1.1 In the past decade, time has passed, and outstanding cross talk artists like Guo Degang have gradually withdrawn from the focus of the stage. However, today's Deyun Club is still as solid as a rock and occupies an incomparable leadership position in this highly competitive and controversial cross talk field. I can't help but sigh at the market dominance of Mr. Guo Degang's disciples of the "Clouds and Cranes and Nine Heavens", however, as the ticket price climbs, we have to sigh that the world is becoming more and more crazy!
In contrast, Cao Yunjin, another disciple of Guo Degang, was finally expelled from the school because of a conflict with his master Guo Degang, and then stood up and launched a fierce business challenge to Deyun Club. Surprisingly, Cao Yunjin's ticket price is only 300 yuan to enjoy the best viewing angle, which undoubtedly poses a great impact on the high ticket price of Deyun Club.
So, what is the reason why people are willing to pay several times or even higher prices to buy tickets for Deyun Club? This is indeed a question worthy of in-depth consideration. However, relying only on Cao Yunjin's strength, I am afraid that it will not be able to shake the hegemony of Deyun Club in the cross talk world. After all, there are many talents within Deyun Club, and there are many well-known artists whose popularity is not inferior to Cao Yunjin.
However, as a traditional art treasure of the Chinese nation, the core value of cross talk lies in promoting the excellent traditional culture of the mainland. Deyun Club's status in today's cross talk industry is undoubtedly the best inheritance of traditional culture. Nowadays, many young audiences are keen to enjoy the cross talk performances of Deyun Club, which is undoubtedly a promotion of traditional culture. However, due to the differentiation between mainstream and non-mainstream cross talk, the current cross talk industry has also fallen into a situation of constant disputes, and many cross talk actors have either chosen to quit the stage or have been forced to transform.
This text vividly depicts the current situation in the cross talk world, Deyun Club, as an upstart force, is competing with Guo Degang's old ministry Cao Yunjin for business, and their high ticket prices have also sparked heated discussions.
However, Deyun Club, with its unparalleled strength, has undoubtedly occupied a dominant position in the cross talk industry! The author skillfully pointed out the true meaning of cross talk, a long-standing national traditional culture and art, and Deyun Club is upholding the awe of this cultural treasure, and is going all out to inherit and carry it forward. However, due to the constant disputes between mainstream and non-mainstream cross talk, the entire industry has also fallen into fierce contradictions and conflicts.
The writing of the article is as smooth as flowing water, rich in information and rich in content, vividly depicting the current situation and existing problems in the current cross talk industry.
"I regret being a soldier for two years, but I should not regret it for a lifetime", this well-known saying is by no means groundless. Mr. Tang Aiguo was born in that turbulent era, the motherland was fighting for the cause of liberation and reunification, and he had already planted a grand desire to serve the motherland in his heart.
In order to realize this lofty ideal, Mr. Tang Aiguo joined the army as a child soldier when he was only 13 years old and became a heroic propaganda soldier of the Eighth Tank Division. Although he was still young, Tang Aiguo always devoted himself to his work with full enthusiasm, and when he encountered something he didn't understand, he humbly asked the elders for advice, and gradually grew into an excellent soldier.
In that challenging era, many children joined the army with the ambition to defend the motherland, and Tang Aiguo was one of them. Despite his young age, he had an unwavering determination to serve his country and resolutely chose to join the army.
As a propaganda soldier, he worked diligently, always maintained a humble and studious attitude, and gradually grew into a qualified soldier.
During his service, Tang Aiguo's favorite thing was to listen to cross talk programs on the radio. Whenever the cross talk sounds, he is always filled with great joy. It was this deep love that made Tang Aiguo have a strong interest in cross talk, and decided to worship the then cross talk master Jiang Kun as his teacher.
Despite the hardships and hardships of life in the barracks, Tang Aiguo can always find solace in novel cross talk programs. The unique charm of cross talk music deeply attracted him, and made him have an endless yearning for this art.
Therefore, he made up his mind to learn art from his teacher and studied under Jiang Kun, the most prestigious cross talk master at that time.
Through delicate and nuanced descriptions, this text vividly shows Tang Aiguo's experience of devoting himself to the military with enthusiasm for serving the country since he was a child, and how he cultivated his love for the art of cross talk during his military career.
Between the lines, Mr. Tang Aiguo's deep patriotic feelings and unremitting pursuit of art are revealed, making his characters more vivid, three-dimensional and deeply rooted in the hearts of the people!
Time came to 1994, Tang Aiguo's life trajectory had an important turning point, he and his partner Qi Liqiang co-created the cross talk work "Lazy Man Sugar Gourd" attracted the attention of CCTV, this work quickly swept the country as soon as it was broadcast, making Tang Aiguo's name instantly spread to thousands of households.
Once, Tang Aiguo was just an unknown soldier, but now, he has become a household name because of this wonderful cross talk show. He never thought that his hard work would be warmly recognized and loved by the national audience at this moment.
Every time he recalls the scene of being watched by his comrades-in-arms in the army, he will be full of emotion and grateful to God for finally living up to his dream.
However, good times are always short-lived, with the rise of cross talk rookies such as Guo Degang, Deyun Club has gradually become the focus of public attention, and the pattern of the cross talk industry has undergone earth-shaking changes.
The birth of Guo Degang has made cross talk masters such as Ma Ji, Jiang Kun, and Tang Aiguo gradually fade out of people's sight, and the grievances and entanglements between Guo Degang and Jiang Kun have also made the cross talk industry form two camps of mainstream cross talk and non-mainstream cross talk.
As Guo Degang's mentor, Jiang Kun once unabashedly evaluated Guo Degang's cross talk, and he frankly said that he did not appreciate Guo Degang's cross talk, thinking that it was just the craftsmanship of the old society, not the artistic treasure of the new era.
Mr. Jiang Kun's tone was firm, his brows were furrowed, and he seemed to be very dissatisfied with Guo Degang's creative concept.
As a predecessor in the cross talk industry, Mr. Tang Aiguo is also facing a decline in his career due to the rise of Guo Degang, but he still insists that although Guo Degang's cross talk is slightly popular, it is closer to public life, and at the same time, Guo Degang's practice of bringing cross talk back to the theater is also commendable.
Different from the straightforward style of his mentor Jiang Kun, Tang Aiguo behaved amiably, and although he disagreed with Guo Degang's creative style, he was still able to evaluate and affirm it with a comprehensive and objective attitude.
This content vividly depicts Tang Aiguo's overnight explosion through "Lazy Man Sugar Gourd", as well as the far-reaching influence and fierce competition produced by the rise of the rookie in Deyun Club! The author uses ingenious techniques to shape the character's personality through the character's expression and demeanor, making the character image more lifelike. Jiang Kun and Tang Aiguo's different views and behaviors on Guo Degang all highlight the complex master-apprentice relationship and grievances and hatred behind them. The storyline is compact, showing the differences and conflicts between the mainstream and non-mainstream camps in the cross talk world.
Tang Aiguo, who was in the army, actively participated in various theatrical performances, presented his carefully created cross talk works in front of his comrades-in-arms, and brought them endless laughter and happiness. Whenever there is an opportunity to perform, Tang Aiguo always walks lightly and rushes to the scene impatiently, lest he miss the precious opportunity to show his talents on the stage. Once on stage, he will be free, with a sincere smile on his face, and convey his inner joy to everyone in the audience. The comrades-in-arms in the audience were deeply attracted by his humor and laughed, and Tang Aiguo looked at this sea of joy with a sense of satisfaction.
One day, Tang Aiguo's propaganda team received an order from his superiors to go to the Xisha Islands to comfort the soldiers stationed there. As a performer who loves stage art, Tang Aiguo was full of expectations for this performance opportunity, and signed up without hesitation, successfully joining the propaganda team that was about to go to the front line. With his unique style of cross talk performances, he brought endless joy and laughter to the soldiers who stuck to their posts, allowing them to relax and enjoy a pleasant time in the tense combat preparation environment.
Under the careful guidance of Jiang Kun, Tang Aiguo showed extraordinary talent for cross talk, and skillfully integrated his personal military career into the art of cross talk, creating a unique form of cross talk performance. Jiang Kun, a master of cross talk, teaches well, guides patiently, and often praises Tang Aiguo's talent. Tang Aiguo devoted himself to learning the art of cross talk, telling what he saw and heard in the barracks, incorporating humorous elements to create a unique style of cross talk.
In the fifth part of the article, the strokes accurately and meticulously show the scenes of the protagonist Tang Aiguo's eagerness to participate in various performances in his days in the army, as well as the touching scenes in which he later went to the front line with passion and loyalty, and brought happiness to the officers and soldiers with drama. The author's prose is as good as a painter's ability to depict scenes and characters, and the reader seems to be drawn into that vivid situation. Moreover, the story also describes in detail the process of Tang Aiguo creating a unique and charming cross talk style under Jiang Kun's careful guidance. Through these delicate depictions, the characters become more vivid and three-dimensional, and the plot is more gripping.
Compared with Guo Degang's cross talk works, Jiang Kun's cross talk is undoubtedly more in-depth and infectious, and has won warm applause and heartfelt praise from the audience. His cross talk is not only full of elegant artistic atmosphere, but also rich in profound connotation, which is endlessly evocative. Whenever Jiang Kun performed on stage, the audience was silent, and everyone was deeply attracted by his profound skills and exquisite skills. He speaks like a storm, almost never makes a mistake, and his basic skills are top-notch. What's even more rare is that his cross talk works are rich in connotation, often containing the reflection of life philosophy and social reality, so that the audience can also reflect and understand in laughter.
Because of this, with the changes of the times and the change of people's thinking concepts, the art of cross talk has been able to show its current appearance. Mr. Jiang Kun emerged in the brilliant era in the early days of reform and opening up, and his cross talk works satisfied people's aesthetic pursuit of elegant art at that time, so they are still highly regarded today. It is no exaggeration to say that Jiang Kun represents the highest achievement of mainstream cross talk art.
However, although Guo Degang's cross talk may be slightly lacking in quality, his performance method is closer to life and more easily accepted by the modern public. It is precisely because of the continuous updating of social concepts that those remarks in Mr. Guo Degang's cross talk that were once regarded as "vulgar" or "open-mouthed" are now more resonant and emotionally resonant with people. His innovative move to bring cross talk back to the theater has revolutionized the performance mode of this traditional art and won the warm welcome of the audience.
However, in any case, Deyun Club's status in the current cross talk world is like the weight of Mount Tai, and no one can shake it. Even though Guo Degang is no longer as beautiful as before, we have reason to respect and fully recognize his efforts and Deyun Club's great contributions to the cause of cross talk!
In this chapter, we compare the cross talk style traits of Jiang Kun and Guo Degang. Jiang Kun is known for his elegant artistic attainments in mainstream cross talk, and his cross talk works are rich in connotation and exquisite in skills, which have won warm applause from the audience.
Guo Degang's cross talk is closer to the lives of the people, and his innovative performance methods keep up with the aesthetic trend of the times. Although the two styles have their own characteristics, they have both made indelible contributions to promoting the prosperity and development of the cross talk industry.
Through the author's vivid and delicate descriptions, readers can deeply understand and appreciate the unique charm of the two genres.
In the face of the trough of his career, Mr. Tang Aiguo did not choose to fall into the quagmire of disputes, but firmly adhered to his beliefs and devoted himself to the cause of transmitting positive energy with cross talk, bringing joy and emotion to the audience.
Mr. Tang Aiguo's face is always filled with a kind smile, showing the calmness and calmness of an old artist in his gestures. In his heart, the true meaning of cross talk art is to bring endless joy to people, no matter how ups and downs his career is, he has never deviated from this original intention.
The admirable Mr. Tang Aiguo has already begun to enjoy his dazzling retirement life in a happy time, and there is no doubt that this is the perfect interpretation of his tireless pursuit and careful selection of his own artistic path! This old man enjoys his old age in peace, and sometimes he will read thick cross talk scripts at home, and savor it with gray hair, as if he is pursuing the artistic inspiration of the past.
As an outstanding representative of mainstream cross talk, Mr. Jiang Kun in the glorious years of reform and opening up, his cross talk works appropriately met the aesthetic needs of people at that time, so his cross talk performances are still praised by people today.
It is no exaggeration to say that it is precisely because of the unremitting efforts of artists like Jiang Kun that the traditional culture and art of the Chinese nation can be inherited and carried forward and passed on from generation to generation.
When discussing the current hot topic of society, the problem of Deyun Society, the first thing to be clear is that although this folk art group is facing various challenges at this stage, its main responsibility is still to seek and solve its own problems. Only in this way will they be able to present a more exciting performance to a wide audience and make up for their existing shortcomings. Whether it is Mr. Tang Aiguo, who is admired by the world, or Mr. Jiang Kun, who is talented, they can be called outstanding representatives of the mainstream cross talk industry. Although the mainstream cross talk is no longer as glorious as it used to be, they have brought us countless moments of laughter and happiness, and this persistent pursuit of art will forever be engraved in the long river of history and become a model for future generations to learn.
Cross talk, an ancient and vibrant traditional art form, will inevitably continue to innovate and radiate new vitality with the changes of the times in the process of inheritance for thousands of years. And the successors of Deyun Club are also making unremitting efforts for this. Although the older generation of artists such as Tang Aiguo and Jiang Kun have left us, their great contributions to the cause of cross talk will forever be recorded in history. We have every reason to firmly believe that the long-standing traditional culture of the Chinese nation will surely be rejuvenated and bloom with new brilliance under the passing of the torch from generation to generation by the younger generation.
The writing idea of this article is to start from the calm and calm of the two old artists Tang Aiguo and Jiang Kun on their deathbed, and gradually elaborate on their outstanding contributions to the prosperity and development of cross talk, and finally reveal that emerging forces such as Deyun Club will shoulder the important mission of inheriting and promoting traditional culture.
The brushstrokes of the whole article are deep and introverted, closely combining the life history of the three artists with the torrent of artistic development, showing the unquenchable spiritual light of cross talk, a traditional art form. The writing is smooth and natural, and the emotions are sincere and moving, giving readers positive energy and inspirational power.