Zhang Chengshan, a native of Jining, Shandong, the word Shengli, the number Yikun, the twenty-fourth generation of Xuan's disciples of Quanzhen Longmen, the scholarly family, the young Cheng Tingxun, the enlightenment teacher Mr. Li Ruogu, the book starts with the willow, specializes in Yan Ti, squeezes the ink, the list and the seal, and gradually has a belief in Taoism since childhood, and Taoism has formed an indissoluble bond. After that, officially entered the Tao, worship the twenty-three generations of the true Longmen Xuanzong under the Hao Yang Taoist as a teacher, with the teacher in Jilin Province Changbai Mountain Lingying Palace to learn the Tao, today visit and study with the Shenlong Temple of Dacheng Village, Leiyang City, Hunan Province, with the crown scarf master Shangzong is learning Taoist Zhai Jiao rituals in the Taoist.
Zhang Chengshan deeply realized that calligraphy is not only calligraphy, but also the presentation of comprehensive cultural literacy, and it is necessary to cultivate cultural heritage through reading and have the guidance of classic calligraphy theory, so as to quickly improve the skills and techniques of calligraphy, or even change their own calligraphy style or creative direction.
Throughout Zhang Chengshan's calligraphy, she is a calligrapher with profound traditional skills, and she is also a calligrapher who is good at capturing the aesthetic interest of the new era. At the same time, she gives full play to her unique understanding of calligraphy, adding changes and enriching the meaning of the brushstrokes, making the font appear elegant and varied, thick and flexible. Her calligraphy is based on profound traditional skills, and her calligraphy enters the state of mind of the literati, and the expression of calligraphy conveys the interest of the literati, and the appearance and connotation are wonderful and shining with each other.
I admire his calligraphy very much, he has a teacher, a foundation, and a clear eyebrow. The style is calm and open-minded, smooth and natural, and emotional. This is related to his long-term practice, and only in this way can he write such calligraphy works with profound cultural heritage and humanistic feelings.
Han Mo is virtuous, and the pen is windy. Zhang Chengshan's calligraphy is undoubtedly very mature, his calligraphy inherits from the tradition, and can come up with new ideas in the tradition, the style of the work is fresh and elegant, and the pen is more graceful and beautiful in the spirit of pure and strong, which is really ancient but not ancient. From her calligraphy works, we can see the true spirituality of Hanmo art, and we can also see the true temperament between calligraphy and people.
Welcome to like and leave a message, like Zhang Chengshan's works to contact us.