Rank the "8 actors with the best acting skills" in the Spring Festival file: Zhang Yi is fifth, Lei Jiayin is first

There is a kind of low opening and high walking called the 2024 Spring Festival stall.

The box office and word-of-mouth of the Spring Festival stalls were seen as weak before the beginning, and how high they are praised now.

The box office of the 2024 Spring Festival stalls will exceed last year's (6.766 billion) and enter the top two box office of the Spring Festival stalls in Chinese film history. The latest box office has exceeded 7 billion.

"Hot and Hot", "Flying Life 2" and "Bear Infested: Reversing Time and Space" are temporarily among the top three box office stalls for the 2024 Spring Festival, but Zhang Yimou's "Article 20" is full of stamina, and the single-day box office has continuously counterattacked "Bear Infested", and it is a high probability event that finally won 2 billion box office to surpass "Bear Infested".

In my opinion, there are many reasons why the reputation of the Spring Festival stalls can turn over.

The intention of the plot and the director's innovation are certainly plus, but the brilliance of the characters is definitely the key.

Judging from the effect of the feature film, the casting of the Spring Festival stalls is excellent on the whole.

Due to the absence of industrial blockbusters, this is also the Spring Festival file that tests the actors' acting skills the most in recent years.

Recognizing stars in Spring Festival films has become a kind of fun for ordinary audiences, but it is also an examination room for actors' acting skills.

I've already written about the actresses before, so let's make a name for the performance of the male actors in the Spring Festival stalls.

After writing it, I found that more than half of the actors with outstanding acting skills in "Article 20", plus the three actresses in the film also performed extremely well, "Article 20" has become the strongest acting blockbuster in the 2024 Spring Festival file and even the Spring Festival file in recent years.

8, Yang Haoyu's "Article 20" - performed the breath that the characters held back

"Article 20" directed by Zhang Yimou was not filmed by Zhang Yimou.

The audio-visual is simple, the dialogue is all positive and negative, and the scenery is down-to-earth, in short, no one wants to say that this is a Zhang Yimou movie.

But it's still this movie, Zhang Yimou has used an unprecedented and powerful cast.

In my opinion, half of the powerful actors in domestic entertainment have been arranged.

But Zhang Yimou didn't put together an all-star lineup, but let good actors play.

When good actors get together, if there is only a few minutes or even a line and a look of space, in order not to be compared, they must go all out, give the characters a reasonable design and complete context, and not appear to be too violent.

When watching "Article 20", the actors are equivalent to competing in the same field, and my feeling is that good actors are crazy in the show.

Among them, Zhang Guisheng played by Yang Haoyu is eye-catching. The bus driver Zhang Guisheng's line is the lightest of the three lines in the movie, the bus driver Zhang Guisheng came out to stop the hooligans from molesting the girl on the bus, but the other party suddenly hit Zhang Guisheng and knocked him to the ground.

He was imprisoned for three years for injuring the other party in a counterattack, and continued to petition after he was released from prison.

Although the role is limited, the character of Zhang Guisheng is extremely complete, and you can roughly know his prehistory in a few clips.

A good driver who should be respected, just because he stood up, became a prisoner, Han Ming promised to help him find a job, behind it is such a good driver who was fired after being released from prison, and it is difficult to find a job.

He petitioned repeatedly, because his daughter couldn't swallow this breath: Is it wrong to act bravely? Can't you be a good person? The law only protects the bad guys who are groping, but not the good guys?

Yang Haoyu designed a lot of small details for this character.

Especially when he wears a helmet and rides a small motorcycle, he petitions again and again, which makes people feel sad when they see it.

His faint dialogue with Han Ming made people feel heart-piercing.

What's even more poignant is that after Zhang Guisheng's last petition accident, his daughter Yaya hugged her father's helmet that was flattened by the truck and asked Han Ming silently: "What is wrong with my father?"

Although Yang Haoyu's play is small, this role is too vivid and too moving.

Even though the characters have gone offline, the tension of the characters is still visible.

The only reason why Yang Haoyu is in this position is that there are too few plays, but his acting skills are definitely enough.

7, Wei Xiang's "Flying Life 2" - an excellent representative of decency becoming a "villain", the world is the biggest villain

I don't know if I have suffered from "Four Seas", Han Han played a trick in "Flying Life 2", and there was no actress.

In the all-male class, the most outstanding supporting role is Wei Xiang again.

said that it is because in the first part, the audience should be difficult to forget the "Glorious Years" under the sunset.

In the finale of the first part, Manager Ye played by Wei Xiang lost his job for his ideals and was poor, which was my biggest disappointment in the whole film. Zhang Chi and his brothers had a good time, what did Manager Ye get?

Maybe Han Han thought so too, so the second part let Manager Ye get glory and wealth.

Under the leadership of Manager Ye, the new team subverted the racing technology of the Zhang Chi era, and rewrote Zhang Chi's record in one year, not to mention that Zhang Chi is not an opponent, and even Lin Zhendong in the first part is no longer playing.

As a result, Zhang Chi came back, and the two teams faced each other again.

There's a detail in the movie that's worth playing. Standing on the stairs, Zhang Chi, played by Shen Teng, sang "Glorious Years" to Manager Ye played by Wei Xiang again, but this time, the latter just replied lightly, "Ask who can do it".

Wei Xiang acted well, and he did not treat Manager Ye as a pure villain, but performed a kind of understanding and understanding - Manager Ye, who sacrificed himself for his ideals in the last film, finally got the opportunity to soar, and some of the tricks he used before and after the game seemed to be less "hateful".

Middle-aged, it's not easy.

What I didn't expect was Wei Xiang's acting skills.

The comedian Wei Xiang, who "performs three mouths and a pig for everyone" and "You Mandarin is not standard, we don't know", interprets the evil of ordinary people too much.

He may have been angry with you, but he stabbed a knife at you at a critical moment, and he was still the most accurate one, because no one knows Zhang Chi better than him, and he is Zhang Chi's confidant.

But the sympathy in the afterglow of the sunset in the previous work finally turned into a sneer that was determined to put Zhang Chi in a catastrophe after being slightly touched.

After watching the movie, I realized that Wei Xiang was able to interpret this thick and complex emotions of middle-aged people so well.

The world is the biggest villain, and he was played by Wei Xiang to the bone.

6, Chen Minghao's "Article 20": A drama is a god

Chen Minghao's role is very simple, so simple that it is like an old horse in the parallel universe of "The Long Season".

Chen Minghao's main function in the whole film is to accompany Lei Jiayin and Ma Li to talk about cross talk.

Han Ming's son beat someone and asked Team Li to solve the problem, but the matter was gone, Han Ming, Li Maojuan and Team Li were arguing in the car, what tricks can this kind of play perform?

If I were Chen Minghao, if I hadn't seen Zhang Yimou's face, I would never have taken this scene.

Unexpectedly, the three of them performed the funniest scene in the whole film.

The three of them were in a hurry, and the Li team, who was originally a husband and wife, besieged and swore to help their son do something, and they swaggered, but after arguing, the brother and sister transferred their firepower to Han Ming.

The dialogue in this section is like floating on water, constantly splashing and shooting in the air, but it can be picked up every time and not let it fall to the ground.

Considering the tacit understanding that Lei Jiayin and Ma Li have acted in many rival scenes, I think the most difficult scene is Chen Minghao.

But he actually caught the play.

And it's rare that he doesn't have a sense of drama, the drama is tight, his detailed design is all for the purpose of shaping the characters, there is no kind of drama that I must overpower Lei Jiayin Ma Li today, squeeze in front of the camera, squeeze eyebrows and eyes, but the final effect is a collective brilliance.

5、

Zhang Yi

- A glimpse of the "villain"

Zhang Yi, who has participated in Zhang Yimou's works such as "On the Cliff", also came this time.

Zhang Yi's acting skills have actually encountered a period of questioning before, thinking that he has played too many police officers and has not changed much.

I didn't expect to come over this time to play a small role in three scenes, which was eye-catching.

If there are not the main characters in a star-studded movie, they may only be given one minute, and how to turn this minute into a highlight moment within the reasonable scope of the plot is a science.

Zhang Yi is doing a dojo in a snail shell, and the result is not a minute, a second is enough.

Director Zhang, who he plays, is not a villain according to reason, at least not for the sake of the village tyrant.

But in terms of the annoying degree of the role, it should be the village boss director who is second only to Fan Wei.

Especially when Han Ming's family came to apologize to the child, bowed their heads, Zhang Yi's face changed in this second, his eyebrows and eyes drooped, the corners of his mouth went down, his chin trembled, and his actor-level acting skills were enjoyable enough in comedy.

Although there are few roles, a design that Zhang Yi helped the young actor make his role three-dimensional-his son, who was arrogant and domineering in front of his classmates, didn't dare to sit in front of him, he said to sit, and only then did he dare to sit down.

What kind of goods Director Zhang is, I immediately understood.

In addition to the acting skills of the scene at the wine table, it is worth commending Zhang Yi's action scene performance, saying that Li Maojuan, who was played by Ma Li, was put down with a slap,

One by one, Zhang Yi's interpretation of Director Zhang is indeed very good.

4, Fan Wei's "Article 20" - the coldest villain in the Spring Festival file

Writing it like this will make people feel that this is the acting ranking of "Article 20", but this is something that cannot be helped, because Zhang Yimou has found too many good actors.

In fact, Zhang Yi, Chen Minghao, and Yang Haoyu's cameos are already amazing, but there is an even more powerful one, that is, Fan Wei.

Fan Wei used to give the audience the feeling that even if he was not acting in a comedy, at least he was a good person in "The Long Season".

Unexpectedly, the ruthless man in the Northeast was ruthless, and directly transformed into the strongest villain in the whole film.

The character of the old man Liu of Kangcun always speaks high-sounding words in his mouth on the surface, and every sentence is vibrant. If it weren't for the cause and effect, and seeing him throw away the honorary certificate awarded by the official in front of the leaders at the door of the procuratorate, I would really think he was a dish.

Fan Wei is good in that he performed a huge deceptive performance.

A big patriarch who is the least like a bad guy uses friendship, favor and honor to exert pressure, and few people can bear it in a human society where favor is the logic of priority.

Fan Wei is really amazing, he plays the kind of bad unassuming, accustomed to singing red-faced but so bad that the essence is so bad that he plays it too accurately, it seems that every sentence is not heavy, but his eyes are gloomy and cold, and the scene of confrontation with Zhao Liying on the rooftop, the sentence "Think about the child", makes me want to rush into the screen and beat people.

Watching Fan Wei's performance, I understood why Zhang Yimou completely gave up the complex scene scheduling for the first time, because in the face of such a god-level performance, the best way to express it is to fight forward and back, what bells and whistles do you want? Fan Wei's acting skills are the most gorgeous movie language.

3, Andy Lau's "Mr. Red Carpet" - the most underrated movie and the most underrated performance in the Spring Festival file

is still the same sentence, Andy Lau's acting skills are underestimated again.

Frankly speaking, I think it's normal that "Mr. Red Carpet" is not treated by the audience, Ning Hao made a film festival movie, not a Spring Festival movie.

The biggest problem with the movie is that it chose the wrong schedule, not Ning Hao and Andy Lau.

In the movie, Andy Lau played a superstar Liu Weichi. It seems that there is no difficulty, but in fact, this kind of role that is inseparable from human drama is the most difficult to play.

Andy Lau wants to make the audience feel like Andy Lau, but not the real Andy Lau.

Andy Lau is indeed very daring to act, or rather, he gave Ning Hao enough trust.

The role of Liu Weichi should be the opposite of Andy Lau's character in reality, and from the perspective of passers-by, this role is definitely in the most annoying gear.

Andy Lau focused on interpreting Liu Weichi's annoying selfish and hypocritical temperament.

The perfect superstar on stage spoke elegantly, and the audience opened the microphone passionately, and it seemed that the acting skills were explosive, but the actual performance made the director blind.

Andy Lau's every frame of the shot has a high gold content, every action and eyes are a play, and the micro-expressions are fiercely grasped.

Ning Hao put the big star Liu Weichi back into the lives of ordinary people, although he only lived in a five-star hotel to a three-star hotel, but maintaining decency and constantly losing face alternately appeared in this character, which constituted most of the jokes in the movie.

For example, in order to play a good farmer and experience life, Liu Weichi asked people to "help me book a three-star hotel, I want to experience the life of ordinary people." ”

Liu Weichi wants to act seriously in the short video, as long as he calls Lao Tie liaoliaoliao, Liu Weichi wants to be a stand-in, all the real shots, reflecting dedicated acting, netizens say that he abuses animals, Liu Weichi wants to ask a beautiful woman to cheat, but the grass and trees are all soldiers who take everything as a candid shot, so that the audience feels tired for him.

Andy Lau performed a feeling of black humor,

In terms of behavior, the character focuses on the chattering style of the gods, either pretending to be cool to the fans, or creating himself with a spirit, this greasy posture is unforgettable.

When the pig raised by Liu Tianwang in the finale ran frantically and fell downstairs, this quick slap in the face also reflected the essence of the character's "strong outside and dry in the middle".

I feel that Ning Hao should let Andy Lau play freely many times, and from the actual effect, Andy Lau's free play is indeed outstanding.

Sometimes, life is full of "acting".

2, Shen Teng's "Flying Life 2" - Shen Teng played a lonely hero, he is worth an actor

Shen Teng's acting skills were underestimated by the audience, and this sentence can be said now.

If "Flying Life 1" is to let the audience see Shen Teng's comedy acting skills again, then "Flying Life 2" really allows the audience to see Shen Teng's performance.

In addition to still being likable and funny, there is also a sincere appeal, the ability to interpret small people, and a richer understanding after middle age.

"Flying Life 2" is a movie of Han Hanren after he reached middle age, he finally stopped shaking his wit, no longer said golden sentences, and all the jokes returned to the matter of making middle-aged men embarrassed.

Shen Teng is still funny, especially in that old man's music competition, when the front and back covers of the car door were all shaken off, the audience laughed very happily, and Shen Teng's comedy performance was still good.

But then, it was the moment when Shen Teng exerted his strength.

The movie tried its best to put Zhang Chi into humility and self-deprecation, and Shen Teng had at least two performances that completely moved me.

One is that he secretly raced in the middle of the night, and then a brilliant drift, the car overturned, and the person was trapped in the car and couldn't get out, and finally the young driver played by Fan Chengcheng pulled him out, and finally Shen Teng smiled with relief, the taste of life is all in it.

In the other game, Zhang Chi spent several years looking for the lead seal of the first finale car, wanting to use actual evidence to prove that his 59'58" score five years ago was true.

When he really found the seal, he realized that it wasn't lost, but no one remembered to tell him.

Here Han Han gave Shen Teng a real crying scene, Shen Teng in this scene gave me the feeling that he was no longer an ordinary and funny comedian, but an extraordinary comedian with superb acting skills, he spread out the predicament, anger and helplessness of the characters in front of the audience.

Shen Teng performed the best part of this film, although it is talking about middle-aged chasing dreams, but this dream is not something I have to get back if I lose, in fact, I will definitely not get it back, but the sixth place may be more burning than the second place,

Dreams can not necessarily be winning.

I watched Shen Teng perform the feeling that Han Han wanted to express, he was middle-aged, but the "youthfulness" was still there, and at the same time he completed his own flying in roles and acting skills.

Bayingbrook, forever dry.

It's burning.

1, Lei Jiayin's "Article 20" - the highlight moment of tears

On this list last year, Lei Jiayin was the first, he just played Qin Hui and the stand-in in "Man Jianghong", but his acting skills were amazing, especially the poem recitation at the end.

This year, we still saw clips of this performance in the cinema, in a flash of the commissary, of course.

And Lei Jiayin has begun to carry the Spring Festival stalls, after starring in "Hot and Hot" and "Article 20" both hit the box office, he has become a first-line box office male star who can keep pace with Wu Jing, Shen Teng, Huang Bo, etc.

To put it simply, Lei Jiayin has achieved a soaring ascension. But he came by skill.

"Hot and Hot" is scolding Haokun scumbag, the role is indeed too scummy, and Lei Jiayin plays it very vividly.

Actors serve their roles in everything, Lei Jiayin can play a mortal hero like Zhang Xiaojing, or an ordinary person like Haokun who fails to pursue his dreams.

Jia Ling must have found the right one when she looked for him.

But if you want to say that the highlight of his acting skills during the Spring Festival is of course "Article 20".

The role of Han Ming is more "life-like" than Lei Jiayin's classic roles in the past.

From the beginning, the role gave me the feeling that I was acting in a comedy.

Seeing his son being beaten, his first reaction was out of professional instinct, and he asked why he was beaten so lightly by four people, because it is difficult to determine the minor injury at this level, and it is easy to focus on it, but of course he was scolded by his wife.

Lei Jiayin performed the feeling of a middle-aged wreck, scouting everyone carefully, and Ma Li's family drama was like a sketch.

I didn't expect the theme to be directly sublimated, and the small family was used to reflect social issues, and I understood the deep meaning of Zhang Yimou's character design.

Han Ming's son's experience and his family's experience are definitely not sketches and waste plays, but the injustice of substituting a small family for Zhao Liying and Yang Haoyu's roles, which makes the final awakening of the characters full of power and rationality.

Lei Jiayin has been playing a forbearance word before, in order to highlight the endurance and forbearance, and there is no need to endure it anymore.

The film's choice to focus on Han Ming actually makes him the button to activate Article 20, which was once a sleeping clause.

And the last moment was Han Ming's last extra-long speech.

In that scene, Lei Jiayin's explosiveness was indeed amazing.

After a short period of foreshadowing, the momentum of the voice for the victim makes people intuitively feel the pain of reality and the power of the law.

Lei Jiayin's acting performance in this scene is very appropriate to describe with four things:

The form and spirit are there.

Lei Jiayin really put every line and the law into the hearts of the people.

"What is the law? It is the law of heaven! It is the law of the land! It is the law of the people! I do not believe in the law of the land without the law of heaven, nor do I believe in the law of heaven without human feelings!"

"The law, should make it more expensive for the bad guys to commit crimes, not more expensive for the good guys to do it. ”

"Where does the authority of the law come from? From the most simple emotional expectations of the common people!"

Every sentence is deafening, and every sentence is the words of the people.

After watching this finale, I just want to say: Lei Jiayin is bullish!

Zhang Yimou broke the cow!

"Article 20", Cattle Break!

Such a movie dares to be on the Spring Festival file, bull break!

If the audience can make the movie completely counterattack in the end, it will be even more bullish.

Of course, it is necessary to praise Lei Jiayin's performance, because the whole play is a long foreshadowing, and the three story lines are finally condensed into Han Ming's passionate statement.

Fortunately. Lei Jiayin carried the play.

At that moment, you don't feel like he's performing, but as an ordinary person stating, it's me, and you, it's everyone who needs to be protected by the justifiable defense law, ordinary people!

It's certainly a show that deserves respect.

The above are the 8 actors with outstanding acting skills in the 2024 Spring Festival.

Of course, these 8 people are far more than those who are brilliant.

Just "Article 20", the performances of Wang Xiao, Jiang Qiming, etc., have left a certain impression on us.

But if you don't put them on the list, their acting skills can also be seen by the audience.

In a sense, this Spring Festival stall without an industrialized blockbuster, and the box office result that finally broke 7 billion, is actually another reminder of domestic entertainment, what does the audience want?

It's not the top stream, it's not how high the cost, how gorgeous the special effects are, but the moving story, the heartfelt characters, and the moving performance.

After the Spring Festival, the actors' acting skills will be further upgraded.

And after watching the performances of the actors in this Spring Festival stall, it makes people believe in that sentence even more: there are only small actors, no small roles.