Preamble:
In film and television works, the performance of actresses often directly determines whether a role is three-dimensional and plump and deeply rooted in the hearts of the people.
So, is it the appearance, the acting skills, or the combination of the two that can make an excellent actress successfully interpret the three-dimensional charm of a role?
Today, the author takes the three actresses of the hit drama "Dog Leftover Run" as an example to explore the secret of the three-dimensional actresses.
Qingxiu Village flowers are pitiful: the young girl Wang He successfully interprets the role of Xing'er
When a little girl born in 2002 successfully interpreted the image of a "village flower" in her first work, it was a big surprise.
She is Wang He, who plays the role of Xing'er in "Dog Left".
The role of Apricot needs to carry the title of "Village Flower" to match her appearance.
A long black hair braided into a chest draped over his chest, fair skin as delicate as porcelain, and the most important thing is a pair of dripping almond eyes, innocent and full of maturity and stability that does not match his age.
Wang He's fake appearance, coupled with her youthful and beautiful temperament, successfully made the audience fall in love with her as soon as she appeared on the stage.
With a number of suitors like Yang San, it has also become a matter of course.
However, just staying on the surface of her appearance does not make the character of Apricot truly three-dimensional.
As a young village woman in her early 20s, Xing'er actually needs to bear pressure from all sides.
She was disgusted by superficial suitors like Yang San, physically and mentally exhausted by the heavy burden of family farm work, and distressed by her uncertainty about the future.
These negative emotions need to be revealed from her innocent surface, like an undercurrent under stagnant water, silent but enough to corrode the mind.
With this sense of layering, the seemingly perfect image of the village flower of Apricot is much plump.
She started out as not only a goddess of appearance, but also an ordinary girl of flesh and blood, with the trouble of not matching her identity.
This contrast just attracts the audience and makes Xing'er successfully transform from a template into a vivid individual.
So, how can a little girl born in 2002 have such a mature and stable temperament?
This is probably the contrast between her natural temperament and her youthful appearance, which gives Xing'er, the village flower character, a three-dimensional feeling.
When she sat side by side with her mother, Wang Maoniang, the intimacy between the two was spontaneous.
This is also due to Wang He's appearance, which is very commensurate with Qin Hailu, a national first-class actor who plays his mother.
Acting skills transcend appearance: Qin Hailu successfully interpreted the role of Wang Maoniang
If Wang He relies on his appearance to attract attention, then Qin Hailu, who plays against her, relies on his acting skills to impress people's hearts.
Although the years have left their mark on the face of the national first-class actress, her acting skills have been reborn.
In "Dog Leftovers Run", Qin Hailu plays the role of Wang Maoniang, a kind and kind village woman and Xing'er's mother.
As a mother, she naturally cares for her daughter.
When the misunderstanding of the dog was peeping at the apricot, Wang Maoniang scolded loudly, like a lioness protecting the lion cub.
When the misunderstanding was solved, she babbled and told the dog to take care of Xing'er.
In the face of the dog's enlistment, Wang Maoniang helped him sew and mend his military uniform stitch by stitch, with reluctance and love in her eyes.
This kind of rich emotional transformation and the control of subtle expressions have been separated from the judgment of appearance, but from the actor's own emotional skills.
It is Qin Hailu's reborn acting skills that make the image of Wang Maoniang, an ordinary village woman, plump and three-dimensional, deeply rooted in the hearts of the people.
However, if you only stay at the surface of the emotional transformation, Wang Maoniang's mother role still lacks flesh and blood.
As a middle-aged woman who has lived in the village for most of her life, she has always accumulated unspeakable vicissitudes in her heart.
Among them, there may be the regret that I couldn't go to school because of my poor family when I was a child, or the humiliation of being oppressed by my in-laws after marrying into a wealthy family, or maybe it is just a dull and boring day after day.
These invisible pasts constitute the stoic and tenacious genes of her character, and they also make her love for her daughter more careful.
In this way, Wang Maoniang has a three-dimensionality hidden under the surface.
She is no longer a template country mother, but a flesh-and-blood individual who has come over like a person.
With such a setting, her rich and subtle expression will be profound and appropriate, and the audience will have more identification and resonance with this mother.
Big grin contrast cute: Shi Ce uses his appearance to interpret the role of Song Yutao
If Wang He relies on appearance, Qin Hailu relies on acting skills, then Shi Ce's performance in "Dog Leftover Run" is a combination of appearance and acting skills.
, a powerful actor who has played the leading role in various film and television dramas many times, challenged a seemingly inconspicuous role this time - Song Yutao.
The first impression of Song Yutao's character was not good, she was dressed up in a mess with heavy makeup, and she sang amateur opera miserably, which directly scared all the audience away.
But when she took off these messy external packaging and revealed her original form, the audience also fell through the glasses.
She is not so much beautiful as plump, not so tall as strong, she is simply "better than Pan An".
However, it is such a girl who is not amazing, but with her grinning and enthusiastic personality, she successfully attracted the attention of the audience and became a beautiful "contrast cute" in the play.
This is thanks to Shi Ce's accurate interpretation of this role, she uses her appearance to show the difference of this role, and uses her acting skills to explore the unique charm of this role.
The combination of the two makes Song Yutao a solid and three-dimensional personality character, adding infinite vitality to the whole play.
However, if you only stay in the first sensory impression of "contrast cute", the role of Song Yutao still lacks further three-dimensionality.
After all, as a famous family, even if her interest in creating operas is advanced, the growth background and life status of this character still need a fuller description.
For example, as the only daughter of the family, she may have been spoiled by "princess disease" since she was a child.
Growing up in a luxurious and closed environment, she developed a character that is indisputable with the world.
And when she really entered the society to pursue her ideals, she had to face all kinds of difficulties and setbacks in reality.
This contrast just makes Song Yutao's arrogant but hot-blooded character.
With this layer of setting foreshadowing, her "contrast cute" becomes more three-dimensional and credible.
Epilogue:
It can be seen that whether it is Wang He, who is a peugeot in appearance, Qin Hailu, who has a deep foundation, or Shi Ce, who has comprehensive and aggressive acting skills, they are all successfully interpreting their roles in their own ways.
The common secret is that the appearance opens the first impression, the acting skills are full of connotation, and the two are integrated to complete the three-dimensional presentation of the role.
By analyzing the success of the three actors, this article hopes to provide some reference value for later generations.
The external appearance must be closely integrated with the emotional experience inside, which is a law that every actor needs to keep in mind when creating the three-dimensionality of the character.
Only by cultivating both inside and outside can the characters be truly lifelike and deeply moving.