Recently, have you also been swiped by Jia Ling's "Hot and Hot".
As soon as the first screening of the movie ended, she accounted for four of the top five hot searches.
Almost all over the world is talking about "Jia Ling now".
Later, in the evening, Jia Ling successively visited the live broadcast room of "People's Daily" and "Movie Channel" to share her mental journey before and after filming this movie.
The appearance of the two official media live broadcasts has also completely settled various speculations on the Internet.
Jia Ling, who appeared in front of the audience again, has indeed changed her temperament.
But it's clear that I'm more confident and more attractive. She had a straight back and spoke eloquently.
When the outside world was still focused on discussing whether she was really thin, whether she looked good or not when she lost weight, her soul was already outside the mountains.
With the continuation of this popularity, the box office of "Hot and Hot" also exploded.
The box office on the first day directly broke through 420 million.
also won the single-day film schedule champion of the Spring Festival stalls and the first place in the number of moviegoers.
Soon the Douban score was also released, and it was also the first film to increase the score during the Spring Festival, rising to 7.9 points, which really surprised too many people.
At the earliest scene of "Hot and Hot", Brother Pi also walked into the theater.
To put it simply, it's a comedy, but it's much more than that.
While it's hot, I would like to share with you the viewing experience of "Hot and Hot".
The three most important features are destined to be Jia Ling and her sincere work, which will be the most important force to be ignored in the Spring Festival in 2024.
01、
Jia Ling's comedic thinking is very ingenious.
She is good at finding laughter from the "anti-everyday" law.
For example, in "Hello, Li Huanying", Jia Xiaoling learned the first sentence when she was a child.
As soon as the words "another bowl" came out, it was unexpected and made people laugh.
The same is true for this "Hot and Hot".
Brother Pi watched it, basically a small burden in three minutes, a big burden in five minutes, good stalks, and the laughter in the theater was not stopped.
There are two main kinds of baggage in "Hot and Hot", that is, in a general sense, we call atmosphere stalks and high-level stalks.
The atmosphere stalk can set the tone of comedy, and it is also the main component of the laughter of "Hot and Hot".
For example, the encounter between Du Leying and Haokun played by Jia Ling started from a misunderstanding of the driving lights by mistake.
Another example is Haokun training with Du Leying.
Here Le Ying practiced pull-ups hard, her enthusiasm was high, and she shouted "one more" while doing it.
But the camera moved down, and it turned out that Haokun was holding her legs.
With all his strength, his expression was almost "hideous".
Many audience members were laughed back and forth, and the laughter in the theater basically did not stop.
In addition to these atmospheric stalks, there are also many high-level stalks in the movie.
High-level stalks, in addition to laughing, are often "unfinished" and are the most difficult to design.
Brother Pi was impressed by the fact that Du Leying took the boxing gloves that Haokun mistakenly gave him, and found the band-aids that other girls confessed to Haokun, thinking that Haokun gave them to him.
She wore the boxing gloves given by her sweetheart, and slowly bumped fists with herself in the mirror, but she didn't expect the mirror to crack.
There was a cleaning aunt standing next to her, and the two of them stared at each other and laughed very much.
The high-level here is the high-level, and the boxing, love, and pursuit that Du Leying thought were actually flowers in the mirror at that moment, which was an illusion.
And Jia Ling used the stalk of mirror fragmentation to present the essence of Le Ying and Haokun's emotions to the audience.
Regardless of whether the audience can touch this layer or not, being able to take these into account when designing jokes shows that Jia Ling is still very powerful.
In short, "Hot and Hot", as a family comedy, is indeed full of sincerity in the presentation of laughter.
In the Spring Festival movies, this kind of dense burden that reaches the laughing hole is actually the most powerful killer move.
02、
In the official release material of "Hot and Hot", there are two short videos, which are spreading wildly on the whole network.
One is when Lei Jiayin met Jia Ling.
He was stunned in place, as if he was in a different world, which was enough to prove how much Jia Ling had changed.
Look at Sha Yi again.
When he arrived on the set, he searched for a long time, but Jia Ling seemed to have "disappeared".
The knee-jerk expression reactions of crew colleagues are the most real.
This is the best affirmation of Jia Ling for the role of losing weight and gaining muscle.
Many people, in fact, do not pay attention to the right direction.
How much effort a person can make for one thing is the greatest manifestation of dedication.
In foreign countries, if actors complete such a huge transformation in size, they will be praised for sacrifice and greatness.
When we arrived in our country, some people's tone changed.
To be honest, as an audience, we still have to give our own actors a little respect and encouragement.
And there's a layer of promise behind it.
After the release of "Hello, Li Huanying", Jia Ling said in an interview, "Over 3 billion thin into a lightning bolt." ”
Most people laughed after hearing this, but now it seems that the person himself has done what he says.
Of course, Jia Ling mainly did this for the sake of creating and shaping the characters for the film.
In addition, after watching "Hot and Hot", Brother Pi was also a little impressed by Jia Ling's directing level.
Obviously, this year, Jia Ling's focus is not only on losing weight and gaining muscle for the role, but also on improving the level of directing. Brother Pi found the use of several scenes with artistic meaning, and it can be seen that Jia Ling really worked hard in the performance of movie texture.
Here's an example.
After being backstabbed by her relatives, betrayed by her lover, and betrayed by her friends, Du Leying went back to the rental house alone.
The lens is a long shot, and the lighting is completely dim.
Le Ying's yellow skirt is particularly conspicuous in the frame.
Then, she gradually went upstairs, and every time she walked through the floor, there was a light on the first floor for her.
The whole picture seems to warm her up, but the heavy rain under the street lamps and the changes in the surrounding wind and rain tell us that a storm is blowing in Le Ying's heart at this time.
When she slowly walked into her rental house and closed the door, suddenly, the window of the house with the lights on was blown open by the strong wind, and the wind and rain became more violent.
We didn't know what was going on in the room at the time, but this scene was actually at the beginning, when Le Ying rented the house, the director gave a hint. It is a north-south room, and when one window is opened, the other is bound to open as well.
Therefore, this lens language is the director's suggestion to the audience that the girl chooses to jump from another window.
After a night, the sun gradually came out, and the whole building returned to its former color. And Le Ying, who was lying in the mud, was heartbroken. She cried in the mirror, it hurts, but why is it not even hurt?
Just like everything she had encountered in this period of her life, it was clear that she was full of holes, but no one found her injuries, and no one knew about her pain.
This footage lasted for a few minutes.
But Pi Ge noticed that none of the viewers felt bored, because the shock and appeal of the camera were too strong.
I have to say that Jia Ling can move the camera, photography, and tell stories.
The darkness, the wind and rain, and the open windows are all expressions of life's darkest moments.
Lights, bright lights, and sunlight are the intentions that want to shine in.
The audience more or less understood something here, but Jia Ling didn't tell everyone what happened, but put the core transformation of the characters at the end.
The beginning and the end echo in one go, striking a balance between narrative and art, which is amazing.
If you want to say that Jia Ling has just worked out for the role this year, I don't agree.
If "Hello, Li Huanying" is supported by the relationship between mother and daughter, then "Hot and Hot" is already a bit of a mature commercial film director's expression in it.
This progress also made Brother Pi look forward to Jia Ling's third work.
03、
The theme of "Hot and Hot" is very simple, and everyone can see through it at a glance.
"爱Self".
But "love yourself" is a complex proposition, and it is very difficult.
How to talk about the theme of "love yourself" so that it can resonate with everyone?
After watching "Hot and Hot", Brother Pi was deeply touched, touched by Jia Ling's sharpness in her selection of materials, and also touched by her deep understanding of life.
Have you noticed that Jia Ling has been emphasizing a common feeling of body and mind, that is, "pain".
Du Leying, played by Jia Ling, seems to have been living in "pain".
There are two levels of this pain.
One is spiritual.
She is at home, has no job, has nothing to do every day, and the complaints of her family are enough to give her huge mental pressure.
And the people around her all sneered at her.
Whether it is her boss or her colleagues, or because of her personality, or because of her way of living, they all belittle her and disrespect her.
The long-term mental pressure made Du Leying reticent, and she quietly locked herself in her own world and couldn't get out.
The other is the flesh.
Du Leying swallowed her anger until her sister was angry with her, and she completely broke out and fought.
In this scene, the two are really fighting.
If you really do it, you will also make a dead hand.
So you see Jia Ling's state in the performance, it is also real, her face is flushed, and the pain is transmitted to the screen and extends to the audience.
In addition, the details of the film emphasize this "pain" everywhere.
On that stormy night, Du Leying cried all night in front of her mirror, just because of "pain".
Haokun successfully selected the position of the player in the market, and happily picked her up and spun her in circles, her feet slammed into the cabinet and hurt.
Is this pain real or numb?
Brother Pi seems to be numb to the pain at this time.
Generally, movies with the theme of "love yourself" are nothing more than two options.
Or, fight with life until one of them falls, even if you fall, it is in the posture of a warrior.
Or, life kisses me with pain, but I repay it with a song, change my mentality, reconcile with this fucked life, and wait for change.
But Jia Ling didn't.
The method she brings us is to start from the pain and find the real pain.
So Du Leying chose boxing.
Because of the punches of boxing, she has a sense of accomplishment, and every time she is hit, she feels her existence very truly.
This may be a declaration of war by the weak against the strong, or it may be a person who loves himself and demands on himself.
And even if the two people fight fiercely in the ring, they can still hug each other in the end.
At the end of the movie, Du Leying faced professional players and was beaten again and again with blood in her mouth, but she still insisted on standing up.
Stand up and be beaten, then sit down and vomit blood, and then stand up again, why, because can you carry it?
Of course not.
One of the reasons is that she wants to win, wants to win once, and it is the process of her doing her best to change herself and find her true self.
The second reason is that she wants to win, knocking out the opponent, it is not proof that she is alive, and she insists on finishing this match.
So we see that Jia Ling did not arrange a happy ending for the movie in which all sports-themed movies will "defeat the strong with the weak".
She lost badly, and was beaten beyond recognition in full view of everyone.
Even the coach and teammates didn't say a few words of comfort.
But the overall tone of the film was completely relaxed after this "severe pain".
Du Leying took a photo and posted the first Moments.
In a conversation with Haokun, she said that boxing hurts.
But on the way home, she set off again, running and training.
At this time, boxing is no longer important.
The important thing is that Du Leying found herself in boxing, she found a way to love herself, and she also found the value and meaning of her life.
Sometimes, these are the things we want to pursue all our lives.
But Jia Ling used "Hot and Hot" to tell us that it doesn't matter whether you win or not.
The important thing is to be able to train, dare to punch, never give up, and know how to persevere.
If you understand "Hot and Hot", you will actually understand the lives of most of us.
Who doesn't take two punches in life, but have you ever thought about how you should live after the darkest moments and the pain of your skin?
Stand up first and come to the stage.
In the atmosphere of festive reunion during the New Year, the Spring Festival file also needs this kind of relaxed and progressive family movie.
From a certain point of view, it is not that Jia Ling needs the Spring Festival file, but that the Spring Festival file needs Jia Ling.
It is worth mentioning that Sony Pictures has announced that it will distribute "Hot and Hot" globally.
Following "Hello, Li Huanying", Jia Ling's works will also "go to sea" again, further driving the export of Chinese film culture.
Love and inspiration are all the same, and I believe that the theme of the film can resonate around the world.
©原创丨文章著作权：皮皮电影（ppdianying）
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