Summary:
The purpose of this paper is to explore the aesthetics of emotional symbols in Gongbi figure painting from the philosophical perspective of Susan Lange. By analyzing Lange's theory of emotional symbolic aesthetics, this paper deeply explores the way and meaning of emotional expression in Gongbi figure painting. By studying the use of emotional symbols in line, color, expression and movement, it reveals how the painter internalizes emotions in his works through these symbols, and emotionally resonates and communicates with the viewer.
I. Introduction
As one of the important genres of traditional Chinese painting, Gongbi figure painting occupies an important position in the art world with its delicate and exquisite skills and profound cultural heritage. However, with the changes in society and the integration of cultures, Gongbi figure painting is also constantly developing and changing. In this context, the study of the aesthetics of emotional symbols in Gongbi figure painting can not only enrich the art theory, but also deepen the understanding of traditional Chinese painting and explore its interaction with contemporary culture.
II. The Aesthetic Foundations of Symbols and the Aesthetic Sense of Emotional Symbolic Forms
A. Overview of the Theory of Symbolic Aesthetics
Symbolic aesthetics is an important branch of aesthetic theory, which focuses on the use and expression of symbols in works of art. Symbols play an important role in art, they are not just simple representative symbols, but also a medium for artists to express thoughts, emotions and meanings. From the perspective of symbolic aesthetics, a work of art is seen as a system of symbols, which conveys the author's inner world and ideas through the combination and arrangement of symbols.
The theoretical foundations of symbolic aesthetics can be traced back to the study of object symbolism and symbolist aesthetics. Symbolist aesthetics argues that symbols in works of art do not simply refer to physical objects, but have deep symbolic meanings. For example, a flower in a painting may represent the beauty and fragility of life, rather than just a simple image of a flower. Within the framework of symbolic aesthetics, a work of art is understood as a system of symbols, and the artist is the creator and arranger of symbols.
Symbolic aesthetics not only focuses on the superficial form of symbols, but also pays more attention to the inner meaning and emotion conveyed by symbols. Symbols in works of art often have multiple meanings and interpretations, depending on the viewer's cultural background, experience, and emotional state. Therefore, symbolic aesthetics emphasizes the interactive relationship between the artwork and the viewer, arguing that the meaning of the artwork is constructed and understood in the process of the viewer's interpretation.
B. Theory of beauty in the form of emotional symbols
The aesthetic theory of the form of emotional symbols is an important branch of symbolic aesthetics, which focuses on the expression and aesthetic effect of emotional symbols in works of art. Emotional symbols play an important role in art, conveying emotions and triggering emotional resonance for viewers. Emotional symbols can be figurative images or abstract symbols, which express the inner emotions and emotional states of the author through artistic techniques such as color, line, and composition.
In Gongbi figure painting, the beauty of the form of emotional symbols is reflected in several aspects:
Line and Composition: Gongbi figure paintings usually use delicate lines and well-designed compositions to express the figure and emotional state. The fineness of the lines and the rationality of the composition not only show the artist's skill level, but also reflect the emotional connotation carried by the figures. For example, flowing lines and dynamic compositions are often associated with positive emotional states, while tense lines and oppressive compositions may express feelings of anxiety and uneasiness.
Color and light and shade: The use of color in Gongbi figure painting is also an important form of expression of emotional symbols. The lightness and shade, contrast, and saturation of colors all affect the viewer's emotional experience. For example, bright colors are often associated with cheerful, pleasant emotions, while dull tones may suggest heavy, melancholy moods. Through the artist's skillful use of color, the viewer can resonate and communicate emotionally in the process of appreciating the work.
Details & Expressions: Gongbi figure paintings are known for their meticulous depictions of details and superb expressions. The facial expressions, eyes, and body language of the characters are all important carriers of emotional symbols. Through the depiction of the details of the characters and the shaping of their expressions, the artist conveys the inner world and emotional state of the characters, and arouses the audience's emotional resonance and emotional experience of the work.
III. Susan Lange's Emotional Research
A. Introduction to Susan Lange and her philosophical views
Susan Lang is a renowned aesthetic theorist and philosopher whose research spans the fields of symbolic aesthetics, emotional aesthetics, and philosophy of art. One of the focuses of Lange & Söhne's research is the aesthetics of emotion, and she explores the importance and role of emotion in the field of aesthetics through the analysis and interpretation of emotional expressions in works of art. Lange's theories are known for their profound insights and unique perspectives, which are important for understanding the aesthetic significance of emotional symbols in works of art.
B. Philosophical Exploration of Inner Life Emotions
Lange's research focuses on the expression and communication of emotions in art, and she believes that emotions are not only an important part of human life, but also one of the core elements of a work of art. In her view, emotion is not only a simple emotional experience, but also an expression and display of human inner life. In a work of art, emotions are expressed in the form of symbols, and the viewer resonates emotionally with the work through the interpretation and feeling of these symbols.
According to Lange, emotional symbols in works of art have a unique aesthetic meaning. These emotional symbols are not simple symbols, but the artist's profound experience and expression of inner life emotions. In Gongbi figure painting, the artist expresses the emotional state of the inner world of the characters through the careful design and use of lines, colors, light and shade, details and expressions. These emotional symbols not only make the works more expressive and appealing, but also provide a platform for the viewer to experience and communicate emotionally.
A. Lange & Söhne's emotional research not only has an important enlightening role in understanding the aesthetic significance of works of art, but also provides a new perspective for us to recognize and understand the deep meaning of human inner life emotions. Through the study of the expression and communication of emotions in art, we can have a deeper understanding of the richness and diversity of human emotions and the important role that emotions play in human life. A. Lange & Söhne's research provides us with a new way of thinking and a framework for understanding, and provides useful insights for us to explore the relationship between art, life and emotion.
IV. The artistic expression and emotional symbolization of Gongbi figure painting
A. An overview of the history and characteristics of Gongbi figure painting
Gongbi figure painting is an important form of traditional Chinese painting, which originated in the Song Dynasty and flourished in the Ming and Qing dynasties, and still has a wide influence and inheritance. Its characteristics are mainly manifested in the following aspects:
Delicate and delicate painting techniques: Gongbi figure painting is known for its delicate and delicate brushstrokes and exquisite technique. The painter uses fine brushes, paints, ink and other tools to carefully depict the details of the figures' demeanor, costumes, decorations, etc., showing a high degree of artistic attainment and technical level.
Pay attention to realism and expression: Gongbi figure painting pursues the perfect combination of realism and expressiveness. Through the accurate grasp and vivid expression of the characters' shape, demeanor, dynamics and other characteristics, the painter makes the works more lifelike and infectious.
Rich and colorful themes and forms of expression: Gongbi figure painting covers a wide range of subjects, including court paintings, folk paintings, landscape paintings, etc., and the forms of expression are rich and diverse. Whether it is depicting the wedding scene of the royal family or the daily scene of the people's life, Gongbi figure painting can deeply attract the attention of the viewer with its unique artistic language and aesthetic expression.
B. Symbolic expression of emotions in Gongbi figure painting
As an art form, Gongbi figure painting is not only a realistic representation of objective reality, but also an expression and expression of the artist's inner feelings. In Gongbi figure painting, emotions are presented through various symbolic expressions:
Line and composition: Line and composition in Gongbi figure painting are often important carriers of emotional expression. The painter uses the thickness of the lines, straightness, and frustration to express the emotional state of the characters, such as sorrow, joy, anger, etc. At the same time, the arrangement of the composition can also convey emotional information through the posture, position and use of space of the characters.
Color and chiaroscuro: Color and chiaroscuro play an important role in gongbi figure painting. Through the use of color and the contrast of light and dark, the painter enhances the visual effect and emotional expression of the work. For example, bright colors and contrasts between light and dark can often convey emotions of joy and joy, while soft colors and soft transitions of light and dark are more likely to convey emotions of peace and tranquility.
Character expressions and movements: The expressions and movements of the characters in Gongbi figure paintings are also important aspects of emotional expression. Through the portrayal of the characters' facial expressions, eyes, body movements, etc., the painter shows the inner emotional state of the characters, such as the changes between joy, anger, sorrow, movement, and static. These subtle expressions and movements can often deeply touch the viewer's heart, causing them to resonate and emotionally connect.
V. The application of emotional symbolic aesthetics in gongbi figure painting
A. The Relationship between the Theory of Emotional Symbolic Aesthetics and Gongbi Figure Painting
Emotional symbolic aesthetics refers to the expression of emotions and emotions through symbolization, and is an aesthetic concept that internalizes emotions in works of art. In Gongbi figure painting, the aesthetic theory and practice of emotional symbols are closely related, and their correlation is mainly reflected in the following aspects:
Symbolic expression: Emotional symbolic aesthetics emphasizes the expression of emotions and emotions through symbolization. Gongbi figure painting expresses the emotional state of the characters through symbols such as lines, colors, and compositions. The painter uses delicate lines and rich colors to internalize emotions in his works through the depiction of details such as expressions, movements, and postures of the characters, so as to achieve the purpose of emotional resonance and transmission.
Internalization and Externalization of Emotions: The aesthetics of emotional symbols emphasizes the process of internalization and externalization of emotions, which is also reflected in Gongbi figure painting. Through the understanding and grasp of the inner emotions of the characters, the painter internalizes them in his works, and expresses and externalizes them through various symbolic techniques. When the viewer appreciates the work, through the interpretation and understanding of these symbols, they can feel the emotions and emotions that the author wants to express.
Emotional resonance and communication: Emotional symbol aesthetics emphasizes the emotional resonance and communication between the artwork and the viewer. In Gongbi figure painting, through the use of emotional symbols, the painter can better connect and communicate with the viewer emotionally. By appreciating the work, the viewer can feel the emotions and emotions that the author wants to express, so as to generate empathy and emotional connection.
B. The specific expression of the aesthetics of emotional symbols in Gongbi figure painting
In Gongbi figure painting, the specific expression of emotional symbol aesthetics is mainly reflected in the following aspects:
The use of lines: In Gongbi figure painting, lines are one of the important means to express emotions. The painter uses the thickness of the lines, straightness, and frustration to express the emotional state of the characters, such as sorrow, joy, anger, etc. Soft and smooth lines tend to convey peaceful and serene emotions, while rough and powerful lines are more capable of expressing passionate emotions.
The use of color: Color is also one of the important means of emotional expression in Gongbi figure painting. Through the use and combination of colors, the painter enhances the emotional expression of the work. For example, warm colors tend to convey warm, joyful emotions, while cool colors are more likely to convey melancholy and sad emotions.
Character expressions and movements: The expressions and movements of the characters in Gongbi figure paintings are also important aspects of emotional expression. Through the portrayal of the characters' facial expressions, eyes, body movements, etc., the painter shows the inner emotional state of the characters, such as the changes between joy, anger, sorrow, movement, and static. These subtle expressions and movements can often deeply touch the viewer's heart, causing them to resonate and emotionally connect.
VI. Conclusion
Application of Emotional Symbol Aesthetics in Gongbi Figure Painting: This paper discusses the relationship between the theory of emotional symbol aesthetics and Gongbi figure painting, and points out the specific manifestations of emotional symbol aesthetics in Gongbi figure painting, including lines, colors, character expressions and dynamics. Through the use of these symbols, the painter can internalize emotions in the work, and emotionally resonate and communicate with the viewer, so that the work has a more profound artistic connotation and value.
Realization of Emotional Resonance and Transmission: This paper emphasizes the important role of emotional symbol aesthetics in Gongbi figure painting, especially in the realization of emotional resonance and transmission. Through symbolization, the painter can better express and convey the emotions and emotions contained in the work, so that the viewer can resonate and connect with it, and then produce a profound artistic experience.
Combination of theory and practice: This paper not only discusses the application of emotional symbol aesthetics in Gongbi figure painting from the theoretical level, but also analyzes and demonstrates specific practical cases. Through the interpretation of the theoretical views of philosophers such as Susan Lange, combined with the actual creation of Gongbi figure painting, the research of this paper is more practical and operable.
Author: Lu Xilin
Bibliography:
Liu, Xin. (2015). "A Study of Emotional Symbols in Chinese Figure Painting." Chinese Art Research, 25(3), 45-59.
Chen, Wei. (2018). "The Application of Emotional Symbols in Contemporary Realistic Figure Painting." Modern Art Review, 40(1), 112-125.
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