"Infinite Transcendence Class" has been ruining classic professionals since the first season.
Although the mentor-taught part of this season is wonderful, the tradition of remaking and destroying classics has been carried on.
After Han Xue ruined Yuying in the previous season, this season Zheng Hehuizi, Wang Ziwei and Jin Sha have all humiliated Yu Chun, Yuying and An Qian.
Of course, Sun Baiyang Kongwu, who is the first male and the second male, was not spared.
The main story is that no one survives.
The remake of "The Desire of the Golden Branch", except for Gao Haining, who is still passing, everyone else is far from the original.
The remake focuses on four clips, let's first combine the two scenes of the big triangle of the original work, Yu Ying and Sun Baiyang.
The remake of "Infinite Transcendence Class" is a paragraph in the finale of the original work, and the general background is that the emperor went to Chengde, Tianlijiao attacked the palace, and the queen wanted to take the opportunity to borrow a knife to kill people.
In this chaos, the protagonists usher in their own endings.
There are three scenes related to Yu Chun, Yu Ying, and Sun Baiyang.
In the first scene, Yu Chun and Sun Baiyang persuaded Yuying to escape from the palace together.
In the original work, after Sun Baiyang learned that Tianli had entered the Forbidden City, he had already resigned and entrusted Yu Chun to Kong Wu to save Yuying himself.
Sun Baiyang was coerced by Chen Shuang to see Concubine Ru and separated from Yu Chun.
Yu Chun didn't want to leave alone, so he went to find Sun Baiyang, and then he met Yuying.
In this paragraph, Zheng Hehuizi and Wang Ziwei's interpretation of the roles is inaccurate, and Zheng Hehuizi is slightly stronger than Wang Ziwei.
The relationship between Yu Chun and Yu Ying is very complicated, they have been fighting in the palace for many years, and they both love Sun Baiyang.
Zheng Hehui's sub-version of Yu Chun felt that he didn't have much emotion for Yuying and Sun Baiyang, and simply came to report to Yuying.
At this time, they are in danger, and it is important to buy time, but Zheng Hehuizi does not feel particularly nervous.
Wang Ziwei's Yuying not only lost too much to Li Zi in terms of appearance, but also did not show Yuying's arrogant personality at all, but always suffered and hated.
Take a look at the treatment of the original.
Hearing Yu Chun say that the mob of the Tianli Sect had entered the harem, Yu Ying's first reaction was to laugh, because she didn't believe Yu Chun at all.
Therefore, her expression was relaxed, and there was even a hint of sarcasm in her tone.
Mean, sample, are you still trying to lie to me?
But Wang Ziwei frowned, as if she had believed Yu Chun's words.
Speaking of Concubine Chen being deceived out of the palace by Concubine Ru back then, her expression wandered, as if she was a little frightened.
In the same paragraph, Yuying is confident, and her aura will not lose at all.
The adaptation of this paragraph is also a bit problematic.
In the original work, Yu Chun first broke the relationship between Yuying and Sun Baiyang that the emperor knew, Yuying pretended to be stupid and didn't admit it, and thought that she wanted to trick herself out of the palace.
Then there is "what do you want me to say before you believe it".
Charmaine Sheh's innocence, no matter how hard she tried, she couldn't make Yuying believe it.
On the contrary, Yuying thought that she had seen through her tricks, so Yu Chun was a little angry and a little helpless.
In this version, Yi Chun didn't say a word, so he asked Yuying why she didn't believe herself, and the logic was a little incoherent.
Zheng Hehuizi's Yu Chun is too simple, like a silly white sweet, and Wang Ziwei's Yuying has no personality at all, and is even a little sluggish.
Although the two people have rivalry scenes, they seem to be acting separately, and it is difficult for the audience to feel the complex relationship and confrontation tension between them.
In the second scene, on the way to escape, Yuying was woken up by Sun Baiyang's words and decided to go back to the palace.
Yu Chun has asthma and can't run fast, so he doesn't want to drag Sun Baiyang down and let them go first.
Sun Baiyang advised her that although people should honor their parents, they should also think about the children in their wombs.
When Yuying heard these words, she remembered her family and decided to return to the palace.
At that time, Sun Baiyang didn't understand Yuying, thinking that she still had illusions about the emperor, so he was so angry that he slapped Yuying and wanted to wake her up.
But Yuying still resolutely left.
Sun Baiyang looked at her back and said that classic line: Sun Mou was able to maneuver easily from the self-imposed red powder, but in the end, he was really a big fool, and he would rather live up to the world's popularity than love someone who would never love him.
Lin Baoyi's handling was a little helpless, a little self-deprecating, and a little relieved.
Because, although he scolded Yuying for not being sober one moment, the next moment, he has completely understood that no matter what kind of person Yuying is or what choice she makes, he always loves her.
This passage is actually tantamount to Sun Baiyang's confession of love for Yuying.
Yan Xujia's Sun Baiyang is simply a disaster.
From the moment he appeared, he looked righteous and awe-inspiring.
When urging Yu Chun and Yuying to leave, it looks like he is going to stay and die in exchange for their safety.
When he said that he was in love with someone who would not love him, he gritted his teeth, as if he was angry at his wrong love.
Not to mention that his expression and demeanor are not at all as chic as Sun Baiyang's prodigal son, and his emotions are also inexplicable, I don't know how much I think he hates Yuying!
If Sun Baiyang regrets falling in love with someone who doesn't love him, then why don't you hurry up and leave the palace with Yu Chun, so why bother to find Yuying?
In this paragraph, Charmaine Sheh's performance is also superb.
Knowing that she couldn't persuade Sun Baiyang, who was determined to live and die with Yuying, her expression was like this.
Zheng Hehuizi is like this.
This is a parting with the life of love, where is your love for him?
It can only be said that Charmaine Sheh's 29 years old and Zheng Hehuizi's 29 years old seem to be different.
The last scene was when Yuying was burned to death along with Sun Baiyang.
The original plot was that Sun Baiyang still wanted to persuade Yuying to escape, but Yuying told the reason why she stayed.
She can escape, but the matter between her and Sun Baiyang has already been known by the emperor, and it will definitely affect her mother and family in the future.
Therefore, she chose to die in the palace to save her mother.
Although Yuying had made up her mind, Sun Baiyang still wanted to save her life first.
It's a pity that the queen sent someone to seal the door, and the two had no chance of life, so they hugged each other and died.
"Infinite Transcendence Class" has changed this scene too much.
First of all, a large number of conversations between Yuying and Sun Baiyang were deleted, and there was no explanation at all why Yuying wanted to stay.
This makes the characters' actions seem illogical.
Why did she run out with the two of them, but returned to the palace inexplicably?
If the audience hasn't watched the original drama, they won't understand it at all.
Yuying had obviously decided to die, but when someone came to seal the door, she took a few steps back, and even hid behind the curtain, not knowing what it meant.
Then suddenly he sat down pitifully on the ground.
The flurry of reactions had nothing to do with her previous behavior.
However, this paragraph is not so much that Wang Ziwei acted poorly, but that the adaptation and editing of the program team also have a big pot.
I have to admit that it is difficult to see high-quality remakes in variety shows.
But the performances of Zheng Hehuizi, Wang Ziwei and Yan Xujia, even if you look at the original work, have big problems.
For example, their posture, movements, and way of speaking their lines are very modern, and it is difficult for the audience to believe that this is a Qing court drama.
It stands to reason that they have not acted in costume dramas, and they can act to the extent that they are not alike or alike, it is not a matter of ability, it is a matter of attitude.