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Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

author:Pleasant sunshine

Preface

Recently, a dance work called "The Feast of Feathers" has sparked heated discussions and controversies in the art circle. The work was created by the famous dance artist Yang Liping, and the focus of controversy is mainly on the aesthetic concepts and artistic expressions displayed in the work. What kind of work can cause such a big response and controversy? Let's take a look at this controversial dance work and the interweaving of art and morality in it.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in
Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

1. The story behind the work

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

"The Feast of Feathers" is a large-scale original stage work launched by Yang Liping after many years, and the inspiration for the work is closely related to the peacock. In Yang Liping's view, the peacock is not only a beautiful bird, but also one of the symbols of the traditional culture of the Chinese nation, so she hopes that through this work, the noble image of the peacock and the original vitality can be perfectly combined, so as to present the audience with a visual and spiritual feast.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

However, shortly after the premiere, some audiences and critics questioned and criticized the work, believing that the peacock image shown in it was too "primitive" and "wild", deviating from the "noble" image in people's minds, and even touching the bottom line of morality and ethics to some extent. Such a negative evaluation made Yang Liping deeply confused and aggrieved, and also plunged the entire dance world into a deep speculation on art and morality.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in
Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

1. The conflict between art and morality

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

1. The tension between tradition and innovation

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

Behind this speculative controversy is actually a tension between tradition and innovation. As an excellent dance artist, Yang Liping has always insisted on integrating traditional Chinese culture into her dance creations, and "The Feast of Feathers" is no exception, and the peacock elements contained in it are a profound expression of traditional culture.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

However, when traditional culture meets contemporary stage art, it will inevitably face the problem of how to innovate and break through, and this is precisely the challenge that Yang Liping has to face. In the work, the image of the peacock seen by the audience is not a "dancing peacock" in the traditional sense, but is presented on the stage in a primitive, almost "beast" form, which will undoubtedly conflict with the traditional image in the audience's mind, thus triggering some negative emotions and evaluations.

2. Diversity of aesthetic standards

On the other hand, the controversy highlights the important role that the audience's aesthetic standards play in contemporary stage art. Among the many audiences and critics, some people gave positive comments to "The Feast of Feathers", believing that although the image of the peacock shown in the work is different from the tradition, it can perfectly interpret the vitality and beauty of the peacock through the original form of dance expression, bringing people a new artistic shock and feeling.

In fact, this kind of differentiated evaluation also reflects how important the audience's aesthetic concept is in contemporary dance art, and the works presented by the artist do not necessarily cater to everyone's aesthetic expectations, but should encourage diversified aesthetic concepts, so that the audience can feel different artistic tension and emotional resonance, so as to expand the understanding and tolerance of art.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

2. The balance between art and morality

1. Free space for artistic creation

In the face of so many controversies and doubts, Yang Liping also said in an interview that as a dance artist, she has always been thinking about the meaning of artistic creation and expression, and she also knows that she shoulders the mission of inheriting and innovating the excellent traditional Chinese culture. Inspired by such a sense of mission, she hopes to bring deep thinking and perception of life and beauty to the audience through her dance works, so as to stimulate people's deep emotional resonance.

It is precisely based on the adherence to the mission of artistic creation that Yang Liping was not swayed by the negative voices of the outside world in the creation of "The Feast of Feathers", but bravely integrated her unique understanding of the peacock image into the work, giving the peacock another new meaning of life and emotional expression, and allowing the audience to feel the impact of art and the enlightenment of ideas in the process of appreciating the work.

2. The relationship between art and society

Of course, in artistic creation, the works presented by the artist are not detached from the realistic background of society and the aesthetic expectations of the audience, but are closely related to the cognition of the society and the audience. Therefore, the audience's evaluation and feedback on the artwork are also of important reference significance, which can help artists more fully understand the value and significance of their works.

In this context, the interaction and communication between artists and audiences is particularly important, artists need to listen to the voices and feedback from different audiences, draw valuable creative inspiration and collision of ideas, and the audience should also understand and appreciate artworks with an inclusive and open mind, constantly expand their artistic vision and emotional expression, and participate in the creation and dissemination of art together with artists.

Yang Liping didn't have any clothes on stage? The costumes are all painted, and the camera is too "focused" when zoomed in

epilogue

As a dance artist, Yang Liping has to face not only the lighting and applause on the stage, but also the in-depth thinking and challenges of art and morality, tradition and innovation. The controversy itself may be the most genuine affirmation and concern for the work of art, and through the controversy, it can trigger more people's in-depth thinking and discussion on art, and promote the diversified development of art and the artistic inclusion of society.

Perhaps one day, when we walk into the theater again and enjoy the fascinating dance works, we will be more brave to face the emotional impact brought by the works, and feel the charm of art with an inclusive and open heart, because it is this kind of tolerance and understanding that can make art shine forever in contemporary society and bring endless emotional inspiration and ideological resonance to people.

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