Breakfast at Tiffany's is a 1960s film.
First time hearing audrey. Hepburn, still on the red carpet of a film festival, was Kochburn-style bangs, at that time only knew that in the last century, there was a world-famous Hollywood beauty, called Audrey. Hepburn, couldn't even tell the difference between her and Marilyn Monroe.
It wasn't until the evening that I opened "Breakfast at Tiffany's" in a video recommendation.
Hollywood photography in the sixties was indeed excellent and emotional, every shot was worth learning, and every picture could still become the current poster or magazine cover.
So much so that I didn't even notice that it was a movie of the last century, until halfway I exited the screen to check the name of the beautiful heroine inside
I see it
Year: 1961
Starring: Audrey. Hepburn
Years never defeat beauty, Audrey. Hepburn's beauty, after many years of aesthetic changes, is still amazingly beautiful.
Before today, I had seen a lot of photos that claimed to be amazing times, seen many imitated shapes, static Hepburn, just a beautiful woman, and couldn't understand what made her popular for so many years.
Beauty in the bone is not in the skin.
It turns out that a person is truly beautiful, in looks, in the skeleton, in every move.
The heroine of the film, Holly, is an obsessive Tiffany, vain and greedy social flower, at home to open a chaotic party, pick a rich lover, smoke and drink, but there is no sense of rudeness and vulgarity.
Holly is always awake, often can not find his own things, take shoes from the refrigerator, look for bags in the oven, sit on the sink to take the champagne left over from the previous day as a mouthwash, run over the window to the side of the fire ladder to hide, and even knock on the window of the upstairs neighbor.
But it is such an offensive act, the person who does it is Hepburn, it is less offensive and annoying, like a small wild cat hiding in the middle of the night on your window sill to avoid the rain, so cute and pitiful.
She flicked her usual cigarette stick with her fingertips, snatched his goblet from the man's hand with one hand, and drank his wine while looking at the other person with wide eyes. Obviously it should be a beautiful scene, but it is so natural to make it by Hepburn, as if it should be so.
"Tiffany and So on Breakfast" is really a very old movie, a very old story, even a script that falls into the clichés for now, but Hepburn is here, Holly has become a classic, her interpretation of Holly, fragile and sensitive, lively and elegant, heart-wrenching and endlessly stirring, like a beautiful and elegant stray cat, saying strange words, doing out-of-the-ordinary things, but also in the measure, not annoying, but infinitely fascinating.