Who would have thought that Na Ying would overturn on the stage of "I Am a Singer 2024"? Yes, you heard it right, it is Na Ying, who has debuted for nearly 40 years, has first-class singing skills, and is full of aura, in this live broadcast competition, she was so nervous that she sweated profusely and sang the wrong lyrics! This scene really surprised countless audiences.
But what's even more surprising is yet to come. When the two foreign players won the top two, but Na Ying could only settle for third, the audience's mood can be described as mixed. On the one hand, everyone is embarrassed by the defeat of this veteran singer;
But on the other hand, people can't help but start to reflect, does this reveal some problems in our internal entertainment circle from the side? To be honest, when I saw the lineup of this season's "I Am a Singer", I had a sense of foreboding.
Except for "national team" players like Na Ying, others are either Internet celebrity singers, or the overall level is really not flattering. In contrast, the lineup of previous years can be described as a star-studded lineup, with both powerful and rookies, which can be said to have their own merits.
But this year, the selection criteria of the program group seem to have undergone subtle changes. Some people even called the program team directly, asking for "real singers" like Gong Linna and Han Hong to help.
The root of the problem may be traced back to the overall ecology of the domestic entertainment industry. In recent years, in the environment of traffic first, the professionalism of many artists has declined. Some singers rely on post-production in the studio, but live singing is full of loopholes;
Some contestants are keen on hyping gimmicks, but they don't pay enough attention to the polishing of their singing skills, all of which expose some drawbacks in the development of internal entertainment. And this live broadcast competition of "I Am a Singer" undoubtedly put these problems in the spotlight.
Na Ying's "failure" is not only due to her personal state, but more importantly, it is a microcosm of the impetuousness and superficiality of the entire industry. As an audience, we can't help but ask: Where is the future of domestic entertainment? Will you continue to indulge in the current traffic and heat, or will you return to the professional and rational development track?
This is a question that needs to be pondered by all of us. The healthy development of domestic entertainment requires efforts from all aspects. For artists, they must always maintain a sense of awe for their profession and not be confused by temporary fame and fortune;
For industry managers, it is necessary to establish a sound evaluation and supervision mechanism to guide the entire industry to keep up with higher standards; As far as we are the audience, we must also maintain rational and independent thinking, and not be easily deceived by appearances.
Only in this way can we truly promote domestic entertainment towards a healthier and more dynamic future. Na Ying's story may be just the beginning. But the future of internal entertainment requires the participation and dedication of all of us.
Let's start this night and work together to build a more sunny and diverse cultural ecosystem. This night of Hunan Satellite TV is destined to go down in history. It tore through the layers of fig leaf in the inner entertainment circle. But instead of indulging in the disappointment and indignation in front of us, let's work together to light a bright light for the future of domestic entertainment. Because there, there are our common expectations and dreams.
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