Speaking of Di Li Reba, in addition to her white skin and beautiful legs, her thick face with big eyes and high nose bridge makes her unique among actresses.
Since his debut in 2011, there have also been many out-of-the-loop pictures about Reba: there is a seat that shows a good figure that is widely circulated in a certain flutter;
The near ones on the red carpet lean on a twist and turn to directly seal the gods.
For the role played by Reba, the first thing that brought her popularity was undoubtedly the cute and loving Gao Wen in "Cara Lover".
However, after this role, the heat is accompanied by controversy, and there are more and more controversies about Reba.
From the eye-catching supporting roles in "Three Lives and Three Worlds and Ten Miles of Peach Blossoms" to the protagonist in "Three Lives three pillow books", many people have found that many of Reba's appearances are no longer as stunning as they once were.
Nowadays, the launch of "Long Song Line" has once again pushed Reba to the cusp of the storm, and the hot search for "Reba's poor shape" and "Reba's short shelf life" has caused many discussions.
Such a start seems to make Reba particularly "embarrassed".
But this pot, not only hot bar alone on the back.
"Long Song Line" is based on Xia Da's comic of the same name, in addition to the cartoonist Xia Damei's girlish appearance out of the circle, the comic itself has won the Chinese Animation Golden Monkey Award, golden dragon award, and also gained many fans.
Set in the early Tang Dynasty, the comic tells the story of the murder of the crown prince Li Jiancheng and others after the change of XuanwuMen, and her daughter Li Changge escaped from the palace, carrying the family's blood debt, and she stalked the people, only to lead the soldiers and horses back to Chang'an to avenge the snow hatred.
And the drama version of "Long Song Line" is directed by Zhu Ruibin, the director who has directed "Fragrant Honey Sinks Like Frost" and "Rock Sugar Stewed Sydney", which seems to be good?
Unexpectedly, this time he lost his hand.
First of all, the most intuitive first from the service road and the lens scene, there are two main problems:
The first is to think of ways to make the actor's appearance "become contradictory".
First of all, Di Li Reba's role as Li Changge, the daughter of the former prince, began to flee from the age of fourteen or fifteen in the comics, and her appearance was beautiful and thin, because of her undeveloped juvenile appearance, it did not seem to be contrary to her male dress.
In the play, not to mention the restoration of the character's sense of age, from the perspective of styling, the most recognizable part of Li Changge in the comic is undoubtedly the hair hanging down from both sides of the cheek, which is reduced to "catfish whiskers" in the play;
The bun that can modify the height of the skull itself becomes a pitiful small clump in the play, coupled with an overly neat and even very fake hairline, which directly lined Reba's face with a large and square.
From the perspective of Reba's women's clothing style, take the reba of many examples being "yan pressed" by Zhao Lusi, for example, Reba, who is tall and tall, has a large skeleton, but wears a fluffy and stylistic gauze skirt;
However, the petite Zhao Lusi wore a thin and full of draped gauze skirt, which directly made Reba look like a silly big one in front of Zhao Lusi, and played the Yang short and avoid the long to the extreme.
In fact, like the previous modeling that Zhang Shuping made for Reba in "Three Lives and Three Worlds and Ten Miles of Peach Blossoms", the reason why he designed the waterfall-like long hair and the drooping satin clothes are elongated and gorgeous, complementing the appearance of Reba's own thick face, achieving a very suitable effect from the role to the actor himself.
The shape of the drama version of "Long Song Line" not only shrinks in the degree of reduction, but also does not consider whether the actor is suitable, Reba itself is more colorful in modern clothing, and the costume is more picky, and this time it is undoubtedly "revealed short".
In addition, although many people say that Zhao Lusi's style is better than Reba, in fact, she plays Li Leyan, the daughter of Li Shimin, in the play, and her style is not much better.
He dressed like a squirrel in the first appearance, and since then he has become the lord of the county, but he is still the same old-fashioned, and the mass-produced clothes have caused the impression that he has changed his clothes but has not changed.
The county lord played by Zhao Lusi and the bodyguard Hao hao, played by Liu Yuning, stood together and said that it was not at all incompatible with the guards.
In addition to the costume is not passed, the mirror in the play is staged with many death angles.
Reba, who has great facial features in his own right, is already stunning from a distance, and in the play, many close-ups of the face are staged, which hard to shoot Reba into a sad frog and turn the surprise into a horror.
And whether it is Wu Lei's Ashina Falcon shooting from under the nostrils, or Liu Yuning's left and right shooting is not to give you a good-looking 360-degree ugly shooting.
How much vendetta do stylists and photographers have with actors?!
Second, the sense of keying and filtering is obvious, and the production is opportunistic.
At the beginning of the play, it is the scene of Reba riding a horse and being chased by the pursuing soldiers, the background of the blur, the deliberate action, and the fake riding at the beginning is afraid that the audience cannot be dissuaded?
Perhaps because it is a manga adaptation, a lot of comic shots are inserted in the play, and these comic shots are not the original comics but the script itself, and more importantly, the timing of its appearance is really "just right".
The first long-term dynamic comic shot, when Reba is about to jump off the cliff facing the cliff, the screen switches to Li Changge plunging into the water, churning in the rapids, and finally grabbing the rock and being saved.
The second time when Reba returned to the destroyed home, he was discovered by Li Shimin's subordinates, Reba began to flee for his life again, ran to her on the bridge, and when he was ready to jump into the water, the camera changed into a cartoon again, showing The scene of Li Changge entering the water and the soldiers shooting arrows.
How is it that every time you cut it is a chase and kill, is this innovation or cost saving?
You know, the form of comics inserted into TV series is not very new, just like it was used as early as 2010's "Strange Man and a Plum".
For live-action plots, inserting comics is the icing on the cake to make the plot more vivid, while a large number of long-term dynamic falling water scenes in "Long Song Line" have been deleted, which is not like innovation, but more like a convenience.
In addition, some of the lens filters in the play are really too thick, like the close-up of Zhao Lusi crying on Reba's shoulder, hazy as if the myopic world of glasses has been removed.
It can be said that many of the shapes and camera performances in the play are a bit crotch-pulling, and no matter how high the appearance value can't bear to make it like this!
Secondly, from the perspective of the character setting and plot direction of the whole play, it also has two problems:
First, the casting is outrageous, hard to make up CP.
Long before the drama began, many people felt that the casting of Reba and Wu Lei was inappropriate.
One is the beautiful and stubborn Li Changge, let the gorgeous and beautiful Reba play;
One is the fierce man of the grassland who kills the decisive grassland, Ashina Falcon, who makes The teenager full of feelings played by Wu Lei;
Are the casting directions on both sides in a different order?
Just as the screenwriter Song Fangjin previously used "Shangyang Fu" as an example, complaining that the casting of today's TV series is too absurd, as long as it is a role, it does not matter whether the actor is in line with the role:
"Why is it called casting, that is, you have to choose a corner!"
The casting basically has to be considered from three aspects, one from the relationship between the play, one from the aesthetics, and from the simplest physiological indicators such as the age of the actors.
In "Long Song Line", the 28-year-old Reba and the 21-year-old Wu Lei are in love, and in terms of age, temperament and CP sense, they have a relatively large sense of drama.
In addition to the CP of the male and female protagonists, Wei Shuyu, played by Reba, Zhao Lusi and Fang Yilun, was originally a green plum bamboo horse, and Zhao Lusi liked Fang Yilun at first, and Fang Yilun seemed to care more about Reba;
Later, Liu Yuning inserted another foot, and the relationship with Zhao Lusi further warmed up;
In addition to the BG line, Reba and Zhao Lusi also formed a CP line:
Whether it is Zhao Lusi's shoulder crying behind his back, or the hand that Reba wants to pick up and put down;
Or the two of them walked face to face with a glance of ten thousand years, and grabbed the hand in the palanquin that they didn't want to let go, saying:
"I don't even know when I'll be able to lean on your shoulder next time."
With the addition of Ashina Falcon, the 5 protagonists can make up CP with each other, and even Fang Xuanling and Du Ruyi have a sense of CP.
It can be said that the drama version of "Long Song Line" does not let us find sugar, but upholds the purpose of "all things can be CP", and directly stuffs the sugar of CP into the mouth of the audience.
The second is that the plot "turns", and the theme is still the old-fashioned Mary Sue.
Judging from the direction of the comic, Li Changge, who bears the revenge of destroying the door, gradually discovers that Li Shimin is actually a Ming Jun in the process of revenge, and it is not difficult to guess that in the end, Li Changge will put aside his personal grudge and turn into a transformation of the whole Tang Dynasty.
And because the original comic is not finished, the drama version of "Long Song Line" also has a lot of original plots on the basis of adapting the comic.
Among them, the drama version greatly expanded the CP scenes of Zhao Lusi, Liu Yuning and Fang Yilun, and the emotional drama became the focus of the whole drama.
In fact, in the original work, Li Changge had already fled Chang'an after the change of Xuanwu Gate and ran to the grasslands to meet Ashina Falcon, and at this time, Ashina Falcon, who was still a special agent, focused on the internal seizure of power by the Ashira Department.
The plot of the early stage of the drama version focuses on Chang'an, so that Ashina Falcon, who spied on the Tang regime with the help of Keju, appeared early.
In the early plot, Ashina Falcon's role is to eat melons and beat soy sauce, which basically has no impact on the main plot of Li Changge's encounters.
So how do you make Ashina Falcon as relevant as possible to the main line?
By ubiquitous coincidences.
From Li Changge, who first entered Chang'an City and was almost hit by a horse, came to break the siege, to the Keju competition, out of the city gate pretending to be a caravan, and then to the long song where Ashina Falcon found the arrow falling into the water;
From going to Youzhou to staying in the same inn, you can even meet again at the gate of the Governor's Mansion.
Oops, can this fate be a little too forced?
After meeting Li Changge, his main task became to save the United States as a hero.
Li Changge is in a bad mood?
Ashina Falcon took her to see the moon to relax, and by the way, she staged a scene of rolling her feet together and a princess hugging.
Li Changge is in danger? Secretly shooting arrows and hijacking, saving her life along the way.
From "I am more and more interested in him" to "there is such a strange woman in the world", Ashina Falcon, do you remember that your task is not to fall in love, but to have a career?
In addition to the love of the male and female protagonists, the plot progress has also turned smoothly, and the plot logic has also been bugged.
Li Changge's mother heard the conspiracy outside Li Jiancheng's door, and there was no soldier guarding the door;
Li Changge escaped from the Prince's Mansion, but soon after turning back, he was like entering no man's land, and walked for half a day before he was discovered;
Li Leyan, who was under house arrest, knocked li Leyan unconscious and went out in the same cloak, and the guards did not find out that they were not the same person...
The pursuing soldiers can never catch up, they are wanted and do not disguise themselves and can still hang out on the street every day, and the almighty listening corner discovers the secret - Li Changge's road to revenge has gone too smoothly.
In addition, like Mu Jin, who has nowhere to go because Pin Xiang Zhai was burned in the manga, he worshiped Mu Jin in order to kill Li Shimin and Li Changge to unite the front.
In the play, regardless of Li Changge's life and motivation, with a heroic dream of "I believe in my own vision, Master must be a big hero", he followed Li Changge's birth and death.
I have to say that Mu Jin's motivation is really a bit far-fetched, more like a tool person who assists Li Changge.
Taking a step back, even if Mu Jin's heroic dream is a pretext, hiding his true motives, then Li Changge does not doubt it at all? How to walk the rivers and lakes on this vigilance?
Of course, in addition to the above is not enough, this drama is not useless, like Reba some of the shapes are very online, and the plot rhythm is also very fast, there is not a lot of plot logic hard wounds.
However, compared with the "rumored Chen Qianqian" "female superiority and male inferiority" of Huayuan City, the sadistic love of the demons in "Si Teng", whether it is the setting of the fugitive princess, the difficult CP, or the power plot battlefield of the pediatrics, it is a little boring.
Before There was Zhao Lusi who became famous in one fell swoop, and then There was Jing Tian who became popular again, and acting right can bring great gains to the actors, and the controversy of "Long Song Line" sounded a wake-up call.
It may make Reba and some new generation of young actresses "wake up like a dream", what kind of role can make themselves no longer impaired.
Making a TV series is not by simply and rudely piling up traffic actors, ignoring the adaptability of traffic actors and roles, but only to meet the fans' self-congratulations to achieve success, as screenwriter Song Fangjin said:
"Artistic creation is not a simple number, not 1+1+1+1," to get a good answer."
Whether it is Yi Qianxi, who is highly acclaimed in "The Twelve Hours of Chang'an", or Lu Han, who makes people look at people with "Crossfire",
For a drama, compared with the traffic actors, what really conquers the audience should be a good story, good production, and good acting skills.
Traffic is not the original sin, it is not important to repeat it twice, what is important is that there is a work that is the last word.
Bluestone Film Editorial Office | Morning
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