CNCC2024
Brief introduction of the forum:
Art, AIGC and New Productivity
Time: 13:30-17:30 on October 25
Location: Autumn Garden-2nd Floor, Hanhui Building
Note: If there is any change, please refer to the final information on the official website (https://ccf.org.cn/cncc2024).
The comprehensive involvement of AI in artistic creation is making art face a "crisis". This forum will deeply discuss the application and development of AIGC in the fields of music, art, design, film and television, and theater, analyze the technical implementation and effects of AI in various art fields through specific case studies, and focus on how to use AI to improve creativity and productivity, as well as the impact of AIGC on the art market and the survival of artists. In addition, the forum will explore the balance between technology and human creation, focusing on the uniqueness and humanistic value of AI-generated artworks, as well as the impact of technology on traditional art creation. Promote innovation through cross-disciplinary exchanges, and promote the development of related research and industry.
Forum Agenda
order | topic | Keynote speaker | unit |
1 | The Revolution of Design Thinking in the Intelligent Era | Wu Qiong | Tsinghua University |
2 | Image creation and exploration of artificial intelligence + Chinese aesthetics | Liu Mengya | Beijing Film Academy |
3 | Technology empowers the inheritance and development of Chinese dramas | Song Zhen | Central Academy of Drama |
4 | From generative art to art based on multi-agent systems | Chen Baoyang | Central Academy of Fine Arts |
5 | How AI is reshaping music creation | Luan's family | Shandong Normal University |
Panel link | Li Xiaobing | Central Conservatory of Music | |
Wu Qiong | Tsinghua University | ||
Liu Mengya | Beijing Film Academy | ||
Song Zhen | Central Academy of Drama | ||
Chen Baoyang | Central Academy of Fine Arts | ||
Luan's family | Shandong Normal University |
Introduction of the chairman and guests of the forum
Chair of the Forum
Li Xiaobing
Director of CCF Computational Art Branch, Professor and Doctoral Supervisor of the Central Conservatory of Music, and Director of the Department of Music Artificial Intelligence
Cultural master and "four batches" talents, experts enjoying special government allowances from the State Council, chief expert of major national social science projects, director of CAAI Art and Artificial Intelligence Special Committee, and leader of the "National University Huang Danian-style Teacher Team". He has won awards at home and abroad, such as the Golden Bell Award, the Wenhua Award, the first prize of the National Opera and Dance Drama Award, and the "Five One Project" Award of the Central Propaganda Department.
Forum Speaker
Wu Qiong
He is a professor at Tsinghua Academy of Fine Arts and a Young Changjiang Scholar of the Ministry of Education
He is currently the Secretary-General of the Industrial Design Art Committee of the China Artists Association, the Deputy Director of the Design Committee of the Beijing Artists Association, the Director of the Design Innovation Committee of the Beijing Interdisciplinary Society, the Vice Chairman of the Beijing Yanqing District Federation of Literary and Art Circles, the Editorial Board Member of the Special Issue of "Leonardo", the Editorial Board Member of "Design Studies", and the Judge of the "Good Design Award".
Title: The Transformation of Design Thinking in the Intelligent Era
Abstract:As the core content of design discipline, design thinking has become an important thinking method for many disciplines to analyze problems and find solutions. The report will mainly introduce the characteristics and specific methods of design thinking in the new era, the changes in tools, and the challenges and opportunities faced by designers.
Liu Mengya
Professor of Beijing Film Academy and Vice Dean of the School of Digital Media
National high-level young talents, outstanding talents of Beijing universities. His main research interests are in the fields of interactive image creation, digital media and interaction design, and he has presided over a number of projects such as the National Art Fund, the National Social Science Fund of Art, and the Engineering Center of the Ministry of Education.
Title: "Image Creation and Exploration of Artificial Intelligence + Chinese Aesthetics"
Abstract:At present, with the continuous breakthrough of digital and intelligent technology, the creative concept, creative method and experience logic of images have undergone considerable changes. The breakthrough development of modern science and technology such as artificial intelligence has shaped a multi-dimensional and cross-cultural digital image ecology, which has affected the creation and dissemination mode of art, and brought new vitality to the creation of contemporary image art. The creation of artificial intelligence works with Chinese aesthetics brings new possibilities for its precise output and modern communication on the basis of inheriting and innovating the excellent traditional Chinese culture.
Song Zhen
Professor and doctoral supervisor of the Central Academy of Drama, Secretary of the Party Branch and Director of the Department of Digital Drama
Director of the Contemporary Inheritance and Innovation Center of Traditional Drama, Director of the Advanced Research Center for the Digitization of Traditional Drama.
Title: "Technology Empowers the Inheritance and Development of Chinese Drama"
Abstract:In the digital era, digital technology composed of information technology and intelligent technology is booming. In this context, the Central Academy of Drama took the lead in conducting digital exploration experiments on the digitalization and high-level inheritance of traditional drama, the extreme utilization of physical theater space, the development of twin digital actors, and LED digital virtual shooting, creating a digital drama department, promoting the deep integration of culture and technology, and exploring the art form and communication mode of future drama with scientific experiments that are pioneered and piloted, bringing a new aesthetic experience to the audience, and promoting the dual process of cultural inheritance and innovative development.
Chen Baoyang
He is a teacher at the School of Experimental Art and Technology at the Central Academy of Fine Arts, and a researcher at the Beijing Advanced AI and Data Art Laboratory
He has won several awards for science and technology art, and has exhibited in major museums around the world, and is the co-curator of the Asian Digital Art Exhibition. He is the author of the "AI+ART CAAI Series of Research Reports".
Title: From Generative Art to Convergence of Art Based on Multi-agent Systems
Abstract:In the development of the integration of AI and art, generative art demonstrates the ability of machines to imitate human art by automatically generating images and videos through algorithms. The non-linear human-computer interaction of AI enhances the interactivity of the work, introducing the concepts of "intention" and "feedback" of the machine. Through the interaction between agents, the multi-agent system demonstrates the ability of self-adaptation and learning, promotes the exploration of artistic creation to a higher system, and deepens the philosophical discussion of machine consciousness.
Luan's family
Secretary-General of CCF Computational Art Branch, Associate Professor of Shandong Normal University, Director of Music Creation Research Center
Young composer, Ph.D. of the Central Conservatory of Music, Secretary-General of the CAAI Art and Artificial Intelligence Committee. He has won many national music creation awards, and has organized and planned various academic activities such as the World Music Artificial Intelligence Conference (SOMI).
Title: How AI is Reshaping Music Creation
Abstract:The comprehensive intervention of artificial intelligence in art is triggering an unprecedented "crisis" in the art field. From the perspective of music creation, this report will focus on the creative examples of the teachers and students of the electronic music composition major of the Central Conservatory of Music in exploring future music forms and the combination of AI and electronic music. In this way, we will explore the transformative impact of the era of artificial intelligence on music creation, as well as the thinking about the future form of music.