The May Day holiday was supposed to be a lively moment in the film industry, but a dramatic scene did not happen on the big screen.
A movie with high hopes "There is nothing that can't be solved by a hot pot" has become the focus of everyone's attention.
This movie was originally expected to shine during the May Day period, attracting the attention of many audiences and reaping a huge box office.
But it backfired, and it was eventually withdrawn with a dismal result at the box office, a result that surprised and lamented many people.
This withdrawal turmoil is not only a turning point in the fate of a movie, but also a profound observation of the ecology of the entire film industry.
It makes people see the uncertainties and risks of the film market, and it also makes people think about how to better deal with these challenges.
In this process, we seem to be able to see the lost look of the production team behind the movie, and we can feel their helplessness and sadness.
The withdrawal of this film is like a sudden storm, breaking the originally calm situation and bringing a lot of shock to the entire industry.
It also reminds us that the film industry is not all smooth sailing, and every film faces various difficulties and challenges.
We need to work harder to explore and innovate in order to gain a foothold in this highly competitive market.
When "There Is No Thing That Can't Be Solved by a Hot Pot" faced the dilemma of a dismal box office, the filmmaker attributed it to "environmental factors" and withdrew on the grounds of film scheduling problems.
This seems to have become a common routine in the film industry, once the box office is unsatisfactory, choose to withdraw the file, and then hope that it can counterattack after the re-release of the file, as if this can easily cover up the many problems of the work itself.
The reality is otherwise.
This kind of frequent withdrawal and re-screening behavior has evolved into a kind of "withdrawal turmoil".
Every time such an incident occurs, it has caused a lot of waves inside and outside the industry, and people have a lot of discussions about it, even with some ridicule.
What we see is the filmmaker's escape in the face of difficulties, rather than really reflecting on and improving the work itself.
This practice not only disappointed the audience, but also had a certain negative impact on the development of the entire film industry.
Filmmakers should be more courageous in facing reality, instead of blindly choosing to evade and shirk responsibility.
Only in this way can we truly promote the progress of the film industry and create more excellent works.
What is very disdainful is that the filmmaking process of "There is no hot pot that can't be solved" seems to be very perfunctory, and not too much energy and thought has been put into it.
It is understood that the entire crew completed the filming in a hurry in just about 20 days, which is really staggering.
And the plot of the movie is described by the audience as a stiff patchwork of various elements, which makes people feel like they are in a cloud and mist when watching it, and they are completely confused.
Director Ding Sheng showed overconfidence in his work, and he blindly pursued the so-called "cost performance", but the result was that the audience felt that the "cost performance" was extremely low.
You must know that film is not just a business, it is more of an artistic embodiment, which requires creators to have ingenuity and intentions, not just to rush and pursue film scheduling.
What's even more embarrassing is that the performance of the leading actor Yang Mi has also been widely questioned.
Although Yang Mi is a high-profile top star and has a certain reputation and influence in the field of TV dramas, her performance in this movie failed to convince the audience.
The character she played was pointed out to have character flaws, but Yang Mi's acting skills did not really interpret the characteristics of the role, but gave people a "Yang Mi-style" performance traces.
Her lines make people feel very "dramatic", and they can't immerse the audience in the plot of the movie at all.
The withdrawal of "There is no hot pot that can't be solved" has also triggered a lot of discussions about Zhao Liying.
Everyone knows that Zhao Liying's performance in the movie "Article 20" is very good, which can be said to be a surprising breakthrough.
Although she didn't have many roles in this movie, she was widely recognized for her strength.
In stark contrast, Yang Mi's performance in "Hot Pot" is very disappointing.
She doesn't seem to interpret the character's characteristics well, making it difficult for the audience to resonate.
This situation has also made industry insiders sigh that the gap between Yang Mi and Zhao Liying seems to be becoming more and more obvious.
The emergence of this gap has also made Yang Mi's future development in the film industry more challenging and bumpy.
She needs to work harder to improve her acting skills in order to gain a foothold in this highly competitive field.
The audience's requirements for actors are getting higher and higher, and only people with real strength can win everyone's love and recognition.
And this withdrawal turmoil undoubtedly sounded the alarm for Yang Mi, making her more aware of the problems and dilemmas she was facing.
Regarding the withdrawal of the film, the audience unabashedly expressed their criticism.
The frequent withdrawal and re-screening not only caused serious damage to the ecology of the film industry, but also made the audience feel that the filmmaker's approach was really unsightly.
Movies are not a pure gamble, they are an industry that needs to be managed with heart.
Such frequent withdrawals will only make the audience gradually lose trust in the film, which is also extremely detrimental to the development of the film industry.
Among them, as a filmmaker, you should have a serious and responsible attitude towards your work, rather than just blindly pursuing commercial interests.
Only in this way can we truly win back the trust of the audience and rejuvenate the film industry.
The withdrawal of "Hot Pot" this time reflects not only the success or failure of a movie, but also an important warning to the entire film industry.
It is hoped that filmmakers can learn from this incident, treat each work more attentively, and present more high-quality and wonderful movies to the audience.
Film is not only an art form, it is also a kind of emotional transmission and expression, which is worth feeling and cherishing with our hearts.
Only in this way can we truly appreciate the charm of cinema and let the art of cinema bloom more brilliantly in our lives.
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