Fan question: How is Sa Beining's singing skills?
A: Extremely talented. Singing is sent to Peking University, the cavity resonance is very strong, A4 is like drinking water, the strongest B4 long tone, bel canto, popular system
Sa Beining, the CCTV joker and the best national comedian, is a talented singer with extremely high vocal talent. Sa Beining, like Li Jian, chose to sing folk songs through the national winter camp special recruitment and obtained university escort, one was escorted to Peking University, and the other was escorted to Tsinghua University. Among them, Sa Beining sang the folk song "Little Poplar", and Li Jian sang "Say a Word from the Heart", different from Li Jian's professional singer status, Sa Beining has always used vocal singing skills as an embellishment of personal hosting skills.
Looking at Sa Beining from the perspective of vocal music, I said: Sa Beining is the official amateur tenor of CCTV Pavarotti, which is not too much. His functional performance, the unity of his cavity, in his amateur hobby, but he has a very high vocal competitiveness. We can first briefly compare Sa Beining's hard singing ability and vocal range performance with Chinese professional singers, to basically know what Sa Beining's vocal range talent is:
- 1: Sa Beining's full-open mic vocal range is C3-C5 two octaves, and the quality vocal range is C3-B4 (one octave + seventh);
- 2: Zhao Lei (peak folk singer) full open mic vocal range C3-F4, an octave + fourth, and the quality vocal range is generally in C3-E4. Full open mics are rare. Less than four degrees of Sa Beining.
- 3: Awakening, Land Rover, Zhang Yuan (pop singer) three full open mic vocal range in C3-Gb4, an octave + minor fifth, the quality vocal range is generally C3-F4. Full open mic a lot. Less than three degrees of Sa Beining.
- 4: Peak pop singer Sun Nan full open mic vocal range C3-B4, an octave + seven degrees. The quality range is generally in C3-A4. The vocal range is the same as that of Sa Beining, and the quality is higher than that of Sa Beining.
- 5: The top function blames Zhang Jie's full-open microphone range at F2-F5, three octaves. The quality range is generally in the C3-E5 range. Four degrees beyond Sa Beining.
Basically, Sa Beining, a joker with unique funny ability, his singing ability and talent are in Chinese music, and he belongs to the peak performance of top singer Sun Nan. And the singers with A4 high-quality and dense biting words in the entire Chinese music cannot be said to be rare, but at least they are one in a million. But from this point of view, Sa Beining's singing skills are very strong. Compared with Li Jian's function, it is not bad at all, and the two senior high school students who were escorted to the university are indeed genius sons in vocal music. The gold content of this escort is very high.
In terms of singing skills as a whole, Sa Beining's singing skills system is biased towards the dual positioning of bel canto and nationality of the choir. Here is a brief popularization of science: the choir's singing position in vocal music is not fixed, it mainly reflects the beauty of the four-part harmony of the human voice. Therefore, bel canto, ethnic, and even some popular and popular song choirs suitable for large-scale stage performances can sing. However, Sa Beining lived in an earlier era, and the most choir training at that time was bel canto and folk singing.
Therefore, on the whole, Sa Beining's singing system is very biased towards the resonance system with professional bel canto training as the standard, and the male vocal system of national singing also requires chest resonance and strong bel canto support. In this way, Sa Beining's singing system does not belong to popular vocal music, but because the popular songs that have been eliminated in the early days are relatively popular, and the popular singing method and the nation have a certain integration. Therefore, Sa Beining also has a certain ability to sing popularly, and the simplest understanding is: Sa Beining has some of Liu Huan's cavity timbre.
In terms of timbre, Sa Beining's timbre is a very typical resonance cavity type, or the timbre of the singing system, which does not have more dynamic timbre changes in popular remixes. This is because the positioning of the choir actually only needs to do a good job of basic vocal cord closure, and it will not require the individual timbre of the choral members to be prominent, because the more people there are, the more the choral beauty focuses on the instrumentation of the voice, rather than highlighting the individualization of the vocals. So basically, Sa Beining's timbre is the timbre of the singing system.
When singing bel canto, it is a strong male masculine voice. Singing the nation is a clear, sunny, casual and eloquent oral timbre with a strong chest voice. Singing popular is Liu Huan's nasopharyngeal timbre, and when singing mountain songs, it is a typical Ah Bao's high-pitched head voice. When singing pop music, Sa Beining presents a relatively large difference in laryngeal position, and ignores the timbre, but determines the timbre with the highest priority of solving the pitch and vocal range stability. This is also the habitual thinking of bel canto singers, which is essentially quite different from the personalized aesthetic expression of pop vocal music.
In terms of vocal range, Sa Beining's vocal range function is very good, and in any singing system, it is firmly in the tenor's vocal expressiveness. The specific vocal range is as follows:
1: Sa Beining Live peak vocal range: C3-C6, of which E5 begins to kill the chicken timbre, G5 begins to have a head sound, and C6 is a pure head voice squeezing card. Since C5, it has generally no vocal significance, and belongs to a funny genre. There are still many, many funny highlights of Sa Beining's five sets of trebles, and they are all funny performances on CCTV's official program. I have to say that Sa Beining does not have the baggage of a professional singer, but this has become an advantage in his singing skills.
2: Sa Beining's controllable vocal range is generally between C3-C5, and the touch of C5 can only be touched by a touch squeeze card. The commonly used pinnacle highest note articulation is B4, and this ability is already very powerful. For A4, Sa Beining only needs to sing a few more times in advance to ensure a high-density articulation performance in Live. As for Ab4 and G4 under A4, it is the same as drinking water. And because the monophonic quality is a bel canto system, the performance is very high.
The secret of Sa Beining's strong singing skills comes from: strong cavity resonance;
Sa Beining's core ability to maintain high-quality singing for so many years stems from his strong cavity resonance performance. Purely from the cavity point of view, Sa Beining is very professional. His performances have a singer's aesthetic of a general nature, especially for the interpretation of popular folk songs, which is very professional. It's very simple, the standard of bel canto is too high, and there are actually a lot of expert skills in the interpretation of non-professional classes like Sa Beining.
But the cavity performance of folk songs and popular songs is different. Because the beauty of folk songs is based on the timely feedback of the public, the beauty of music is a kind of musical color expression similar to the core of the host's on-site control. Therefore, the relationship between strength and weakness in this, for Sa Beining, is consistent with the strength and weakness of the artistic control field that he needs as a host. Although it is not the same industry, it can be used for the interpretation of folk songs and popular songs, Sa Beining is very skillful, which is due to his top host skills. The artistic strength and weakness of bel canto is difficult to control without the environment of bel canto.
In terms of specific cavity capabilities, Sa Beining is the most excellent in three points:
1: Self-consistent vocal state. The vocal state means: whether the singer can enter the world of 100% confidence in the physiological cavity within one second, and have perfect confidence and practical control over what kind of hearing and effect he can express. In other words, whether the singer's functional understanding of cavity muscle memory and vocal cord closure has the sound pressure, timbre, and pitch performance that can meet the brain's expectations.
This ability is the core talent of every singer. It is also the core ability of whether a singer can maintain his peak state, and it is also the embodiment of a singer's talent. A side hustle like Sa Beining can maintain a peak vocal state, enter the play in a second, and even don't have much time to train in private, which is a top talent. Generally speaking, professional singers, who are their main business, also need to open their voices every day to maintain the muscle memory of the vocal state. But Sa Beining obviously can't do it at the level of the main business. This is precisely the manifestation of talent.
2: Perfect abdominal support. The singing performance of a host as a side hustle can switch back and forth between multiple types of music styles and a large type of singing system. Whether it is bel canto, ethnic, popular, pop, or even mountain songs, Sa Beining can catch a duet, and usually on the same stage with professional singers. This is very powerful for the cavity, all the basic skills of singing, abdominal support.
3: Strong voice area control, or strong imitation ability and emergency pitch ability. This is a very surprising point, Sa Beining seems to be able to sing any note from C3 to C6, whether it is good or not. The core of this is: Sa Beining has the natural ability to use no one cavity and technique for the pressure of any treble. Whether it's good or not, but he can just sing it in time, or imitate it. It's not a simple matter.
To sum up, Sa Beining's singing skills are very good, and he can be called a real talented player in vocal crossover. As a side hustle, it's almost hard for anyone to compare to him.