Michelle Ingrid Williams was born in 1980 in Callesper, Montana, to a mother Carla who was a housewife and her father, Larry Brooklyn. Larry R. Williams is an author and futures trader. She is of Norwegian descent, which explains why at first glance she has a Nordic temperament, and her father ran unsuccessfully for the U.S. Senate twice as a Republican candidate. When she was nine years old, her family moved to San Diego, California, and she said of the experience, "It may not be very happy because it was my preteen years, and it can be unpleasant wherever you go." She spends most of her time on her own.
She became interested in acting when she saw a locally produced play called "The Adventures of Tom Sawyer" when she was very young. She performed in the amateur production of the musical "Annie," and although her parents did not support her acting, she seemed so determined that her parents had to drive her from San Diego to Los Angeles to audition.
Her screen debut was in the 1993 TV series Baywatch, as Bridget Powers, and the following year, she made her screen debut in the family feature film Lacey, the new greyhound, about the relationship between the dog of the same name and a young boy (Tom Gehry). Williams played the lover of the character of Giri, which made critic Steven Gaedos take note of her "excellent performance". She went on to make cameo appearances on the TV sitcoms "One Step at a Time" and "Home Improvement," and in the 1995 sci-fi film "Xenomorph," she played the adult character of the alien Sil, played by Natasha Hensridge.
In 1995, Williams completed ninth grade at Santa Fe Christian School in San Diego. She didn't like going to school because she didn't get along well with other students. To focus on her acting career, she left school and enrolled in family counseling. When she was fifteen years old, with the consent of her parents, Williams applied to be freed from her parents' restraints (presumably to remove the custody of her parents, and I don't understand American law) so that she could pursue her acting career more easily and reduce the interference of child labor laws. In order to meet the relevant requirements, she completed her upper secondary education in nine months through correspondence courses, but she later said that she regretted not receiving a proper education.
After his parents signed off, 16-year-old Williams moved to Los Angeles alone and lived alone in Burbank. She talks about her initial experience in the city, "There are some really disgusting people in the world, and I've met some of them. To support herself, she took on assignments to shoot low-budget films and commercials. She played a supporting role in the TV movies "Give Me Innocence" and "The Teacher Who Killed Me" and the TV series "Mo Shang Yiren" starring Michelle Pfeiffer and Jessica Lange. Williams later described her early work as "embarrassing" and said she accepted the roles only to support herself because she "had no taste or ideals".
In 1997, Williams was so unhappy with the role she got that she teamed up with two other actors to write a script called Blink, which tells the story of a prostitute in a Nevada brothel, which was never completed despite being sold to a production company.
Seventeen-year-old Williams learned to trade under the tutelage of his father, who was engaged in futures trading, and competed in the Robbins World Cup Championship, a futures trading competition. She perfectly inherited her father's trading talent, and she paid off $110,000 in a month with a principal of $1,000, and she ended up becoming the first woman to win the championship with a 1,000% return and the third-highest winner in the history of the event (her father ranked first).
In 1998, Williams starred in the teen TV series Love Times, which was created by Kevin Williamson and co-starred James Vanderbeek, Katie Holmes and Joshua Jackson. The show, which ran for six seasons from January 1998 to May 2003, starred as Jane Lindley, a precocious New York teenager who moves to the fictional town of Capuside. The show was filmed in Wilmington, North Carolina, where she spent six years filming. While reviewing the first season for The New York Times, Carlin James called it a soap opera "redeemed by wisdom and sharp writing," but found Williams "too serious to fit this shrewd, half-joking cast." Variety magazine's Ray Richmond called it "an addictive TV series" and found all four protagonists attractive. The show had high ratings and gave Williams a lot of popularity.
With her popularity, it was only natural to star in movies, and her first film starring Jamie Lee Curtis and Josh Hartnett was the horror film Moonlight Panic 7, the seventh installment in a series of Halloween movies — in which she played several teenagers who were traumatized by the murderer Michael Myers. Its domestic box office was $55 million, while its budget was just $17 million.
In 1999, Williams starred in the comedy "Dick," a parody of the Watergate scandal, in which she and Kirsten Dunst played teenagers obsessed with Richard Nixon. Entertainment Weekly's Lisa Schwartzbaum praised the film's political satire, praising the two actresses for playing their roles with "crazy verve." But Dick failed to recoup his $13 million investment. That same year, Williams played a small role in Cheerleader, a satirical comedy about conversion therapy.
Williams was keen to play challenging roles in adult-oriented projects, and in the summer of 1999, he starred in an off-Broadway play called Killer Joe. Written by Tracy Leitz, this is a dark comedy about a dysfunctional family who kills a matriarch for insurance money, starring as the youngest daughter in the family. The show features gruesome violence, and Williams is even asked to star in the nude. Her socially conservative parents were unhappy about it, but she said she saw such scenes as "catharsis and freedom."
In 2000, she returned to large-scale films, starring in the HBO television movie If These Walls Could Talk 2, which tells the story of three lesbian couples from different periods. Williams signed the film on contract after repeatedly confirming that his love scene with co-star Chloe Sevigny was story-related rather than teasing. In a mixed review of the film, Ken Tucker criticized Williams for overexaggerating the character's aspirations. When asked about playing a range of sexual roles, she said, "I don't think any of them are sexy, hot girls. They are only defined at a very young age as others see them that way. ”
In 2001, she starred in the British film Me Without You, about an obsessive female friendship, starring Williams and Anna Fryer. Williams plays Holly, an insecure bibliophile who is close to her true character. Writer and director Sandra Goldbach was initially reluctant to cast Americans in British roles, but was impressed by Williams's self-deprecating humor and "European-style calm." Roger Albert praised Williams for her British accent and thought she was "cute and smart".
"The Age of Love" ended in 2003, and Williams moved to New York City. In the same year, she played a supporting role in two art films: the feature film "Lelan's America" and the comedy "Psychic Station". The former stars Ryan Gosling, who plays the sad sister of a murdered boy, and the latter stars Peter Dinklage, the "Little Devil." The Globe and Mail's Liam Lacey described it as "neither an insightful, well-made film". "Psychic Station" tells the story of a lonely dwarf (played by Peter Dinklage), and Williams plays a librarian who becomes attracted to him. The film's cast was critically acclaimed and was nominated for the Screen Actors Guild Award for Best Actor Performance. It's a quiet, peaceful and healing movie, and it's worth watching.
In 2004, she starred in the German filmmaker Wim Wenders' film Lost in Angel City, which explores the anxiety and disillusionment of post-9/11 America, of which Williams's character is a part. The Los Angeles Times' Kevin Thomas praised Wenders for his thoughtfulness on the subject and noted Williams' on-screen appeal. She was also nominated for Best Actress at the Independent Spirit Award for the film. She then starred in "Imaginary Heroes," a story about how a family copes with their son's suicide, and in the period film "Hole-in-One," she played a vulnerable young woman concerned with mental health issues.
In 2005, Williams returned to the world of comedy with "The Ultimate Virgin", in which she played a nasty secretary. The film received a flood of criticism, with Wesley Morris of the Boston Globe writing, "The film is human, authentic, and funny only when Williams is present." Even in her farce, there is a lot of pain. Like her other films of the period, it didn't have a lot of screening.
In 2005, Williams made his acting breakthrough in Ang Lee's feature film Brokeback Mountain, which tells the love story between two men, Ennis and Jack (played by Heath Ledger and Jake Gyllenhaal, respectively). Impressed by her performance in Psychic Station, casting director Ivy Kaufman recommended Williams to Ang Lee, who discovered her weakness and had her play Alma, Ennis's wife, who discovered her husband's infidelity to homosexuality. But Williams was emotionally influenced by the story, and despite her limited time on screen, she was drawn to the idea of playing a woman bound by the social conventions of the time. Tilt magazine's Ed Gonzalez considered her the standout among actors, praising Williams for "fascinatingly expressing [Alma's] unspoken displeasure with her sham marriage and showing a hint of sympathy for Ennis's secret pain." She proved right to take on the role at the time, and Brokeback Mountain became her highest-rated film at the time, grossing $178 million at the box office, compared to a budget of just $14 million, and Williams was nominated for an Academy Award for Best Supporting Actress for her performance. At the same time, Williams began dating the male protagonist Heath Ledger while filming the film, and the two lived together in Boerum Hill, Brooklyn, New York, and in 2005, she gave birth to their daughter Matilda.
Williams starred in two films in 2006. She first played opposite Paul Kiamati in the feature film The Eagle is Dying. Five months after giving birth to her daughter, she returned to Ethan Hawke's film "The Hottest Country," based on Ethan Hawke's own novel.
After Brokeback Mountain's smashing success at the Golden Globes and Oscars, Williams wasn't sure what to do next. After six months of hesitation, she agreed to play a small role in Todd Haynes' "I'm Not There," a musical inspired by the life of Bob Dylan. Subsequently, she was drawn to the role of the mysterious seductress S in the 2008 crime thriller Playing the Rebel Game. The film co-stars Hugh Jackman and Ewan McGregor.
In the next installment, Molotov cocktail, based on Chris Cliff's novel of the same name, Williams teamed up again with McGregor, who plays a woman whose family members have lost their lives in a terrorist attack. A critic for The Independent called the film "sloppy" and added that Williams deserved better.
Two other productions starring Williams in 2008 were more popular. Screenwriter Charlie Kaufman was so impressed with her comedic role in Dick that he starred in his directorial debut, New York Tropes, an experimental ensemble play starring Philip Seymour Hoffman. Although Roger Ebert named it the best film of the decade, it was a mess at the box office, and critics were polarizing about it. Two days after filming New York Tropics, Williams began filming Kelly Reichardt's Wendy and Lucy, playing a poor and lonely young woman who travels with her dog and looks for work. The film had a budget of $300,000 and was shot in Portland, Oregon, with a film crew consisting mostly of volunteers. At this time, Williams had just separated from Heath Ledger, and the movie happened to be filmed in Shankara, and she just wanted to hide herself, so she took over the 300,000 production cost of the film. She is pleased with Reichard's minimalist style and identifies with the self-sufficiency and tenacity of her character. The Los Angeles Times' Sam Adams described her performance as "striking not only for its depth but also for its stillness," and Mick LaSalle praised her for effectively conveying a "sense of life that is always close to the economic fringe."
In 2009, when Williams was filming the movie "Mammoth" in Sweden, it was reported that Ledger had died from accidental poisoning from prescription drugs. Although Williams insisted on continuing filming, she later said, "It's horrible." I don't remember most of it. A week after Ledger's death, she expressed her heartbreak in her first public statement and said that Ledger's spirit had survived in their daughter.
Directed by Swedish director Lucas Moodyson, Mammoth stars Williams and Gael García Bernal as a couple dealing with globalization. Her character is a full-fledged surgeon who thinks she's too young to logically play the role. In the same year, she co-starred with Natalie Portman in the artificial perfume commercial "Greed" directed by Roman Polanski.
In 2010, Martin Scorsese played opposite Leonardo DiCaprio in the psychological thriller Shutter Island. The film is based on the novel by Denis Lehahn, who plays a depressed housewife who drowns her own child. In preparation, she read case studies on infanticide. After completing the film in 2008, Williams admitted that playing a series of troubled women and her own personal difficulties took an emotional toll on her, for which she took a year off to focus on spending time with her daughter. Shutter Island was released in 2010 and was a commercial success, grossing over $294 million worldwide.
When Williams was 21 years old, he got the script for Derek S'Anfrance's romance film "Blue Valentine". But due to a lack of funds at the time, she was finally in place after years of delays, but at this point she was reluctant to accept the role because filming in California would have taken her away from her daughter for too long. Xi'an Frans wanted her so badly that he decided to shoot near Brooklyn, where Williams lived, and Blue Valentine, co-starring Ryan Gosling, tells the ordeal of a married couple whose love has become disillusioned. Before filming began, Synfres let Williams and Gosling live together for a month and receive a stipend to match the character's income. This rehearsal led to a conflict between them, which also proved to favor the filming of their character's deteriorating marriage. On set, she and Gosling practiced method acting by improvising several scenes. The film premiered at the 2010 Sundance Film Festival and received critical acclaim. The New York Times critic A. A. O. Scott credited Williams with "heartbreaking performances in every scene" and praised the duo as "exemplars of the sincerity of the new approach, capable of presenting every moment on screen fully and painfully." She was also nominated for an Academy Award and a Golden Globe for Best Actress for this role.
In her last film project in 2010, she teamed up again with Kelly Reichard on the western film Meek's Shortcut. Set in 1845, the film is set against the backdrop of an unfortunate historical event on the Oregon Trail, in which Stephen Meek leads a wagon through the desert and Williams plays a passenger in the carriage, an active young mother who is skeptical of Mick. In order to prepare for the film, she took a shooting training course and learned to knit. Filming in the extreme temperatures of the desert was daunting for her, although she enjoyed the challenge.
In 2011, Williams starred as Marilyn Monroe in My Week with Monroe, a series about the troubles she encountered during the production of the 1957 comedy The Prince and the Showgirl, based on the narrative of Colin Clark, the producer of the latter film. Williams was initially not confident about playing Monroe, as Monroe had little in common with her own appearance or personality, and Williams spent six months studying her by reading biographies, diaries, and notes, as well as studying her posture, gait, and mannerisms. She also gained weight for the role, bleached her hair to blonde and applied makeup for more than three hours over the course of filming. She sang three songs for the soundtrack and recreated Monroe's singing and dancing performance in "Heat Wave." Roger Albert considers Williams' performance to be the film's main asset and praises her success in evoking multiple aspects of Monroe's personality. Peter Travers argues that although she does not resemble Monroe in appearance, she "had a strong artistic talent and felt Monroe's insight and insecurity about herself at the height of her fame." She won the Golden Globe Award for Best Actress for this role and was nominated for an Oscar for the second time in a row.
In 2011, she played a married writer who is attracted to her neighbors in the romantic film Waltz Dance, which Sarah Polley co-starred with Seth Rogen and Luke Kirby. Although the actor thought it was a light-hearted film, The Telegraph's Jenny McCartney found its dark tone and compared its subject matter positively to Blue Valentine.
In order to play a role that would appeal to his daughter, Williams played Glinda in Sam Raimi's fantasy film The Wizard of Dreams. Based on the Dreamland Wizard children's book, the show is a prequel to the classic 1939 film The Wizard of Oz. This marked her first appearance in a film involving special effects. The film grossed more than $490 million worldwide, making it one of her highest-grossing films.
Williams aspired to appear in musicals, so she played Sally Powers in the 2014 re-enactment of The Cabaret, which ran at Studio 54 and made her Broadway debut. Co-directed by Sam Mendes and Rob Marshall, it tells the story of a free-spirited cabaret (Williams) in Berlin during the rise of the Nazi Party in the 1930s. She spent four months rehearsing privately with music and dance instructors before production began. She read the works of Christopher Isherwood (whose novel Goodbye Berlin provided the inspiration for the musical) and traveled to Berlin to study Isherwood's life and inspiration. Her performance has received polarized reviews, with Vulture's Jesse Green praising her singing and dedication to the role, but Newsday's Linda Wiener felt her portrayal lacked depth. The rigor of the stage play led Williams to consider cabaret to be her most difficult project.
Challenged by his work on Cabaret, Williams was eager to continue working on stage. She found a role in the 2016 reenactment of the David Harroll play Blackbird. The story is set entirely in an office restaurant and follows a young woman (Williams) who confronts a much older man (Jeff Daniels) because she had sex with her when she was twelve. Williams, who had never seen the show's previous performances, was drawn to the ambiguity of her own character and found herself unable to shake it off after each performance. The New Yorker's Hilton Ars considers her "bold and unbiased embodiment of her non-assimilable character" as the show's highlight. In the end, the emperor had a heart, and she was nominated for the Tony Award for Best Actress in a Drama for "Blackbird".
Williams returned to film in 2016 as a supporting actor in two production films, Some Kind of Woman and Manchester by the Sea. The former marks her third collaboration with Kelly Richard and tells three interconnected stories based on a short story by Mailer Meroy. As with their previous collaborations, the film has very little dialogue and requires Williams to perform in silence. Directed by Kenneth Lonergan, Manchester by the Sea stars Cassie Affleck as Lee, a depressed patient who separates from his wife, Randy (Williams), after the tragic death of his child. Williams agreed to star, and she was very happy to work with Ronalgan, whom she admired, and although the film was bleak and depressing, she found it to be connected to her character's desire to reinvent her life in the face of tragedy. In preparation, she travelled to Manchester to interview local mothers about life and speak with a dialect coach in a Massachusetts accent. Some critics praised Williams' climactic monologue, in which Randy confronts Lee, as the highlight of the film, and Justin Chang called it "the surprising scene that comes out of the movie, like a heartbreaking little aria." For this role, she received her fourth Oscar nomination, which is her second nomination for Best Supporting Actress.
After a brief appearance in Todd Haines' play Wonderstruck, Williams appeared in the musical The King of the Circus. Inspired by the Barnum Bailey Circus, created by P.T. Barnum, the film features her as Chariti, the wife of Barnum (Hugh Jackman). She likened her character's happy personality to Grace Kelly, and she sang two songs for the film's soundtrack. The film became one of her most successful films, grossing over $434 million worldwide.
In 2017, she starred in Ridley Scott's crime thriller World of Money, which was Williams' first lead role in a film since 2013. She plays Gail Harris, whose son, John Paul Getty III, is kidnapped for ransom. She sees this as a major opportunity because she has never played a leading role in a big-budget Hollywood production before. A month before the film's release, he initially played J. J. Paul Getty's Kevin Spacey was charged with harassment, and he was replaced by Christopher Plummer, who reshot her scene a few days before the release deadline. Film critic David Edelstein lamented that Williams' work had been overshadowed by controversy and went on to praise her "excellent performance", noting how she conveyed the sadness of her characters through "the tension of the body and the intensity of her voice". She was nominated for a Golden Globe for the role for the fifth time. It was later reported that her partner, Mark Wahlberg, had been compensated $1.5 million for reshooting part of the scene, while Williams had only received $1,000, sparking discussions about the gender pay gap in Hollywood.
In 2018, Williams held a secret ceremony in the Adirondack Mountains to marry musician Phil Elvirum. Her first film role that year was as an arrogant but insecure executive in the comedy "Oversized Beauty," starring Amy Schumer, which satirized women's body image issues. The comedic role required her to speak in a high-pitched voice, which Variety's Peter de Bruges called "the funniest performance of her career." The film did well at the box office.
Williams has been constantly trying to star in different genres, and in 2018 Williams played Anne Waying in the superhero film Venom, co-starring with Tom Hardy as the titular antihero. Influenced by the MeToo movement, she provided information about the character's costumes and dialogue off-screen, but critic Peter Bradshaw dismissed it as "an extremely boring and submissive character". "Venom" grossed more than $855 million worldwide, making it the highest-grossing film starring Williams.
In 2019, Williams returned to the Sundance Film Festival with Suzanne Beale's remake of the Danish film of the same name, After the Wedding, in which she and Julianne Moore played the male roles of the original. The Guardian's Benjamin Lee thinks the low-key role is a better fit than her previous ones. In the same year she starred in FX's miniseries Fosse & Worden, which tells the story of the troubled personal and professional relationship between Bob Fossey and Gwen Worden, which was her first television lead role after Love Times. Williams credits her cabaret performance on Broadway to help prepare her for the role of Worden. She also serves as the show's executive producer. The Globe and Mail's John Doyle praised Williams for "playing Verdon with a perfect sense of control, her total devotion to her art and craft, while always standing on the edge of an emotional abyss." For this role, she won a Primetime Emmy and a Golden Globe for Best Actress in a Television Miniseries.
In 2021, Williams played the role of Anne Waying again in the superhero sequel Venom 2, which grossed more than $500 million worldwide. In 2022, in his fourth collaboration with Kelly Reichard, Williams starred in the feature film "Coming Soon". To play the role of sculptor in it, she imitated the artist Cynthia Lahti . The Independent's Tim Robbie believes Williams is "smarter than ever under Reichard's watch".
That same year, Williams starred in Steven Spielberg's semi-autobiographical film about his childhood, The House of Dreams, in which she played Miz Fabelman, a character influenced by his mother. Spielberg said he considered her for the role after watching her performance in "Blue Valentine," and in preparation, she listened to recordings of his childhood and watched a family movie. The film was well-received. Deadline Hollywood's Pete Hammond called Williams "heartbreakingly great," while The New York Times' Kyle Buchanan wrote that she "really worked hard, like someone who knows they've been given an iconic role." She was again nominated for Best Actress at the Golden Globes and Oscars.
After filming "The Dream Family," Williams took a break for two and a half years. In 2023, she was invited by singer Britney Spears to narrate the audiobook version of her memoir, The Woman in Me. A clipping of the audiobook went viral on social media in which Williams imitated Justin Timberlake speaking with "blaccent."
Since the death of his ex-partner Heath Ledger in January 2008, Williams has been the subject of close media scrutiny and has been regularly followed by paparazzi. She didn't like the attention, saying it interfered with her work and made her feel uncomfortable. Although Williams was reluctant to discuss her relationship publicly, she was forthright in expressing her grief over Ledger's death, saying it left a permanent black hole in her life and that of her daughter. Since then, she has strengthened her determination to take care of her daughter, despite the difficulties she has encountered as a single parent. In 2018, she opened up about her relationship and marriage to Phil Elverum as an inspiration for grieving women.
We can tell from Williams' acting career that she prefers acting in small-scale independent films rather than high-profile mainstream productions, which she finds to be "a very natural expression of her own interests". The Telegraph's Elaine Lipworth has identified the theme of "dark, often tragic characters" in her career, and Elle's Katie O'Malley writes that she excels at "playing strong, independent and straightforward female characters." The New York Times' Susan Dominus considers her "the tragic embodiment of sorrow in life and art." Regarding her choice of role, Williams said she was drawn to "people's failures, blind spots, inconsistencies." She believes her own unconventional adolescence influenced these choices. She instinctively agreed to a project, calling it an "unthought process."
Vogue's Adam Green credits Williams' ability to "reveal the inner life of a character in an unsuspecting moment" as her trademark, praising her for not "trading with her *attractiveness" despite her willingness to act out nude scenes. "Manchester by the Sea" director Kenneth Lonergan says her versatility allows her to "change the whole person" through the roles she plays. Dominus also believes that she has physically changed herself, "as if all her molecules had fallen apart and reassembled, creating a slightly different version of herself, with the same material properties but a change in essence". Elle magazine's Boris Kachka called it a transition from "a famously independent naïve girl to a muscular, chameleon-changing movie star" when talking about the film she starred in in 2016.
In Empire magazine's 2022 readers' poll, Williams was named one of the 50 greatest actors of all time. The magazine attributed her success to "playing the role of damaged, broken and wounded with such heartbreaking sensitivity that you never see a trace of the stitching". And the saffron Vera Wang gown worn by Williams at the 78th Academy Awards in 2006 is considered one of the greatest Oscar dresses of all time.
Let's take a look at Williams' dedication to the art of cinema.
1, "Love for You 2" Dedication Index: ⭐⭐⭐⭐⭐
"Love for You 2" is divided into three parts, which tell the love story of three gay couples in the same house in the 60s and 70s of the last century in the United States, and at the turn of the century. The film takes the American women's movement and the gay movement as the historical background, showing the joys and sorrows of individual lives in this social wave. (The sacrifice is very large)
2. "Incendiary bomb" dedication index: ⭐⭐⭐⭐⭐
The husband of the young woman (Williams) is a bomb disposal expert, and her family life is lackluster with invisible rifts. Out of dissatisfaction with this conjugal state, the woman was waiting for her husband to return from a mission at the bar, and was successfully accosted by newspaper reporter Blake, and then cheated. Time passes boringly. On the way to a football match with her husband and son, the woman meets Blake and excuses herself not to go to the gym, but to go home with him. Just as the two of them were in the middle of the day, they saw a live broadcast on TV: the stadium had been bombed and turned into a living hell. The woman's husband and son died instantly. The rest of the story is that a woman heals the trauma of shame in her relationship. The goddess Williams held up alone throughout the movie.
3, "Brokeback Mountain" dedication index: ⭐⭐⭐⭐⭐
Classic!
4. "Blue Valentine's Day" dedication index: ⭐⭐⭐⭐⭐
Before the release of this movie, I quarreled for a long time for the rating, and it was originally set as NC-17 (it is forbidden to watch it under 17 years old), and then the director appealed before it was downgraded to R rating! I heard that many couples broke up immediately after watching this movie.
The film tells the story of Dean and Cindy who have been in love for many years, from love at first sight to marriage, through a lot of ups and downs, and the relationship between the two has been changing for many years. The narrative technique of the film is very distinctive, using the technique of parallel montage, the protagonist's past and present life scenes are constantly alternated, and the two different life scenes are intertwined, making the beauty of the past and the pain of today a stark contrast. The director's sweet description of the previous love part is quite in place, such as the scene of the husband and wife dancing on the street, showing the cheerful and sweet love life, etc., such as the heroine's surprise when she meets her ex-boyfriend and the initial rejection in her heart to the later inseparability with her ex-boyfriend, etc., in fact, the director wants to show the root cause of the lack of inner feelings between the protagonist and the husband and wife through the externalized scene lens language, that is, the difference in life values.