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Yi Nengjing is worthy of being Qin Hao's million-dollar propaganda committee member and the strongest public relations
Yi Nengjing understands Qin Hao too well!
She not only understands Qin Hao, but also knows what way to promote Qin Hao, what kind of way to market Qin Hao, and promote Qin Hao to a higher position.
When Qin Hao is not filming, he doesn't like marketing, and he doesn't talk much, these traits are destined to make it difficult for Qin Hao to occupy the high ground of public opinion in the hearts of the audience by himself, but he has a wife Yi Nengjing who loves him, understands him, and understands him.
Yi Nengjing is sentimental, sensitive and delicate, can write and love to say, and understands herself better than Qin Hao himself, so every time Yi Nengjing writes a small essay for Qin Hao, it can quickly spread among netizens and form a strong influence.
After the release of the new drama "Harbin 1944" led by Qin Hao, Yi Nengjing's million-dollar essay followed closely behind, and finally came again.
In this small composition, Yi Nengjing is full of true feelings from her own perspective, combined with Qin Hao's inner thoughts and the bits and pieces of life to dismantle behind each character.
Qin Hao's role in the new drama is a pair of twin brothers, different from the traditional sense of good and evil, it is easier to make a difference in performance, and the two people played by Qin Hao in this drama are good people.
Yi Nengjing asked Qin Hao how to make a distinction, and Qin Hao said: "You don't need to act, you need to find the life of the character, because the performance itself is the composition of the character's life." If you are obsessed with acting, then "acting" is a kind of force, and there are traces of force.
Yi Nengjing said that in order to keep his life, Qin Hao basically doesn't live too much of a star's day, doesn't participate in activities much, rarely takes pictures and dresses up, walks with Yi Nengjing every day, accompanies his daughter, lives like ordinary people, and rarely does things that consume performances.
In order to highlight the difference in roles, Qin Hao created different lifestyles for the two twin characters: one eats quickly, the other eats slowly, and the way of daily life is completely different, and when interpreting the lives of the two people, the characters will come to life by themselves.
Yi Nengjing talked about the changes in Qin Hao in the past ten years, although Qin Hao's dedication and love for performance have not changed, but now Qin Hao is more precipitated and more internalized, even if he has made a little achievement, he is never proud and complacent, and maintains a sense of awe for performance.
After reading Yi Nengjing's million-dollar essays, many netizens commented below on "Goddess Wangfu", "It is also a blessing in his life for him to meet you", "I am so touched and sincere", "I love to read and write" and so on.
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In Yi Nengjing's short composition, from the perspective of his wife, the bits and pieces of Qin Hao's life, Qin Hao's pursuit and interpretation of performance, and Qin Hao's heart are all full of truth and honesty in front of the audience.
This is also the most fundamental reason why Yi Nengjing's small essay can be so moving.
It can be seen from Yi Nengjing's small essay that Qin Hao's pursuit of the character's shaping is a traceless performance, and the character's life is lived, so the character itself will naturally come out.
In terms of performance, Qin Hao pursues not "acting", but a more advanced way, studying performances without acting, trying to dismantle all possible artificiality and return the role to life.
In order to achieve this goal, Qin Hao kept his life as an actor as much as possible, and had to make some trade-offs, taking life at the expense of fame and fortune, because in his opinion, fame and fortune and mundane things will consume an actor's talent.
is also because of his love for acting, so in the role, no matter what kind of positioning, whether it is a male N or a male No. 1, he abides by his duty, never plays a bully, does his best to create, and devotes himself wholeheartedly.
The ultimate professionalism, the ultimate humility, the ultimate devotion, and the ultimate low-key, these adjectives were pasted on Qin Hao's body, which not only became Qin Hao's characteristics in Yi Nengjing's eyes, but also relayed to the audience by Yi Nengjing's writing, and gradually became the audience's unified cognition of Qin Hao.
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The reason why Yang Mi was complained by the audience was found
Although the TV series "Harbin 1944" is the second shot by the famous director Zhang Li after many years, after the broadcast of this TV series, Yang Mi's overall reputation among the audience is not optimistic.
With Guan Xue, the head of the secret service section played by Yang Mi, out of the circle, it was not Yang Mi who turned over with this TV series on the Internet, nor was it the audience's tap water Amway for Guan Xue, but Wang Manchun in "The Pretender" many years ago rushed to the hot search again.
Many netizens think that she is also playing a female spy, and compared with "Harbin 1944" and "The Pretender", first of all, in terms of image, the gap between the two versions is relatively large.
Yang Mi in "Harbin 1944", his face is tired and haggard, and his face is not optimistic. And Wang Ou in "The Pretender" is even more bright and moving.
Secondly, in "Harbin 1944", although Yang Mi's interpretation of the role has improved, Yang Mi's performance has a big problem, and there are many times such as "acting too hard", "strong outside and dry in the middle", "too heavy performance traces" and so on.
It is precisely because of these problems that some viewers believe that Yang Mi's desire to turn over with this TV series is afraid that it will be frustrated.
As a member of the 85 flowers, Yang Mi, like other 85 flowers such as Tang Yan and Zhao Liying, is struggling to pursue the opportunity of transformation.
However, unlike Tang Yan's masterpiece "Flowers", Zhao Liying's masterpieces "The Wind Blows in the Summer", "Article 20", etc., Yang Mi has never taken out the masterpieces of powerful actors.
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Why did netizens ridicule "Qin Hao's drama road is wide enough to open a cornfield"?
is because for a textured actor like Qin Hao, there are too many roles that can be interpreted, and various types emerge in endlessly.
For the 85 flowers represented by Yang Mi, they rushed to the front line of stars with their backs to traffic, and they are still mixed with traffic, but as they get older, the works represented by traffic no longer match their age, and having no scenes to shoot will be a problem that they have to face.
What the audience wants to watch is a good drama starring good actors, compared with Qin Hao, Yang Mi's lack of acting skills is the most fundamental reason for being complained by the audience.
In fact, take a closer look at Qin Hao, who is known as the representative of the "acting school" actor by the audience, and compare Qin Hao and Yang Mi carefully, you can find the main reason for this result.
Yang Mi's understanding of life and roles may not be as in-depth as Qin Hao's in performance, so he stays at the level of "acting" for performance, rather than "living out the role", which is also the fundamental reason why one of the two people's performances seems to have no traces and the other has too many traces.
Another reason is that Yang Mi is close to Vanity Fair, and Qin Hao is far away from Vanity Fair, and the choice of fame and fortune will also greatly affect the texture of the actor.
"成也流量,败也流量".
Qin Hao, as a powerful actor, has already made a good example for the transformation of traffic actors, it depends on whether Yang Mi can keep up.