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Kamen Rider Armor Screenwriter Interview Gen Void: Because of the toy, the plot was overhauled

author:Lazy Black Snake

This time I brought an interview about the Kamen Rider Armor series, as the screenwriter's interview, as we all know, it was Lao Xuan who was responsible for the Kamen Rider Armor script, but the evaluation of the entire work of the armor can only be said to be middle and upper-class, and the evaluation was more subtle, and in fact, through this interview, Lao Xu also admitted that the script was affected by toys, which led to a big change in the plot, so let's talk about it specifically.

Kamen Rider Armor Screenwriter Interview Gen Void: Because of the toy, the plot was overhauled

According to Lao Xu's interview, in "Kamen Rider Armor", as an overlord, that is, the elite cadre Weirdo Zhenhong who appeared in the middle of the game, should have been defeated by Jiedou at the beginning, and Jiedou should also have more plots and shapes.

Kamen Rider Armor Screenwriter Interview Gen Void: Because of the toy, the plot was overhauled

But it's a pity that in order to promote the toys related to the final form of Kamen Rider Armor, the Great Shogun, so it can only be changed to let the Great General defeat True Red, even if you want to further increase the plot of the ring fight, but unfortunately, because the toys of Kamen Rider Armor are basically focused on the armor, so this plot will not end.

Kamen Rider Armor Screenwriter Interview Gen Void: Because of the toy, the plot was overhauled

In fact, it can be seen in the plot design at the beginning that Lao Xuan does have this meaning, after all, Aojiao did use Genesis + Lemon Lock to tie with True Red at the beginning, and even if you don't need Aojiao to make a move in the future, it is enough to defeat True Red with the victory roar armor of Armor, so strengthening True Red may really be caused by a whim.

Kamen Rider Armor Screenwriter Interview Gen Void: Because of the toy, the plot was overhauled

So the Kamen Rider series is essentially a drama for toys to promote, for the sake of toys, even if it's a wonderful and interesting plot, you have to give way, to be honest, this makes people feel quite helpless and complicated, but this is the reality, Toei and Bandai are essentially capitalists on the same hill, it doesn't matter if the plot is good or bad, as long as the toys can get money, it's no wonder that the reputation of knight dramas has been declining over the years.

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