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From "once in a thousand years" to "national wife": the "traffic password" of Japan's post-90s actresses
In the past two days, the circle of friends has been swiped by Dong Chou again, but this time it is not because of the new song, but because of a MV called "Say Yes and Don't Cry". In the MV, the pure and sweet heroine Miyoshi Saika became popular overnight and quickly became the new "national wife". This also reminds me that some time ago, another Japan actress, Kanna Hashimoto, who is known as "a beautiful girl once in a thousand years", also set off a frenzy on the domestic Internet because of a set of photos.
From "once in a thousand years" to "national wife", what kind of "traffic password" is hidden behind these labels? What inspiration can the popularity of Japan's post-90s actresses bring us?
1. "Beautiful Girl" Economy: Appearance is Justice?
It is undeniable that whether it is Kanna Hashimoto's "once in a thousand years" or Miyoshi Saika's "national wife", their appearance is an important factor in their popularity. In the Internet era of information explosion, a delicate face can often quickly catch people's attention and become the entrance to traffic.
Just relying on appearance, can you really gain a firm foothold in the highly competitive entertainment industry? The answer is clearly no.
2. Strength and personality: the "real kung fu" behind the traffic
If you look closely at the acting experience of these post-90s actresses in Japan, you will find that they are not as simple as "vases".
Na Sanji Caihua debuted as early as 2007 and participated in many film and television works. And Kanna Hashimoto is not only the label of "beautiful girl", her performance in the movie "Miracle" shows acting skills that are not inferior to adult actors.
In addition to strength, "personality" is also an important factor in the popularity of these actresses. For example, Jun Muraka's image of a "healing goddess" and Satomi Ishihara's "fashion icon" character have attracted a large number of fans for them.
3. Cultural Export: The "Soft Power" of Japan Culture
The popularity of Japan's post-90s actresses is also inseparable from the export of Japan culture. From anime and games to film and television productions, Japan culture has a huge influence on the world. And these actresses have become the "spokespersons" of Japan's cultural export.
For example, the TV series "Escape is Shameful but Useful" starring Yui Aragaki has been loved by domestic audiences because of its light-hearted and humorous style and exploration of Japan social phenomena.
4. Fan economy: The power of fans should not be underestimated
In the age of the Internet, the power of the fan economy should not be underestimated. And the popularity of Japan's post-90s actresses is also inseparable from the support of fans.
From supporting the charts to buying peripherals, fans use practical actions to contribute to the acting career of idols. The interaction between idols and fans has also become an important means to maintain fan loyalty.
5. Aesthetic differences: turnip greens, each with its own love
For the appearance of Japan's post-90s actresses, not everyone buys it. Some people think they are innocent and cute, while others think they lack recognition.
In fact, this also reflects the aesthetic differences of people in different cultural backgrounds.
What do you think of the popularity of Japan's post-90s actresses?
From "once in a thousand years" to "national wife", the popularity of Japan's post-90s actresses is not only a combination of appearance and strength, but also a joint effect of cultural output and fan economy. For us, we may be able to learn from some successful experience and create our own "traffic password".
So finally, I would like to ask: What efforts do you think Chinese actresses need to make if they want to gain greater influence in the world? What do you think about this?
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