West Lake in June?
After all, in the middle of June in West Lake, the scenery is not the same as the four o'clock. The lotus leaves are infinitely blue, and the lotus flowers are different red. "Xiao out of the Jingci Temple to send Lin Zifang"
<h3 class="pgc-h-arrow-right" > preface</h3>
This question is not worth answering in itself, just list the scenes in the poem.
But have you ever thought that The title of Yang Wanli's poem is "Xiao out of the Jingci Temple to send Lin Zifang", but the whole poem is only written scenes, and there is no other word to send, why?
Song Shi Shangli, this poem that completely writes the scene, is not simply a scene. The so-called all scenery language is also a love language, which shows that Yang Wanli's poem has a very deep meaning.
We can start with Zhu Xi's reading of the book.
<h3 class= "pgc-h-arrow-right" > first, for the source of living water, Zhu Xiguanshu has a sense of what he wrote</h3>
Half an acre of square pond opened, and the sky light and clouds lingered together. Q The canal is as clear as promised? For there is a source of living water to come.
At first glance, this poem is also written, but the title is "Looking at the Book with Feeling", which is a philosophical poem that expresses the reading experience.
In the scenery in front of him, there are clouds and clouds, and there is a pond of clear water, which reminds the poet of the continuous stream of water upstream. The acquisition of knowledge, just like the source of living water, the sky and clouds on the side of the pond are the feelings of the soul when acquiring knowledge, and the clear water in the pond is the full harvest of the readers.
The author is not necessarily, and the reader is not necessarily not.
This kind of work with lyrical scenery and metaphor, the poet intends to arouse the reader's rich association when creating.
Then, let's look at Yang Wanli's song "Sending Lin Zifang to the Jingci Temple".
<h3 class= "pgc-h-arrow-right" > second, the lotus flower is different red, what does it mean</h3>
After all, in the middle of June in West Lake, the scenery is not the same as the four o'clock. The West Lake is in Hangzhou, and Hangzhou is not only a beautiful scenery, but also the capital of the Southern Song Dynasty.
In the poem, the poet emphasizes the West Lake in "June", saying that "the scenery is not the same as the four hours", but in fact, what he really wants to highlight is the word "different".
The "difference" here can be experienced by Yang Wanli's good intentions. This is to tell friends that the scenery of Hangzhou is good, the environment of the career is good, and it is completely different from other places.
The lotus leaves are infinitely blue, and the lotus flowers are different red. Of course, these two poems are written scenes, but the scenes here have another deep meaning.
Both heaven and day allude to the emperor, or the power center of the imperial court.
In the Tang Dynasty, there was a saying: Chengnan Weidu, go to the sky ruler five. Du Fu's poem "Seven Praises for Wei" also writes:
There is no shortage of sages in the township, and Duling Weiqu is not in front of the yang. The Erjia family recently had three elephants, and the time theory was the same for five days. Go north to guanshan to open rain and snow, and south to travel to the flowers and willows to plug in the clouds. Dongting spring color sad prince, the cabbage forgot to return to Fan Li ship."
Near the heavens, the Wei and Du families produced countless high-ranking officials, including Wei Hongmin, Wei Chengqing, Wei Juyuan, Wei Anshi, Wei Wen, Wei Jiansu, Wei Chuhou, and so on; the Du family had Du Ruyi, Du Yan, Du You, Du Yuanying, Du Zhenquan, Du Zhenglun, and so on.
Knowing the meaning of "shaku five days", we understand what it is: the lotus leaves are infinitely blue, and the lotus flowers are different red.
<h3 class="pgc-h-arrow-right" >3. </h3>
Yang Wanli said, after all, you Lin Zifang is a figure like a lotus leaf and a lotus flower, with infinite blue and different red conditions, why should you leave Hangzhou?
Lin Zifang was then serving as the secretary of the Zhi Cabinet (the civil official responsible for drafting the edict for the emperor, similar to the emperor's secretary). At that time, Yang Wanli served as a secretary and a young supervisor and a prince attendant, he was Lin Zifang's superior and friend, and the two regarded each other as confidants.
Lin Zifang's name is Lin Fang, and Zi Fang is a word. He is a native of Putian, Fujian, and now that he has been promoted and transferred from Zhifuzhou in Hangzhou, Lin Zifang, who has returned to his hometown, is naturally very happy.
However, Yang Wanli held an opposing opinion, and wrote this poem to advise Lin Zifang, how good are you to be around the emperor, why go to Fuzhou?
<h3 class= "pgc-h-arrow-right" >4, Yang Wanli's seven laws, send Lin Zifang</h3>
In addition to this famous poem, Yang Wanli also wrote three seven-word poems to bid farewell to Li Zifang. "Send Lin Zi Fang Zhi Ge Secretary will Cao Min Ministry three songs one of them"
Only then did he take advantage of the front car to enter the Imperial Pass, and then he took the envoy across the family mountain. As a fairy tea in the Shiba field, in the room of The Straight Penglai.
Shake hands and talk about yarn hat points, envy Jun daytime embroidery clothes also. In the coming year, he paid tribute to Yun Longbi, and he was embellished with golden luan jade bamboo shoots.
Fengche, an express train taken by ancient officials who had an emergency to return to the imperial court. Soon after you were recalled by the imperial court, you were released again, and this time you returned to your hometown: you went through the mountain with an envoy.
However, this poem did not persuade him to stay, but "envied the king daytime embroidery clothes." Sima Qian's "History of Xiang Yu Benji" said: "Rich and noble do not return to their hometown, such as clothes embroidered at night, who knows!"
It can be seen here that Yang Wanli congratulated his friends who returned home.
<h3 class="pgc-h-arrow-right" > concluding remarks</h3>
As the emperor's secretary, although the official position was not large, but the impact was not small, Yang Wanli did not want to lose such a friend. I don't know if it's a pity for Lin Zifang, or a pity for losing an official partner for himself?
Knowing this meaning, we will better understand that the poet speaks so euphemistically, which is the so-called purpose of the wind and man.
@Old Street Taste
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