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Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

author:Calligraphy and painting everyone

Text/Feng Haitao Painting/Chen Yunpeng

Now there is a remark that "it is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art". In this passage, the position of the brush and ink of Chinese painting is below the painting. As far as pen and ink are used as tools, there is nothing wrong with this assessment. However, does the meaning of brush and ink mean the concept of "pen and ink"? In Chinese painting, brush and ink are brush, and for Chinese painting, they are brush, they are ink, and they are brush and ink. In the concept of painting, brush and ink are culture, Chinese culture. There is a big problem with separating painting from art. Are painting and art separated? If we are separated, how can we talk about painting and art, and if we are not separated, how can we talk about painting be narrower than if we talk about art? If we talk about painting in art, we are narrow, and there are three meanings. However, there is also a sentence in front of this sentence: "It is narrow to talk about brush and ink in painting". In this sentence, then, painting refers to a painter who is engaged in artistic creation.

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

Those who say that "it is narrow to talk about brush and ink in painting, but narrow to talk about painting in art" are to divide the paintings in paintings into three categories: the first is the Chinese painters who talk about art, the second is the Chinese painters who talk about painting, and the third is the Chinese painters who talk about brush and ink. He believes that those who use pen and ink are narrow-minded. Regarding brush and ink, Zhang Yanyuan's "Records of Famous Paintings of the Past Dynasties" in the Tang Dynasty, Han Zhuo's "Complete Works of Landscapes and Rivers" in the Northern Song Dynasty, Shen Zongqian's "Mustard Boat Painting Edition" in the Qing Dynasty, and Shi Tao's "Quotations on Shi Tao Paintings" are all mentioned. Huang Binhong also said about pen and ink: "On the use of penmanship, we must also use ink, and the wonder of ink is all written by pen." This passage is stated from the standpoint of people, and the foundation of people is nation and culture. For those who study and create Chinese paintings within the culture, "it is the skill of brush and ink, and it is the method of brush and ink". For art critics, the meaning of "brush and ink" should be viewed from a broader perspective.

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

For Chinese painting, "brush and ink" is what the painters have pursued all their lives, and its height is beyond the concept of art, and the name of art can only be used to describe him. However, the saying that "it is narrow to talk about brush and ink in painting, and narrow to talk about painting in art" is obviously out of culture. It is to regard brush and ink as a technical means in painting, and to treat painting as a technique.

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

Painting and collecting: It is narrow to talk about brush and ink in painting, and it is narrow to talk about painting in art

Chen Yunpeng's work

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