There is an old saying in the cross-talk door: "Wen is afraid of "Article Society", and Wu is afraid of "Big Bodyguard"" "." The difficulty of the performance of "The Big Bodyguard" lies in the fact that the actors have to cooperate with the performance on the stage to compare the knife and gun frame, and it is not simple to really do one move and one style without showing timidity. Although "Article Will" does not have too many physical performances, it has relatively high requirements for character shaping, and the characters portrayed must make the audience feel credible, and the baggage can be sounded. If the actor makes the traditional work of Wen Wei if it is not well controlled, it is easy to make Wen Wei warm.
The tradition of "Article Society" has different ways for different actors to live, and the performance effect is not the same. For example, Third Master Ma added a personal symbolization element to this section. Whether it is the role of "Ma Shanyao" or the bottom of the "Main Examination Outside the Door", it has become a unique method of Ma Sanye, which is deeply engraved in the hearts of the audience. If you copy it unchanged, change two to make it, and guarantee a "mud" to the end. Don't say it's other peers, even if the young Ma Ye makes this paragraph, he doesn't dare to copy it, only because in the audience's mind, "Ma Shanyao" is only Ma Lao.
Ma Zhiming's performance of "Article Meeting" is also highly respected by the audience. Like his father Ma Sanli, Shaoma also made a second creation on the basis of the traditional cross-talk "Article Society". Compared with Ma Sanye's version, the performance of shaoma is more popular. The original fake literati in this piece of work were changed to pull foreign cars, and this change undoubtedly added a lot of new baggage. In the scoop section, the covered head uses "running, geography" to bring out the real identity of the characters. Ma Xie's method of making a plan is also slightly tinged with the meaning of a wenhuo martial envoy. However, this is also a double-edged sword, and the popularity is at the expense of the rationality of the paragraph. The traditional fa makes the fa tease from beginning to end, and it is not until the bottom of "Wang Erjie Sifu" that it is completely exposed. The porcelain paving the groundwork makes the bottom baggage louder.
On the other hand, although the bottom of the "super consultant" is also very loud, the audience has woken up from the baggage of "people and depots" and "the principal is Liu Siye" in front. At this point, the audience has decided that the comic character is not a student at all, but a foreign car puller. Later, it seems absurd to introduce "Kang Shengren's question", and Kang Youwei is even more unlikely to visit the depot.
In addition, Ma Zhiming and Xie Tianshun cooperated in "Article Society" in the 1980s, and when performing, how to tease is valued by Kang Youwei. But everyone knows that it has been nearly 60 years since Kang Youwei's death. At this time, if you insist on intersecting with Kang Youwei, it is tantamount to "Guan Gong Zhan Qin Qiong", and he is not a person of the times at all. Once the audience feels unbelievable, even if the baggage behind it rings again, it is also shaken for the sake of shaking the baggage. Another point is that during the cooperation between Ma Xie and the file, Ma Zhiming, no matter which piece of work he made, he more or less brought out the "criminal dog" on the stage. Only the "Article Society" section only has a "criminal dog", which goes against the original intention of the character.
Among the many other cross-talk actors, there is also an old gentleman's "Article Meeting" that is quite representative, he is Su Wenmao. Mr. Su's interpretation basically follows the traditional method of making, but also adds a lot of new baggage. The audience is most familiar with nothing more than cleverly borrowing the baggage of the cross-talk predecessor Zhou Toad.
Zhou Deshan's name is well known among the old audience, and the image of toad master with his own joy is not abrupt to be named as the president of Peking University. Such a change not only avoids disrespect for Peking University President Cai Yuanpei, but also arouses strong resonance among the audience. This innovation was later emulated by many young cross-talk actors, such as Liu Chunshan and Xu Jian, who replaced the principal with Liu Wenbu, who was more familiar to Tianjin audiences, when making this period.
In addition, the end of the Su version of "Article Society" also has a good burden that makes people shoot the case. Taking Ma Zhicun as an example, when it comes to Kang Youwei's surprise when he sees me, he shaves a sentence: "This Kang Youwei has never seen such a deflated person" The burden turned over. Without waiting for the audience to ease up, he then teasingly turned over the baggage of the "second floor", "What is this called, this is Mr. Kang's surprise when he sees the author of this article, not surprised to see my mouth." This is a physical deficiency and cannot be insulted. "The baggage that Mr. Su added according to his personal image characteristics not only has no sense of violation, but also does not belong to the external flower arrangement. In the old society, the bottom of this traditional life was originally "digging gourds", which was a stinky bottom. Su Wenmao changed to the net bottom of "Bahuru" during the performance. This purification improvement also benefited from Mr. Su's master, Mr. Zhang Shouchen.
Old gentlemen often say: "The baggage is the most delicate thing, almost no sound." "In fact, compared with the trembling baggage, it is more difficult to talk about reason.