The following article is transferred from the Classical Department of the People's Literature Publishing House, and I would like to thank you.
New book recommendations
2024
"Cold Fasting Night Notes on Heavenly Kitchen Forbidden Notes" by Shi Huihong Zhou Meng's notes and published by People's Literature Publishing House in December 2023
ISBN：978-7-02-018447-7
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Introduction
In the Song Dynasty, there were many poets and monks, and Hui Hong was one of the best, and his poetry creation was handsome and vigorous, and the meaning of the words was free and easy, without the common vegetable and bamboo shoots of poets and monks;
"Cold Fasting Night Talk" contains poetry commentaries and Zen miscellaneous matters, and the content is complex, while "Heavenly Kitchen Forbidden Belly" discusses poetry throughout. His poetic theories include the inheritance of traditional poetics, such as advocating implicit nature, the combing of Song Dynasty poetics, such as the summary of the theories of the Jiangxi poetic school, and the elaboration of introducing Buddhism into poetics. Huihong's dual identity as a poet and monk brought about the collision and integration of religion and literature, which is of great value in the history of Chinese Buddhism and literature. This book includes punctuation, commentary, and annotations of the two works, which allow researchers to explore Hui Hong's poetic thought and understand part of the trajectory of the fusion of Confucianism and Buddhism.
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About the Author
Hui Hong (1071-1128), a famous poet and monk of the Northern Song Dynasty. The word Jue Fan, the number Leng Zhai, the common surname Yu (a said Peng). A native of Xinchang (now Jiangxi) in Yunzhou. He is the author of 10 volumes of "Cold Fasting Night Talk", which mainly records the history of the poetry altar and the Zen Gate, 3 volumes of "Heavenly Kitchen Forbidden", which discusses poetry, and 30 volumes of "Shimen Text Zen", which contains more than 2,000 poems and lyrics.
Zhou Meng is an associate professor in the Department of Chinese, School of Humanities, Shenzhen University, mainly engaged in the history of Chinese literary criticism. He has published monographs such as "Research on the Poetry of Monks in the Five Dynasties of the Tang Dynasty", "Research on the Poetry of Monks in the Song Dynasty", "Shi Haichuan Lights on the Long Sky - Sima Guang's Commentary on Zizhi Tongjian", "Decision-making and Choice-The Revelation of the Rise and Fall of the Fifteenth Dynasties", "The Complaints and Dreams of the Spring and Autumn Period", and has published several papers in academic journals at home and abroad.
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Notes on the night of fasting
Volume 1
Jiang Shen loves Huang Lu Zhishu Wei poems
Qin Shaoyou made a slope pen inscription wall
The fifth statue of the Arhat is lost
Dongpo Dream Ming Red Boots
Provenance of the poem
Song Shenzong's edict was forbidden to herd pigs because of the understanding of Taizu's far-sightedness
The east slope moved south, and Chaoyun followed, and it was good
Dongpo book wall
The ancients knew the truth
The eastern slope has Tao Yuanming's will
Fengxiang wall inscription poems
Lu Tangerine
Dongpo Essay and Ke Shi
Yes
Dongpo left a few inscriptions: Jiang Tang Zuofan, Yang Taoist Xixuan, and Jiang Xiulang
Bone rebirth
Poetic dialects
The old woman interprets the poem
Quarrying and crossing ghosts
Empress Li died in the country
Volume II
Han, Ou, Fan, and Su love poetry
Chen Wuji's elegy
Hong Ju's father's mistake in commenting on poetry
Staying in the food joke laughing and spraying rice
Ouyang Yiling Cattle Temple, Dongpo Qiantang West Lake poems
The predecessors of Gu Yuefu used more sentences
Lei Bang recommended the blessing monument
Lichun Wang Yuyukou occupies a must
Juvenile
Lao Du, Liu Yuxi, and Bai Juyi said that the concubine died
The museum talks about the poetry of Han Retreat at night
昭州崇寧寺觀音竹、永州澹山岩馴狐
Monk Fumigation Pig Poem
Wang Pingfu dreamed of Lingzhi Palace
An Shigao asked for the Futing Temple, and Qin Shaoyou stayed here to ask for praise from the Heavenly Maiden
Volume III
Ge Liang, Liu Ling, Tao Qian, and Li Lingbowen flowed out of their hearts
Spring grass grows in the pond
The poem says that the smoke is ethereal
The valley collection sentence is expensive and clumsy, not expensive and late
Dongpo beautiful fairy sentences praise
Wei Suzhou sent all Jiao Taoist poems
Chess Cryptography
Li Yuan膺mourning wife long short phrase
Elegy for the eldest princess of the Qin Kingdom
Jinggong Zhongshan Mountain, Dongpo Yuhang poems
Shaoyou and Lu Zhi were written as poems
Living means
Poetry is not easy to read
The poem has not changed words
Volume IV
Poetry is a word of syntax
Five-word and four-sentence poems are derived from natural fun
Poetry in dreams
Xikun body
Poetry is more beautiful than a beautiful husband
Dao Qian's poetry chases the law, and Yuan Ming is the fourteen-character division
Mi Yuanzhang has waterfall poems
Poetry connotation
The city is full of wind and rain near Chongyang
Thorn Dream Green Silk
amber
Typographical errors in the poem
Wang Jinggong and Dongpo poems are wonderful
Poetry
Poetry speaks for itself
Jia Island poems
Poetic dialects
Shu Wang Nu can poetry
Volume 5
Bet on Mei Shi to lose, punish loose poems
Dongpo Tibetan notes set one or two words
Jing Gong Mei poem
Poetry is static and moving
King Shu, valley poems
Wang Jinggong's poems
Jing Gong, Dongpo aphorisms
Jing Gong, Dongpo sentence middle eye
King Shu compiled four poems
Fan Wenzheng Gong mosquito poem
Liu Shi is interesting
The eastern slope is a pair
Lin Hejing sent Zun-style poems
Ding Jin Gong and Su Wen Gong poems two couplets
Kamimoto Poem
Dongpo is funny, and there is nothing right
Volume VI
King Shu loves Buddhism, and Zeng Zi is stubborn
Chen Yingzhong's sin should not be called manna extinguished
Dajue Zen Master begged to return to the mountain
Liang Zen Master is drowned in poetry by the stream
Liang Zen Master persuaded people
Reciting the poems of the Zen master Zhijue
Yongan heir to the South Zen
Dongpo and monk Hui interpret poems
Compare things to meanings rather than referring to something to say like a sentence
Monk Qingshun has many good sentences
The eastern slope is known as the poetry of the latent
Monk Jingchun's poems have many profound meanings
Zhongshan Poem
Monks can follow the inscription poem
Volume VII
Zhezong asked Su Yi to line Zhang Daoyi
The eastern slope of the Lushan Mountain
The old man of Lushan was speechless in the middle of the spell
Huating boat son monk
Dongpo and Tao Yuan Ming poems
Dongpo was the elder of Ciyun, and he participated in the jade version of Zen with Liu Qizhi
The elders of the Dongpo Liujie Gong live in the stone tower
負《華嚴經》入嶺及大雪二偈
Dream of welcoming the five ancestors to the Zen master
Zhang Wending was a monk in his previous life
The official was sent to the official to fall from the horse and lose his arm, and Yun Fengyue made a play
Calling a fist is a touch, not calling a fist is a back
The transformation of the Mao monk
Xie Wuyi's good sentence
Hong Juefan and Zhu Shiying
Volume VIII
Liu Cripple said two fan poems
Chen Yingzhong gave a cripple long and short sentences
Liu Yefu's long and short sentences
彭淵材南歸，布橐中墨竹、史稿
A blind girl living in the snow hermitage
Money is like honey, and a drop is sweet
Taoist Animal Three Objects
Huang Lu Zhimeng and Taoist priests travel to Penglai
Zhou Guan wrote poems
Bachelor of Stone
Baitu Tang
Fan Yaofu sat on opposite the guest
Li Boshi painted horses
Fang Xuan, Lou Shide, and Yong Zen Master draw
Retreat and forget, forget less
Volume IX
Zhang Chengxiang was also illiterate in cursive
When you show your poems
Changzhou begonia is the best county
Tsuru raw egg
There is no test in the lesson
Guo Zhu's wife died before the door
Fools talk about dreams, and dreams talk about dreams
Imperception
Smell the art of immortality in the distance
Huiyuan takes religion as its own responsibility
There are tigers in the fast mountains of Yunxi
Liu Yefu asked Gong Dezhuang to watch the lantern to avoid fire
Kaii method, prohibition method
Thirty-six totals, running totals
Volume 10
Chen Yingzhong eats pork anchovy in this set
The beetle script is not well translated
Jing and Lian can be described as disciples of the Buddha
The Taoist knows that Ou Gong will be extraordinary
A contemplator is born as a bhikshu in three lifetimes
The mutton is beautiful and warm
Zhao Yuedao is a monk to eat
Lu Zhiwu Fayun language is a small word
The eastern slopes, valleys, and flaws in the middle are ridiculous
Ask Ouyang Gong as a person and article
The "Song of the Sermon" was invented
Monk Wu Ning'an did not pay attention to the monk's book
The dishes are all yellow and white
Three generations of saints were born in Confucianism, and more in the Buddha below the two Han Dynasty
If the bricks are seamless, the dispute can accommodate the ants of the world
Pham Van Zheng Gong Mai Zhou
Dongpo reads "Passing the Lantern Record"
Poetry is treated as unspoken
Plum blossoms outside the ridge
The poetry is profound
Cai Yuandu was born without high mail
Heavenly Kitchen Forbidden Neck Note
rolls
There are three jaw coupling methods in the near body
Four Kinds of Phrases
Jiang Zuoti
Connotation method
Usage
Just sentence to law
Cross pair syntax
Cross Phrase
Fourteen words to syntax
There are four potentials in poetry
There are three kinds of poems
Intricate syntax
Bend the waist step syntax
Absolute syntax
Shadow syntax
volume
Syntax of analogy
造語法
Assignment method
Errand prosthetics
Bixingfa
Fetal syntax
Transmutation
Syllable Phraseology
Roll down
Ancient poetry rhyme method
Break the law and cut the syntax
Frustration and suppression
Rhyme change killing
Flat-headed rhyme method
Sentence proverb method
Komi Pentateuch
Du Fu's six syntax
Paleology
Four flat alliteration
Distributional Usage
The cause of the use of things
Ancient poems and beautiful sentences
Ancient poems and beautiful sentences
Ancient poems have a mellow atmosphere
Appendix I: Bibliography and Inscriptions
Appendix II
Primary references
4
Preface
Huihong (1071-1128), a native of Xinchang (Yifeng, Jiangxi), Yunzhou, was a famous poet and monk in the Northern Song Dynasty. In terms of the atmosphere of the times, the consciousness of "joining the WTO" in the Song Dynasty was more conscious than that of the previous generation, and the relationship with politics was also closer, so Huihong had both the identity of a monk and a scholar, not only wrote about Buddhism and literature, but also took the initiative to participate in the political wave. Because of this, Huihong's life experience is particularly different, he has been imprisoned four times, and twice has been revoked as a monk, which can be called an outlier among the monks of the Song Dynasty. Due to his active participation in world affairs, Huihong traveled extensively, and had contacts with court officials such as Zhang Shangying, famous poets such as Huang Tingjian, and Zen monks such as Zhenjing Kewen. Hui Hong's works are also abundant, such as "The Treasure of the Monks in the Zen Forest" and "The Record of the Forest" record the history of Zen Gate, "Shimen Text Zen" depicts the poet's embrace, and "Cold Fasting Night Talk" and "Heavenly Kitchen Forbidden Belly" discuss poetic theories, to name a few. Hui Hong, a poet and monk with wide influence and considerable controversy, has the significance of a specimen connecting the political, poetic and Buddhist circles of the Song Dynasty.
The main content of Huihong's poems and poems is not complicated, the poetry altar and the Zen sect of "Cold Fasting Night Talk" account for roughly half of each other, and "Heavenly Kitchen Forbidden Belly" is a whole discussion of poetry, but based on the cross-border identity advantage, Huihong's poetic theory presents a trend of interweaving three concepts: one is to inherit the traditional poetic concept, such as advocating implicit nature. The second is to sort out the contemporary concept of poetics, such as respecting Du Fu and the various poetic methods derived from it, and summarizing the theory of the Jiangxi poetry school can be said to be the most important, and the "bone rebirth method" is a typical example. The third is to invoke Buddhism into poetics, and implement the idea of "Zen of words" into a specific poetic concept, such as the theory of "wonderful views and thoughts". It can be said that inheriting the tradition and respecting Du is the mainstream of poetics in the Song Dynasty, and the reason for respecting Huang is partly that his acquaintance with Huang Tingjian is the most worthy thing for Huihong to boast about in the poetry world. In fact, the uniqueness of Huihong's poetic theory is mainly in the third point, because it not only shows the specific trajectory of the integration of Confucianism and Buddhism with examples, but also greatly expands the theoretical horizon of the Jiangxi poetry school, so that it has a higher level of theoretical elaboration in addition to focusing on poetry. From this point of view, "Cold Fasting Night Talk" and "Heavenly Kitchen Forbidden Belly" inherit history and respond to reality, pay attention to techniques and sublimate them to theoretical innovation, and draw nourishment from Zen based on the reality of the poetry world, which may be the unique value of the two books.
Although the book is written in an orderly manner, it is often placed in the category of "novelists" or "miscellaneous scholars" because of the similarities between the poems and the novels, which are "made by the people who talk in the streets, and listen to the voices of the speakers" (Hanshu, vol. 30, "Yiwen Zhi"), so they are often placed in the category of "novelists" or "miscellaneous scholars", which is different from what is regarded as a poetic theory today. In addition, Hui Hong's anthropology is quite controversial, and "Cold Fasting Night Talk" is often criticized as "delusional", which is different from the importance that people attach to its positive value today. These two tendencies have probably been the same since the Song Dynasty. Chao Gongwu's "Junzhai Reading Journal" Quzhou Volume 13 recorded "Cold Fasting Night Talk" is six volumes, and "Junzhai Reading Journal" Yuan Zhou's third volume is also six volumes, and the solution to the problem is "Chong, Guanjian records a moment of miscellaneous matters". Chen Zhensun's "Zhizhai Shulu Solution" volume 11 is recorded as 10 volumes, although this is not necessarily the 10 volumes of the popular version, but from the article "Cai Yuandu's life and death Gaoyou" in the popular volume 10, Cai Bian died in the seventh year of Zhenghe (1117), and the difference between the two volumes may be circulated successively, and the latter only adds and expands the former. As for the "History of the Song Dynasty" volume 206 and "Art and Literature Zhi V", the book is recorded as 13 volumes, and the 100 volumes of "Shuo Xuan" are recorded in 9 volumes as 15 volumes.
Chao Gongwu believes that this book "remembers many Su and Huang things, and all rely on them", and Chen Zhensun called it "a lot of nonsense", which seems to have laid the tone of the ancients' discourse. The synopsis of volume 120 of the Siku Quanshu General Catalogue has a more comprehensive and detailed analysis, mainly summarizing the problems existing in the book from three aspects: First, judging from the quotations of Chen Shan and others, some of the original forgeries "have been deleted by later generations, and they are not complete". Second, the title is redundant and clumsy, "all of them are not similar to this book", and it is undoubtedly "added by later generations, not what is original". Third, deliberately fabricating facts to be inconsistent with the "Valley Collection", "in order to self-understand its nickname in Tingjian, and only know its details". In fact, whether it is the deletion of the forgery or the addition of the title, it is not Huihong's doing, but his falsification to raise the value of the work will be criticized by later generations. Of course, some of the arguments in the "Cold Fasting Night Talk" are arbitrary and not well documented, and Hu Yujin's "Supplement to the Summary of the Four Libraries of the Whole Book" volume 36 uses the poetry of the Song Dynasty to prove it: "There are also two sentences in the book of Hong, 'poems to Li Yishan, for the article' Yunyun, and Xu Yiju 'the sunset is infinitely good', which were deleted by Hong in real time. Details of "Yan Zhou's Poems". "Among them, the most absurd ones mistakenly took Bai Juyi's "Looking for Spring in Dongcheng" poem "On the Old Color Day" and "Bamboo Window" poem "A Scarf of Light Yarn" into Huang Tingjian's poem "Blame Yizhou", and there are words of learning and leisure, which have been corrected by Hu Zai's "Yuyin Cong Words". "Because of this," Li Ciming's "Xun Xuezhai Diary" Ren Ji (59) Yun: "They are all trivial and insignificant, and their poems are also very close, such so-called books at the bottom." However, these criticisms are not enough to comprehensively deny the "Cold Fasting Night Talk", as stated in the "Siku Quanshu General Catalogue", Hui Hong's "poems are understood in many poems, and what is desirable is taken, and it is entrusted to a certain person who hears it, and it can be ignored", indicating that the poetic value of this book is still worthy of deep recognition.
There are many versions of "Cold Fasting Night Talk", but the inheritance is not complicated. The Song version no longer exists, only see the excerpts from the books of the Song Dynasty Poetry Notes. Compared with later editions, the Song Anthology is very brief. The earliest surviving version in China is the Yuan inscription in the collection of the National Library of China (eight volumes and some fragments inside), which are the books of the rest of the books. In the early and middle Ming Dynasty, there are re-engraved copies, the National Map, the Forbidden City, Jingjiatang Library, etc., there are collections, "Barnyard Sea", "Jindai Secretary", "Siku Quanshu" are from this book, "Xuejin Discussion Yuan" is from "Jindai Secretary", and "Notes and Novels" is from "Barnyard Sea". The earliest surviving edition in Japan is the Goyama Edition, which was published at the end of the Kamakura period, and is supposed to be the "Fu Song Edition", and it is the Kanei Edition, the Shoho Edition, the Kanwen Edition, the Culture Edition, the Hotatsuki Xuan Series, and the Yin Li Zaiji Tang Series, which are less different than those of the domestic editions. As for the excerpts, they are the earliest of the Analogies, and each article is relatively brief. The self-proclaimed "Shuo Xuan" is from the fifteen-volume version, and the three selected articles are different from the other versions. Only fragments of the Yongle Canon remain. "Ancient and Modern Narratives Series" is from "Notes and Novels", "Old Novels" and "Selected Notes on Novels of the Past Dynasties" are from "Barnyard Sea", and "Poetry Series" is from "Firefly Xue Xuan Series". Later excerpts are available, which can be preserved. Today, the Wushan book is used as the base, and the Yuan carved version, the mid-Ming Dynasty translation version, the "Barnyard Sea" version, the "Jindai Secretary" version, the "Siku Quanshu" version, the "Xuejin Discussion Original" version, the "Notes Novel Daguan" version, the Kuanyong book (ancient movable type print), the Zhengbao version, the wide text, the cultural version, the "Yingxue Xuan Series" book, the "Yin Li Zaitang Series" book, etc.
"Heavenly Kitchen Forbidden", "Junzhai Reading Journal" Quzhou Volume 20, "Zhizhai Shulu Problem Solving" volume 22, "Literature General Examination" volume 249, "History of the Song Dynasty" volume 209, "Art and Literature Zhi VIII" are all recorded in three volumes. Chao Gongwu characterized it as "On the Poetry of All Families", which is also a consensus in history. However, a large number of such works appeared in the Tang and Song dynasties, and the overall theoretical level was not high, so there are not many discussions. Volume 197 of the "General Catalogue of the Four Libraries" lists the summary of "The Forbidden Chest of the Heavenly Kitchen" as a "storage item", saying that it "cites the old Tang and Song dynasties", and clearly points out the two major problems: first, in terms of abiding by the law, "I don't know the ancient law" in ancient poems such as rhyme and rhyme. Second, in terms of innovation, most of the formats created are "strong names" and "self-generated delusions", for example, Du Fu's "One Hundred and Five Days and Nights to the Moon" and Huang Tingjian's "Ruan Langgui" are called "stealing spring grids", and Su Shi's "Fangcao Pond Huilian Dream, Shanglin Hongyu Ziqinggui" poems and Huang Tingjian's "a few taels of life and five cars of books behind him" are used allusions and changed words as "using things to make up for the method". It was concluded from this: "Yan Yu's "Canglang Poems" said that "Heavenly Kitchen Forbidden" is the most harmful, and it is not a lie. In fact, although "Canglang Poetry" says that "Hui Hong's "Heavenly Kitchen Forbidden" is the most misleading", it is also said that "it is not easy". In other words, the documentary and poetic value of poetic works cannot be ignored.
The Song and Yuan editions of "Heavenly Kitchen Forbidden" no longer exist, and the earliest existing version in China is the Ming movable type print, which is revised according to the Yuan version of the banknote, and the Ming manuscript and the Qing manuscript are all from the Ming movable type print. The earliest surviving version in Japan is Goyamamoto, and the wide text is from Goyamamoto. Today, the five mountains are used as the base, and the Ming movable type print, the Ming banknote, and the wide text are used.
There are four main types of "Cold Fasting Night Talk" in today's school: Chen Xindian's school book is typeset according to the "Jindai Secretary" book, and it is based on Song Dynasty poetry. Zhang Bowei's "Four Kinds of Poetry of the Song People in the Rare Books" is based on the Wushan book, and the book and shadow of the "Jindai Secretary" and the Jingjiatang Library are used to participate in the school. Huang Baohua's collation is based on the "Barnyard Sea", the school is based on the "Jindai Secretary", and the poems of the Song Dynasty are also referenced. Huang Jinde's annotated version is based on the "Jindai Secretary" version, and is slightly corrected with reference to the Wushan book.
The "Heavenly Kitchen Forbidden Belly" of the current school only has "Four Kinds of Poetry of the Song People in the Rare Book", which is based on a wide text, and is printed with Ming movable type and the shadow of the Wushan book. The above results are referenced in this book.
The Words of the Cold Lent Night and the Heavenly Kitchen have the special value of connecting the poetics, Zen and politics of the Song Dynasty, but the two books only have a school version and no annotations, so it is necessary to annotate them in detail in order to fully understand Huihong's poetic thoughts, and then deeply grasp the characteristics and changes of Song Dynasty poetics.
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