Recently, in the new drama "Harbin 1944", Yang Mi, the spokesperson of Yoomei, played his own stalk as soon as he appeared.
Walking on the street that had just rained, the passing car splashed half of her body with water, and the driver said leisurely:
-Are you okay~
-Get lost!
Shenjin, it didn't take less than three minutes to make me laugh.
After laughing, I'm probably sure:
Although this is a serious spy war drama directed by Zhang Li and written by Wang Xiaogun, it tries to be serious and funny.
It can be seen with the naked eye that my dedication to turning over and making a big flower is still burning.
Ancient puppets, dramas, genres, literature and art, comedy, thriller, suspense, and romance are eclectic.
The most heavyweight is, of course, "Sauce Garden Lane" for Zhang Ziyi, pinching your fingers, this is the first big flower that Yang Miji has received?
Ancient name melon "Reiki Theory"
Today, let's talk about "Harbin 1944", and discuss: Is Yang Mi's performance worthy of her dedication?
With the blessing of these resources, will we get a Yang Mi but better?
The plot mainly tells the story of the puppet Manchurian rule in 1944, when underground party member Song Zhuowen (played by Qin Hao) infiltrated the secret service department, fought wits and courage with colleagues in the secret service department, and finally succeeded in gaining the trust of the section chief Guan Xue (played by Yang Mi), and prevented the Japanese and Soviet conspiracies to usher in the victory of the war.
In such a thrilling high-pressure state, almost all the staff criticized wildly, and their mental state was very advanced.
Guan Xue, the head of the secret service section played by Yang Mi, is a cold-blooded and suspicious character in his own right.
Because of her short temper and breaking defenses every day, the barrage is called "Sister Breaking Defense".
Guan Xue is "crazy" with a ruthless energy, not only ruthless to others, but even more ruthless to herself.
In order to intercept the information of the underground party, she directly drew half a tube of her own blood and disguised herself as an underground party member who was shot.
Even if he was so violent that he treated the wound by himself after being shot, he gritted his teeth to resist the pain until his hair trembled.
In turbulent times, with beauty and a key position in a male-dominated workplace environment, Guan Xue's madness is more out of self-preservation, ruthless to others to establish majesty through deterrence, and ruthless to herself in order to accumulate capital for a stable position.
Therefore, when this kind of person goes crazy, he must not only have a calm and crazy feeling of being able to play psychological warfare to manipulate people, but also be able to bluff people when he is ruthless.
Yang Mi, who brought the acting teacher into the group, has really improved her acting skills this time, and she can perform a calm sense of madness.
Guan Xue is suspicious by nature, even if she meets the "life-saving benefactor" Song Zhuowen (the real life-saving benefactor is her brother Song Zhuowu), she also has reservations and has tried him several times.
When he turned his back and poured wine to test him, Guan pursed his lips to observe his reaction, turned away, and his fierce eyes immediately cut back to a casual smile.
Can you believe that this woman is not simple!
This kind of role itself is very suitable for actors to be an advanced springboard, and it is more suitable for drama, and the opening and closing can also cover the shortcomings of the details.
It's a pity that Yang Mi's performance this time is not to mention going to a new field, and I'm afraid he won't be able to get out of this crew.
In this huge psychiatric hospital's secret service unit, any one person going crazy is enough to cover up her brilliance.
Tian Xiaojiang, a newcomer to the secret service department played by Jiang Qiming, is like a patient with supermale syndrome, his spirit continues to be excited, and his output basically relies on roaring.
Spicy comments from netizens: "dumb" has become a "horn".
His madness was initially manifested in an obsession with fame, but he was too eager to achieve success.
In the last second, he was still losing his temper at the nurse, and when he caught a glimpse of the leader approaching, his eyes immediately softened.
In front of the leader, he is always full of chicken blood, salutes must be higher than others, and shout an octave higher than others.
In fact, the deep goal behind him is even more terrifying, which is to enjoy the pleasure of abusing life after climbing to a high position.
His eyes lit up when he saw the various torture instruments in the interrogation room and the bloody people who had been tortured to the point of being inhuman.
But the essence of his madness lies not in the formal fangs and claws, but in the human sense.
In addition to the pathological pursuit of desire, seeing that he carried the black pot for Song Zhuowen, you also tasted his helplessness, grievances and unwillingness from his hysterical madness.
Hu Bin (played by Luan Yuanhui), head of the Operations Unit of the Special Service Section, is "crazy" in contrast.
During the interrogation, he tried all the torture without blinking, and when he saw his beard move, he could feel that he was panting and preparing to beat people.
But in the face of Guan Xue's trembling M attribute explosion, the more he scolded him, the more he snickered.
Hu Bin's madness is easy to understand after all, but he is a rough man with extremely poor emotional management skills and everything written on his face.
In contrast, Pan Yue (played by Zhang Zixian), the head of the intelligence unit, is crazy and unpredictable.
Flattering in front of people, the city government is very deep, consciously bowing when talking to leaders, and being able to call brothers and sisters with colleagues, but always showing eyes that secretly examine everything in the corner where no one notices.
Use the most gentlemanly and gentle tone to create a chilling sense of oppression.
His madness is more inclined to a kind of yin and evil nervousness, because he can't understand or touch it, and the danger factor is higher.
Even Qin Hao, the most normal-looking male protagonist, has a calm sense of madness.
In the play, Qin Hao plays two roles, the twin brother Song Zhuowu is short-tempered, entangled by unknown passers-by, and his backhand is a trick to lock his throat;
The younger brother Song Zhuowen is thoughtful, as an undercover agent who infiltrated the secret service department, his madness is a tense moment when he is suspected, pretending to be calm on the surface, but in fact he is calm and crazy with a groundhog screaming in his heart.
Qin Hao plays an undercover agent, and he doesn't need to rely on his eyes to glance at the obvious tightness of the performance, but uses a certain scene to rationalize his true feelings.
Take the scene where Song Zhuowen stopped Tian Xiaojiang from being tortured.
Hearing Tian Xiaojiang's insistence on torture, Song Zhuowen ostensibly scolded him for using excessive torture to affect himself, but in fact it was just the externalization of his anxious mentality of worrying about the death of his comrades and the interruption of intelligence.
It's crazy and reasonable.
The madness of these characters is to some extent the charm of the characters, and it also makes the whole spy war drama full of highlights and joy.
In comparison, Guan Xue is too thin because of this madness, but she looks out of place.
One is a pot set by people.
Many plots are paving Guan Xue's sobriety and alertness, but there is always a collapse of character in some plots:
Before deciding to use acupuncture to extract a confession, the doctor warned of the consequences of failure, but she would rather exonerate the doctor from responsibility than insist on her opinion.
So going crazy at this time doesn't it become an incompetent rage caused by your own judgment and decision-making mistakes?
One is that Yang Mi's acting skills lack some aura of not being angry and self-assured.
Just when you're about to believe that she's the character, there are always moments that make you can't help but pat your head:
Oh no！杨幂本幂又跑出来了。
To stop her subordinates from fighting, she walked over with her limbs and inner eight.
How to show that Guan Xue regards life as a mustard?
During the interrogation, he leaned loosely on the table, his posture was dragged enough, and his expression was disdainful.
Everything to the panorama, tilting his head and bending his legs, there is even a sense of abruptness that he has strayed into a magazine set.
Right 1
It turned out that Yang Mi was playing a kind of irascible female villain within her understanding.
Every time he gets angry and breaks his defense, he is acting with his mouth.
Reprimanding his subordinates is like a trainee teacher who wants to shock students, relying on staring + cold face + sudden voice attack.
So Yang Mi is not crazy because he can't play Guan Xue, but because he is too superficial and unfeeling.
No matter how strong her setting ability is, you only feel that she is taking the opportunity to vent her anger, which is not only terrible, but also a little hateful.
The "crazy criticism" that can really shape success is something that can make people get charm even if it is terrible.
The irascible pot aunt who blows up the rice cooker at every turn and blows up the whole car, doesn't need to be a roaring emperor at all to go crazy, just looking at you can make you shudder.
In fact, the so-called madness, in other words, is a certain extreme quality of the character.
It can be seen that the screenwriter is enriching Guan Xue's character design, not only the intelligence and meticulousness of the female spy leader, but also the strong ruffian style of irritable style, both cold-blooded and suspicious who regards life as a mustard, and highlights her cute and fragile little woman...... (It's strange if you're not crazy)
But the more complex the role, it also means that higher requirements are put forward for Yang Mi's interpretation.
It's a pity that although Yang Mi tried his best to be "similar", he still failed to reach the realm of "godlike".
Many people have expectations for Yang Mi's performance in this drama because in the interview with "People" at the beginning of the year, it was mentioned that it witnessed Yang Mi's decision to reinvent himself.
Or the director's statement has high emotional intelligence, "The degree of completion is seventy or eighty, and the record has been broken, but you might as well try it if it is more difficult."
Source: "People"
The low EQ statement is that there are still some idol drama-style performance habits during the filming process:
deliberately looking for the camera to show a better angle, saying lines and pouting, likes to add all kinds of small actions, and does not belong to the special eyes of idol dramas......
Source: "People"
No prize quiz: How many times did she pout?
But you can also see her impulse and determination to break the past acting habits and enter a new state of performance.
Director Zhang Li once praised her for often staying on the set to observe other people's performances, and would also borrow books from the director to understand the background of the times, and go to class in advance to learn how to dismantle bullets.
Yang Mi is indeed an observant and ugly actor.
But instead of putting herself in the middle of it, she asks to add details to her exterior as a spectator.
Yang Mi still has a problem with the actor's "experience".
Do you still remember the #Yang Mi nail art #, which was ridiculed on the hot search not long ago?
In the tidbits of the new movie "There is No Thing That Can't Be Solved by a Hot Pot", Yang Mi proposed that the character could use the same crippled manicure of the staff, and wanted to use this attitude of marketing hard work, but unexpectedly he was complained about disrespecting ordinary people and overturned.
But what caught my attention was that we could always see people shouting at her to design a broken manicure for the character, buy cheap free shipping for Pinxx, bleaching the character's hair for 5 hours, and redyeing it once every two days.
However, actors experience life, not just by observing and imitating living habits, but by turning themselves into "people in the environment" and forming an unconscious state.
is like the self-subversive work "Baby", which gave up the burden of idols a few years ago, Yang Mi played a low-level cleaner who inadvertently raised his orchid fingers when taking out the garbage.
It's not so much the character's unconsciousness as Yang Mi's unconsciousness.
The unconscious state of the character, or to put it more bluntly: naturally, needs to be grinded out.
When Gong Li filmed her first movie "Red Sorghum", she followed the crew to Gaomi, Shandong Province in advance to experience life, and practiced for more than a month just carrying water.
Because a peasant woman with working experience will have a sense of rhythm up and down when carrying water, if you pick up an empty bucket, it will sway from side to side, which is not real, so you must carry half a bucket of water and practice slowly.
After practicing, when filming officially starts, the actors' gestures will be right.
Hou Xiaoxian instructed Shu Qi to film "Assassin Nie Yinniang", and made her squat on the beams and trees of the house and not come down, in order to get her used to the perspective of the assassin.
Since Director Hou also pursues real gravitational acceleration, Shu Qi has to control his expression and voice every time he jumps from it.
An assassin who has been flying on the wall for a long time, his limbs and even his breathing are very different from ordinary people, and this can be regarded as a complete substitute for life.
The kind of person who jumps from the ceiling and can spread his legs with one hand to make an appearance is filming "Black Widow".
The instinct of a true assassin is not that he is handsome or not, but that he is quiet, light, and haunts like a cat.
Let's talk about the classic case:
filmed "The True Story of A Fei", Carina Lau was asked by the king of sunglasses to wipe the floor 27 times, until she oozed fine beads of sweat and hot air came out of her hair, which achieved the desired effect.
Many actors act, which always makes people feel that their shortcomings are "inside".
In fact, excellent film and television works and performances can provide the audience with a rich and delicate sensory experience.
As Carina Lau said, when you look at Wong Kar-wai's works, you can feel the smell, humidity and temperature inside.
And the actor is also a tool to create this sensory experience.
After all, the sweat beads and fatigue of the actors tossing solidly are really not just sprinkling water to have an "inner taste".
Yang Mi's road to self-reinvention also points to another problem:
How should an ambitious beauty in domestic entertainment embark on the road of big flowers?
If you want to benchmark, you will find that Yang Mi is quite a bit of Fan Bingbing's road back then.
relied on marketing beauty to dominate the noble circle, and then gave up the burden to play the theme of village women, and finally embarked on the broad road of winning awards.
And remember the interview at the beginning of the article?
The young Yang Mi looked at it a little wrongly, and the more aura between the two has always been Sister Suo.
At the age of 29, she won the first A-class actress by acting crazy.
When filming this "Guanyin Mountain", she also came up with a set of acting methods called "physiological performance".
This state of performance does not even require prior homework, and is all improvised.
From this point of view, the key to "being a big flower" may not be a question of route, but a question of understanding.
If you follow the right path, you can get infinitely close to the core of the industry, but as long as you can't elevate "work" to "creation", you will not be able to reach a higher level.
This is also the problem of the domestic big flower generation.
Yang Mi's advantages and disadvantages are obvious, her past experience is only enough to support her to skillfully mobilize emotions, but what is behind the emotions, what is the underlying logic and what is the relationship between the characters, and there is still a lack of deep understanding.
For such a complex role as Guan Xue, Yang Mi was distressed by the fact that there were no more pictures and imagination in front of him when shooting.
Source: "People"
Because of the lack of subconscious sensibility, we can only delve into the details at the conscious level (makeup and other details).
has understanding, but not much, so I can't internalize the unconscious of the character like a really good actor.
Maybe Yang Mi can learn from Xu Fangyi, who played Princess Jiacheng in "Assassin Nie Yinniang".
She is also willing to practice the guzheng for the role, but she understands that this role not only needs to work the piano skills, but also needs to think about the logic and state of the character.
What he (the director) cares about
Are you talking about what Jean's relationship is with you?
Why do you want to play the piano
Source: "Assassin Nie Yinniang" behind-the-scenes documentary
Sometimes if you focus too much on how hard you work, it is easy to get stuck in the false upper limit of "I have worked hard enough", which can deceive yourself and your fans, but may not coax the audience who watch the show.
As for the flatbread that cooperates with various top coffees, if you can't learn the real body and mind from them, the final value can only be hung in the fans' control and evaluation pictures as decorations.
Therefore, the first step to developing comprehension is not to rush to absorb outward, but to jump out of the illusion of dedication.
This is a bit difficult for the top stream, not to mention the actors who have enjoyed the praise of "Reiki".
It's just that Da Mi Mi, who has been acting for more than 34 years this year, if he still has the ambition to revive "Reiki", he may really have to find another way.