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Na Ying's concert said that the eleventh was May Day, and the interaction was cold, and he bowed his head and dressed in a panic at the end
"The Different Pursuits of Two Singers"
During the National Day holiday, the Chinese music scene set off a trend. Famous singers Daolang and Na Ying have held solo concerts in Guangzhou and Macau, which have attracted widespread attention from fans and media.
Judging from the concert scene of the two singers, the two show obvious contrasts. Daolang's concert had a warm atmosphere, the audience responded enthusiastically, and the scene seemed to be transformed into a chorus of 10,000 people; And Na Ying's concert was a little jerky and embarrassing, and she even mistook the National Day as "May Day" when interacting with the audience. This striking contrast reflects the difference in the pursuit and values of the two singers.
Daolang attaches great importance to intimate interaction with fans
It can be seen from the report that Daolang's concert was well received by the audience. Even in a big city like Guangzhou, it attracts many fans. The atmosphere at the scene was lively, and the fans spontaneously sang collectively and cheered continuously, which moved Daolang to tears. This kind of intimate interaction with fans reflects that Daolang has always attached importance to the "spiritual connection" with fans.
As a veteran singer, Daolang has been focusing on music creation for a long time, but he has never alienated the majority of fans. On the contrary, he cherishes the interaction with his fans as an important part of his career. Through the interaction on and off the stage, Daolang not only won the enthusiastic support of fans, but also enhanced his artistic appeal. The reason why classic works such as "Cantata" are widely sought after is inseparable from the concept that Daolang has always attached importance to connecting with the hearts of listeners.
Na Ying pays too much attention to image packaging
In comparison, Na Ying's concert was a little blunt. Judging from the live video, she was a little embarrassed when interacting with the audience, not only mistakenly saying that the National Day was "May Day", but also unceremoniously asking "Why don't you open your mouth?" when the audience did not cooperate, these performances revealed some jerky.
The reason for this should be related to Na Ying's attention to image positioning. In the past few years, she has been under pressure from public opinion due to her participation in the controversy of "Rakshasa Sea City", and there is no lack of criticism of her image packaging. For this reason, Na Ying was too restrained and deliberate in her solo concert, ignoring the importance of natural communication and interaction with the audience.
Although Na Ying is still very good in terms of singing strength, she seems to be too focused on the appearance and packaging, ignoring the connection between the music itself and the fans. This also reflects the dilemma faced by some middle-aged female singers - they must find a balance between musical strength and image packaging.
The impact of different pursuits
The obvious difference in the response to the two singers' concerts is not only their personal characteristics, but also their different pursuits of career and life goals.
Daolang attaches more importance to the spiritual interaction with fans, which makes his musical talent widely recognized and has won him a good reputation. Even if he doesn't release new works for a long time, he is still popular with fans. Na Ying, on the other hand, pays too much attention to the appearance and packaging, and although she has also won a good concert box office, she has gradually lost the natural sense of communication with the audience.
Different career pursuits will inevitably affect the social image and artistic value of singers. With years of persistence and accumulation, Daolang has become an indispensable cultural symbol in the hearts of the people. And although Na Ying has an extraordinary status in the music world, because she pays too much attention to image packaging, she makes herself seem a little "out of the masses". This also made her popularity decline and was ridiculed by some netizens.
How to choose the way forward
At present, the two singers, Daolang and Na Ying, are at different stages of their careers and lives. Although Daolang is over the age of six, he still maintains a close connection with the younger generation of fans and has won wide recognition. Although Na Ying has entered middle age, she seems to be too obsessed with the appearance and packaging, ignoring the inner communication with the audience.
This comparison can't help but make people think, for middle-aged singers, how to deal with the balance between musical strength, image packaging and fan interaction? Should we be like Daolang, insist on using music itself to move the audience and establish a deep connection with fans? Or should we pay more attention to the appearance and packaging and stage effects like Na Ying? Or should we find a new balance between the two?
This is not only the choice faced by Daolang and Na Ying, but also a problem that many middle-aged singers need to think about seriously. They should find a better balance between music creation, artistic image, and fan relations. Only in this way can they continue to maintain their advantage in the fierce market competition and dedicate better works and performances to the audience.
It's also worth thinking about as a general audience - what are the qualities that a truly good singer should have? Is it to focus on the inner charm of the music itself, or to focus too much on the packaging of the external image? Or is it the right combination between the two? This is not only an artistic issue worth exploring, but also an important issue related to social values. Let's wait and see how these two Chinese music superstars will continue to write a new chapter in their lives.
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