1. Emotions are prepared for the parties, words are prepared for third parties, and the skills of integrating affection are prepared for the people of the future.
2. The pure reader cares only about emotions and thoughts, followed by skill, and the poet reader only cares about skill, followed by feelings. Because the former needs to be moved, and the latter is to learn. Only the reader of the bosom friend can read the moving in the feelings, the transcendence in the skills, and the future in the selflessness.
3. It is difficult to preserve individuality in the era of commonality, and it is difficult to find commonality in the era of individuality. This is a wake-up call from the history of poetry. In the great changes between the old and the new, everything is inevitably painful and chaotic, and whoever can take the initiative to get the best luck in the ten thousand misfortunes is the master of the poem.
4. Can poetry beat WeChat? Can poetry beat Weibo? Can poetry beat the national karaoke? Can poetry beat TikTok? Maybe no one can, because everyone has to exist. Maybe the strong are king, maybe the strong join forces.
5. Some poems only have ideas and correctness, but do not have the feeling of sticking to the flesh, so they are illusory and unreal, like a distant glimmer, although it flickers faintly but there is absolutely no temperature. As much as it evokes hope, it can't revive cold souls.
6. Poetry must have a profound experience in order to awaken the numb man to live again, but this time it is a triumph of pain, because the soul has awakened and the mind has been clothed with thick armor.
7. No matter how profound your own experience is that is not related to others, it is not poetry, only the language that has been experienced and touched others to experience again is poetry.
8. Only spontaneous, unprovoked, unconditional, and unquenchable love is the truest, purest and hottest love, and everything else is sewn up and imitated.
9. Poetry can be happy and fun, but happiness can save boredom but not pain, and fun can drive away troubles but not fill nothingness. In the end, poetry needs a distant meaning and purpose, which allows it to not only teach a lesson from reality, but also give a path and direction to life, as well as the pleasure of unburdening.
10. Poetry is a rhythmic dance, so the coordination of words is not a walk, but a walk of emotions in posture and movement, a leap and hovering of colors in rhythm, or a silent stop in the embrace of a philosopher.
11. There are those who look better when they walk than they dance, and there are those who speak better than when they sing, and those are all poetic or poetic.
12. What should we teach poetry when we seek truth emotionally and profit from falsification in fact, materially firm and spiritually contradictory?
13. The distance between poetry and reality, between words and imagination, is about the space where life and poetry shake hands!
14. Words are the material of sentences, and poetry is the weapon of poetry.
15. Transparency and obscurity are both what I need, but more often than not I like to be a third party. But it is not a poetic rival, but a cousin of both.
Author: Liumu (Liumu Bodhi), the poet laureate of the Reading Sleep Poetry Society, and Luo Liurong, a native of Yongzhou, Hunan, a primary school teacher who has been obsessed with poetry from beginning to end, a young citizen with a sense of social responsibility and justice, and an unknown grassroots who boils life experience into coffee and wine. His life was not turbulent, but his heart experienced darkness that no one had ever experienced. His emaciated body and mind experienced the most painful blows such as selfishness, loneliness, despair, and helplessness. His love was guided by natural goodness, and his singing was sharpened by the sword and axe of the soul. Therefore there is honey in his suffering, and there is a song in his pain. He is a lonely poet forgotten by the wind.