Huang Tingjian (August 9, 1045 - May 24, 1105), the word Luzhi, the number valley Taoist, Fu Weng, Hongzhou Fenning (Xiushui County, Jiujiang City, Jiangxi Province), the famous writer and calligrapher of the Northern Song Dynasty, the ancestor of the Jiangxi poetry school. Li Zhimin, a professor at Peking University and the pioneer of introducing monuments into grass, commented: "Huang Tingjian's discussion of books, appreciation of paintings, and poetry are all based on rhyme.
His works include "Words of the Valley", which is known as "one ancestor and three sects" (Huang Tingjian is one of them) with Du Fu, Chen Shidao and Chen Youyi. Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the "Four Bachelors of Sumen". During his lifetime, he was as famous as Su Shi, and was known as "Su Huang". The calligraphy is unique and one of the "Four Song Families".
Huang Tingjian is good at calligraphy and cursive writing, and regular script is also a family of its own. Xueshu especially admires Wang Xizhi's "Orchid Pavilion Preface". He has a poem praising Yang Ning's style, which can show his deep experience of the practice of "Orchid Pavilion Preface": "The world has learned the Lanting noodles, and they want to exchange them for ordinary bones without gold pills." Who knows Luoyang Yang Fengzi, the next pen will go to the black silk column. This cannot be without his deep understanding of Wang Xizhi's calligraphy learning.
When Huang Tingjian traced back to the Jin and Tang dynasties and studied the classic calligraphy of his predecessors, he had the greatest influence on Su Shi, and it can be said that Huang Tingjian's codex Xiaoxingshu was largely learned from Su Shi. Huang Tingjian, as one of the "Four Scholars of Sumen", cannot be unaffected by Su Shi's style of writing. In Huang Tingjian's book treatise, there are many Dongpo books, and most of them are highly respected. Su Dongpo is not only Huang Tingjian's literary teacher and promoter, but also a role model for his calligraphy. In Huang Tingjian's inscription, it reflects some news that Huang Tingjian learned calligraphy from Su Shi, such as "Yu and Dongpo learn Yan Plain." However, it is clumsy, and it will not be close to the industry", and such as "Dongpo this post, even like the tomb inscription grass of Princess Yu Shinan." It is in his nature to comment on Dongpo's good books. To taste in the east slope to see the hand Ze two bags, there are like Liu Gongquan, Chu Sui Liang number of paper, absolutely better than the usual Xu Hao font. I also tasted a volume of Lu Gong's post for Yu Lin, and all twenty papers were six or seven, which was beyond the reach of learning."
Huang Tingjian and Su Shi are eight years apart. The two made friends and mentors. Judging from the ink of Huang Tingjian's Xinggang Codex that has been handed down to the present, its skimming and opening, the flat and broad glyphs, and the upward movement of the characters to the right all clearly show the characteristics of Su Shi's calligraphy, and even some exaggerated emphasis, but it is too jerky and not as familiar as Su Shupu. And Huang Tingjian used Zen enlightenment books to influence Su Shi as a mutual influence. For example, Su Shi's "Prayer for Rain", the penmanship is very similar to Huang Tingjian, especially the number at the end, calm and elegant, the pen is loose, almost like Huang Tingjian's ghostwriting.
The formation of Huang Tingjian's style of writing in Kai Kai should be after he saw the cliff "Crane Ming" in Beijing, and continued to learn the law and breed milk and became his own family. There is a misunderstanding in Huang Tingjian's "Crane Ming", that is, he regards "Crane Ming" as a book written by the right army, and he believes it deeply, so he tries his best to figure out the teacher's practice. However, it can be regarded as a crooked attack, which has promoted the formation of Huang Tingjian's spear and halberd, and his style of calligraphy. From an objective point of view, Huang Tingjian and Su Dongpo are calligraphers in the history of Chinese calligraphy who surpassed the style of calligraphy of the Tang Dynasty 800 years earlier than the Qing Dynasty and traced back to the pre-Tang Dynasty tablet version or the combination of inscriptions. As for the origin of Su Shi's calligraphy, as long as we compare his masterpiece "Cold Food Poems" with Luoyang's "Twenty Products of Longmen", we can get a clear answer. Huang Tingjian clearly advertised the teacher's method "Crane Ming".
Huang Tingjian's large-character calligraphy is concise and powerful, with a peculiar structure, and each character has some exaggerated long paintings, and tries his best to send them out, forming a new method of knotting words that is tightly tightened in the middle palace and diverged from the four edges, which has a great impact on later generations.
"Pillar Inscription", a book. Recording the Tang Dynasty Wei Zheng's "Pillar Inscription", this volume is 8.24 meters long, a total of 82 lines and 407 characters, plus the inscriptions of the past dynasties, the total length is nearly 15 meters. It is second only to the 18.22-meter cursive volume "Lian Po Lin Xiangru Liebiography" in the United States and the 10-meter-long line "Ming Zan Poetry Scroll Houba" in the National Palace in Taipei, which is longer than the famous "Fubo Ti" (8.20 meters) and "Zhu Shangza Ti" (7.29 meters).
The volume of "Pillar Inscription" was made around 1095, and the works were collected by Wang Houzhi, Jia Rudao, Xiang Yuanbian, etc., and have long been circulated in Chinese folk, and flowed from Guangdong to Japan in the first half of the 20th century, and were collected by the Japanese Neighbor Museum until a few years ago, when they were purchased by Taiwanese collectors, which appeared in the auction for the first time.
Previously, this handscroll was considered a fake as early as the Qianlong period because of the differences between the text content and calligraphy style and Huang Tingjian's other works, and there were many suspicions. After the research of Mr. Fu Shen, a member of the Steering Committee of the National Palace Museum in Taipei and a doctoral supervisor of the Institute of Art History of Tainan University, it was finally determined to be the authentic work of Huang Tingjian, and it is the authentic work of Huang Tingjian's calligraphy style conversion period, and he also wrote a research report of nearly 20,000 words for this volume.
On the evening of June 3, 2010, at the 5th anniversary spring auction of Poly, the Northern Song Dynasty calligrapher Huang Tingjian's large-character regular script "Pillar Inscription Scroll" was sold for 390 million yuan and a commission of 436.8 million yuan, creating a new record in the history of Chinese calligraphy and painting auctions.
Commentary: There is one year in the tenth year of Wei, and the emperor has ruled the world for twelve years. The road is in the domain, Weijia overseas, six and the same (track), eight wilderness interception, success and fame, time and years of Fu. In February, the east patrol hunted as for Luoyi, the pilgrimage was completed, and the jade luan swirled; the danger of Kuihan, the land of Shaanxi; the saint of Myanmar Weilie, looking down at the river; the peak of the pillar stands, the temple of Dayu is in; the crown is Benduan, and Liu Zi is far away; Yu is not idle, the sigh of Xuanfu Zhongni, the emperor's affection is blind, and the admiration is stopped. The words of the book say: "Great Boyu!" Water and soil are duties; hanging the crown is not careful, and the door will not stop; let the virtue and the dragon be promoted; the wind and rain, the palace and the Philippines will eat; the soup and soup will be cut, and the beginning of Xiangling will be very famous; the matter is extremely famous, and the picture is poor; the prosperity and elimination of harm are the key to the discipline; the dormitory is new, and the virtue must be worshipped; it is close to the pillar, and the north looks at the Longmen; the vast old ruins, the vast and long source; the Lesiming will live forever with the mountains and rivers with the achievements! The Duke of Wei has the benevolence of loving the monarch and the righteousness of reproach. Its wisdom is enough to endure the world, its virtue is enough to serve things, and it is admired in life. When he was a good scholar, he forgot the clumsy work of his writing, but I saw his charming. My friend Yang Mingzhou, who knows the scriptures, can poetry, likes to be literary, and does the public affairs as his own. Keep the body clean, do not serve the wisdom with deceit, and do not deceive the inferior with arrogance. It can be sued to Zheng Gong's career. Or: The world is extremely decadent, and my heart is like a pillar. If the husband and the world are in mourning, if the water is floating, it can neither be a teacher's example for others, nor can it be a merit for a minister. The pillar of the text sits next to each other, and has two divisions. Although, the festival of the pillars is devotional, the wise are pleased, and the foolish are afraid. Mingzhou Yi'an can be sick and change the festival?
"Hanshanzi Pang Jushi Poems", Huang Tingjian was written in the second year of Song Zhezong Yuanyou (1099), at the age of 55, 29.1 cm in length and 213.8 cm in width. "Hanshanzi Pang Jushi Poems" is Huang Tingjian's masterpiece in his later years, the pen is wonderful, the dot painting pen is "calm and happy", the pen seems to be rippling from the air, full of flying momentum. The knot is stretched and generous, the atmosphere is magnificent, and its personality characteristics are very significant.
Throughout the "Hanshanzi Pang Jushi Poems" post, the pen is condensed and powerful, vigorous and depressed, and the spirit is leisurely, especially the Qin Seal Zhongshi, Han Li's handsome penmanship. The twists and turns of the pen are like supporting a boat against the current, and the strength can carry the tripod. As the early Qing Dynasty poet Feng Ban commented in "Miscellaneous Records of Dull Groaning": "The pen starts from the painting, returns to the left wrist, and the real painting reaches the right residence, but then jumps, just like the wind of the clouds, and then returns." "The knot is peculiar, almost every word has some exaggerated long paintings, and try their best to send them out, forming a knot style that is tight in the middle palace and divergent on all sides. The chapter is creative, often using the method of displacement to break the boundaries between words and make new combinations of lines. The whole article is majestic and dripping. Qingkang Li once commented: "The book of the Song people, I especially love the valley, although it is high and gloomy, and the gods are idle, and the entrance is flattering." If its penmanship, thin and graceful, then self-sealing. ”
Commentary: I saw the water of the Yellow River, and it was clear several times. The water flow is like a fierce arrow, and the world is like duckweed. Addiction is the root karma, and love is troublesome. After a few rounds, I don't understand it. Hanshan said this, and the whole world was crazy. There is something to say to the other side, so it is enough to be resentful. The heart is true and straight, and there is no back to the straight language. Look at the Dunai River, who is the minion Arhat. Sending a message to those who are benevolent, what is benevolence. Returning to the source is knowing one's own nature, and one's own nature is knowing the future. Ren Yuntang tried Zhang Tong's pen for the Fa Zun Shangshu Hanshanzi Pang Jushi poems two volumes. Fu Weng Question.
"Songfeng Pavilion Poems", Huang Tingjian's seven-word poem, written in September of the first year of Chongning (1102) of Song Huizong, at the age of 58, ink on paper, 32.8 cm long, 219.2 cm wide, the full text is 29 lines, 153 words.
In September of the first year of Chongning (1102), Huang Tingjian and his friends traveled to Fanshan in Echeng, passing through a pavilion among the pine forests, and spent the night here, composing this poem of "Songfeng Pavilion", singing about the scenery seen at that time, and expressing his nostalgia for his friends. The handwriting was long and long, and Teton was undulating and twisting, like a boatman rocking his oars. Regardless of the pen, turn the pen, are the regular script penmanship, the pen is peaceful and calm, the change is very subtle, light and slow, graceful and steady, full of rhyme. In the latter paragraph, when Su Shi, who had passed away the year before, he couldn't help but be excited, his pen was particularly dignified, and the knots were more inclined to convey the friendship with Dongpo, which was a typical example of Shangyi's calligraphy style.
Commentary: Songfeng Pavilion. Build a pavilion on the mountain and see Pingchuan. The night is inserted into the rafters. My name is right. The old pine is burly for hundreds of years. The pardon of the axe is towering. The wind roars and the emperor is fifty strings. Washing ears does not require a bodhisattva spring. Jia's second and third sons are very good and virtuous. The poor buy wine and get drunk on this feast. The night rain chirps in the corridor to dawn. Look at each other and do not return to the reclining monk felt. The spring is dry and the stone is dry and gurgling. The mountains and rivers are glorious for me. Wild monks. Early. Drought and hunger cannot be fed [zhān]. Xiao saw that there was cooking smoke in the cold stream. The east ramp has sunk into the spring. When will Zhang Hou come to the front. The fishing platform can sleep during the day. Yiting looked at the seal Jiaolong entanglement. Ann got rid of his cramps. The boat carries all the friends around.
Through Fubo
Shrine
Bamboo
There is a pot on the road
Head desert base
() Stream fog
The rain is sorrowful
Statue of Respect
Reading the world refers to the east
Flow is conceited
Wang Luo'an Zhi'en
Zehou Township
Round stone pillars
() Exhaustion
Zhou Yi is famous
Tired of thinking about horses
Travel less
Shi Suji
Tao and Yu
Sons and wives have
Taste it again
Divide the boat
The younger brother is straight
Because I came to beg for books
Kaiyoshin
Sick () ()
Don't do more
Laudermo Domain
Number of comics
Paper arm fingers
All are lacking
If you don't write a word, you can't hold it
See you in Huainan
The rest of the old can be
Show what () Yuanyu
Zhonghuang Luzhi
Su is also in the middle of the building
The first year of Yasukuni
May Yihai
Jingzhou Shawei
Mizuki Ichijo Embankment
The upper mud is a foot deep
Valley Sickness of the Elderly
Mustache hair
White
"Liu Yuxi Jing Fubo Shrine Poems" volume, also known as "Shu Liu Guest Poems", "Fubo Ti", etc., Huang Tingjian wrote the first year of the Yasukuni Dynasty in May Yihai (1101), at the age of 57. This paper powder paper 8 pieces of paper are connected, and the seams are all "Lu Zhi Huang's". Fan 46 lines, 171 words. The whole volume is 33.6 centimeters long and 535.5 centimeters wide.
This is the book Liu Yuxi's word scroll, Fubo refers to the famous general Fubo of the Han Dynasty, Ma Yuan. The book was written in May of the first year of the Yasukuni Dynasty (1101) when Huang Tingjian was fifty-seven years old. At the back of the volume, the self-titled cloud: "Hold it to Huainan, see the rest of the old can be shown, how can it be like the Yuan Youzhong Huang Lu Zhishu?" cover his proud pen in his later years. Wen Zhengming of the Ming Dynasty commented on it: "It's really a hairpin, and the house leaks." It was once collected by Song Yangzhengshan, Ming Shen Zhou, Xiang Yuanbian, Prince Qingcheng, Liu Wenqing and modern Ye Gongxuan, Zhang Daqian and others. "Qinghe Painting and Calligraphy Boat", "Coral Net", "Life Spectacular" and other works. "Listening to the Rain Building", "Yi Jin Zhai Law Post", "Xiaoqing Secret Pavilion Post" and so on. There are photocopies of the world.
"Xingshu Gift Zhang Datong Volume" is also known as "Zhang Datong Begging Book", "Postscript to the Preface to Zhang Datong's Book Han Yu Gift to Meng Jiao", Xingshu, paper, 34.1×552.9cm, 45 lines, 172 characters.
In the fourth year of Song Zhezong's reign, the New Party gained power, Dongpo degraded Lingnan, and Huang Tingjian was also demoted to Qiannan for the crime of "untruthfulness" in revising the "Records of Shenzong". At this time, Huang Tingjian was weakened and sickly, "the heart is a mustard, such as Huaiwa stone", and he was also mentally depressed, this volume was written by Huang Tingjian in response to his nephew Zhang Datong's book "Han Yu Gift Meng Jiao Preface", unfortunately the front and back have already been divided into two paragraphs, the front part has been unknown, only the latter part of the "postscript".
Huang Tingjian is good at walking, grass two bodies, calligraphy knots in the palace tightened, and the four sides are radial, strokes spear halberd, tendons and veins stretch, sharp edges, bone strength is particularly strong, this volume is considered to be the masterpiece of the Huang Dynasty period. There are imprints such as "Shaoxing" and "Inner House Book Seal", and there are inscriptions such as Wang Duo, Wu Kuan, Li Dongyang, etc., which have been collected by Xu Junqing, Zhou Xiangyun, Zhang Daqian, etc. Later, the American collector John B. Elliott, under the guidance of Professor Fang Wen, purchased this volume from the collection of Zhang Daqian from Hong Kong, and it is now stored in the Princeton University Art Museum.
Commentary: Yuan Fu three years of the first month of Ding Youhui, nephew Yazhou Zhang Datong Zhi Ren will return, come to beg for books, suitable for the rest of the stomach and heart disease, is a day of leisure, try to write this article. Datong is interested in the ancient text, so with this legacy, Shi Fu Weng moved from southern Qiannan to the road for three years. The apartment is on the side of Tu'er Village in the south of the city, Peng Liyu, the same path as the Flyer, but quite a teenager to the article Han Mo see strong, there is still a Zhongzhou when the habit of lifting the son has not been removed. As for the wind and sunny days, the cane is staggering, under the graceful forest hills, between the Qingjiang and white stones, Lao Tzu also has a day long in Zhugong. When Fu Weng was fifty-six years old, he was sick enough to worship, and his henchmen were in the mustard, such as Huaiwa stone, and it was unknown whether he could make such a promise word in the future?
Huang Tingjian walked the book to appreciate the volume of "Song of the Lazy Monk", which was written in the third year of Yuan Fu (1100 AD), when he was 56 years old. Huang Song note, 26 cm long, 419.4 cm wide, a total of 70 lines, each line of six characters, a total of 411 characters. Dong Qichang's small inscription: Huang Wenjie's official book has many copies and many forgeries, and what he has seen in his life is undoubtedly scorching in this volume. Sanskrit poetry is more strange than the cold mountain, and the book is also close. Dong Qichang's view of the problem.