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In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen

author:Guyxuan

Tang Dynasty three-color Piyong inkstone

The inkstone surface protrudes, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge is looped, which can not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen. The bottom of the inkstone is pasted with the head and feet of the beast at equal distances. The foot stands between the inkstone and the ring to form a circular circle. The outer wall of the inkstone, the edge of the mouth and the animal-shaped foot are applied with yellow, green and white three-color glaze, the glaze is opened, the side view is facing the light, and the one-sided is slightly warped and flashing. The inkstone surface in the device and the annular circle under the foot are exposed, and the fetus is white and pink. The shape is light and agile, and elegant.

#唐三彩 #唐代 #瓷器 #收藏品 #器物之美

In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen
In the Tang Dynasty, the surface of the three-color Piyong inkstone protruded, without glaze, in order to facilitate the use of ink grinding, and the groove between the inkstone surface and the inkstone edge was circled, which could not only store the ink, but also avoid the overflow of ink when grinding ink or licking the pen

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