Recently, the Fairy Sword IP has ushered in the darkest moment.
鞠婧祎和陈哲远的《仙剑四》VS虞书欣和许凯的《祈今朝》（仙剑六）。
Gigi naturally went to the trial as soon as possible, and the result was shocking!
The ancient puppet has developed to the next level: it is a Xianxia drama that is more suitable for the physique of domestic entertainment babies.
At the same time, I want to say to all the leading actors: Well, the acting is very good, don't act next time.
A brief introduction to young friends.
"The Legend of Sword and Fairy" is an IP adapted from the game, as the originator of today's domestic Xianxia dramas, the story line of each part is actually not complicated, it is nothing more than the story of the protagonist's grievances and hatred and the story of the teenager who changed his life.
But Fairy Sword 4 and 6, from the play itself to the actors' performances, respond to their names in all aspects:
Four or six are out of tune, and the two swords are "avoided".
"Sword and Fairy IV", before the drama started, the male and female protagonists had already begun to fight.
When will you be able to compete in acting?
Ju Jingyi still maintains her semi-permanent makeup that has not changed for 10,000 years, as well as the image management that is always online.
Han Lingsha, who she plays, is a clever tomb robber who wears a red dress and climbs the mountain there.
Idols are still burdened with thieves, and there are often all kinds of small actions to tidy up the image of clothes, which is very dramatic.
focused all on the image, but ignored the expression.
Shaking his head, his eyes are glazed, and the corners of his mouth have his own thoughts.
The character of Han Lingsha seems to be lively and cheerful, but in fact, she is burdened with a heavy family fate, and the character is stable and heavy.
And Ju Jingyi's facial features flew wildly, and her performance of pointing fingers only made people see frivolity and willfulness.
The male protagonist Chen Zheyuan is even worse.
Turning the immaturity of a teenager into a retarded mind.
His strong body language turned the teenager's ignorance into ignorance.
Not to mention this kind of wasted and watery brain-dead dialogue, I can't believe it's a drama in 2024.
"Don't think that only you have a father", "Lingsha you also have a father"......
"I'm a girl like a flower", "A girl is a young woman, are you a woman?......
Although the acting skills are worthless, the cost of this drama is not low, costing more than 300 million.
However, in this 300 million big production, the special effects are like this:
The set is like this↓↓↓ The main theme is a dark underworld tone, for fear of being seen by the audience.
The human part of the sun is the main photo studio style, full of plastic.
All of "Praying for Today" have to thank the peers sent by "Sword and Fairy IV" in advance.
The rot of "Sword and Fairy IV" has boosted the popularity of "Pray for the Future".
Especially Yu Shuxin, it is estimated that she would never have imagined that she would be able to crush her acting skills one day.
But to tell the truth, Yu Shuxin is not qualified to step on Ju Jingyi.
She just recopied a little orchid, and it was a version of the brain that was not very easy to use (or it could be said to be the sexual transformation of Chen Zheyuan earlier).
The body movements that I think are cute and invincible, with the sound of pins and needles that make people sit on pins and needles...... When you put it there, it hurts to be in the background.
It's really helpless to watch a drama alone, and I have never so strongly hoped that an actor would choose dubbing.
Every movement, from closing the eyes to opening the eyes, looking up, and the mouth that purses as you eat, is designed, can I speak...... Is it more torturous than the previous "Sword and Fairy IV"?
Similarly, "Fairy Sword" is obviously a male-oriented IP, Xu Kai and Chen Zheyuan are half a pound and eight taels, but they can be beautiful and invisible.
I just want to ask Mr. Xu Kai a question: Do you don't need to open your mouth to speak?
The lip shape is so small that you don't know he's reading lines if you're not serious.
Xu Kai plays the role of Yue Jinchao, in order to show the youthful spirit, he has made efforts in wood-style acting skills.
For example, doing eye exercises with staring eyes, trying to pretend to be innocent with a demeanor.
Or maybe he put a magnet on his brow, trying to frown and pretend to be deep.
However, more often than not, it is to maintain the true color of facial paralysis, and this crooked head shows off the mandible is really the essence of Mr. Yang Yang.
The two consecutive flutters made netizens can't help but open the microphone passionately:
To be honest, to say that these two dramas are children's dramas are a bit insulting to children.
This can't help but make people sigh.
The pinnacle of domestic Xianxia has entered the era of comparison with such a attitude.
The current Xianxia drama looks at the past at a glance, the decency is the funeral wind, and the villain is the dark wind.
And in the past, it was a real hundred flowers blooming.
From the casting, to the clothing and accessories, it all fits the characters perfectly, and everyone seems to be born for the role.
Even the BGM that follows the plot, the first capital has become a divine comedy.
Together, we turn back the clock to 19 years ago.
2009's "The Legend of Sword and Fairy", the pioneering work of Xianxia drama -
There are both the carefree of immortals and the spirit of chivalry.
is also a teenager, Hu Ge's immaturity is clever.
He really performed the growth history of a young man, from ignorance to righteousness, and the opening song "Kill the Wolf" sang the wanton of flying with the sword.
In addition to the iron-clad Hu Ge, the female group portrait and the beautiful CP line are also the most impressive parts of the film and television of "Fairy Sword".
Bai Yueguang Zhao Ling'er in "Immortal 1", the screen image of the fairy sister has been written with Liu Yifei's name since then.
With just a pair of elegant headdresses, this face can make Qing Shui out of hibiscus so concrete.
Hu Ge's song "June Rain", exclusive to Ling'er and Li Xiaoyao's BGM.
In the peach blossom forest full of flower bags, Ling'er smiled and called "Brother Yao", how many people's hearts melted~
This is one of the reasons why the Fairy Sword IP can become a classic.
The current ancient puppets, the leading actors are all acting in their own roles, so they can only be forcibly sprinkled with sugar through deliberate physical contact.
Simple and crude like this:
The advanced version is like this↓↓↓ Slow motion, from BGM, like a bitter love song MV déjà vu.
But every vivid character in Sword and Fairy makes the emotional line come naturally, and even the CP line of the supporting characters is impressive.
Lin Yueru, who is deeply in love with Li Xiaoyao, her love is like Ah San's "It's Been Quiet", and finally chose to sacrifice herself to fulfill Li Xiaoyao and Zhao Ling'er, she is too stupid and stupid.
Liu Pinyan's foodie Anu is eccentric and innocent, this is the sweet sister!
She and Tang Yu, the Hanhan CP with the most laughs, how many people are uneasy?
Fortunately, in the end, the ending of turning into a winged bird can be regarded as a happy one.
There are also CP representatives of the middle-aged group, Jiujian Immortal and Shenggu.
A sweet and sadistic couple, they contributed to the textbook-level mutual flirtation, and wrote a vigorous and heart-wrenching love.
"Immortal 3" is even more popular.
The male protagonist has Hu Ge and Huo Jianhua, and the female protagonist has 3 85 flowers at once.
It is no exaggeration to say.
Even after so many years, 85 Flowers has hardly encountered a role that can surpass them.
Everyone is so beautiful that they have their own characteristics, and even if you look at it today, it is not plastic.
Yang Mi should be regarded as the popular king in the girls' group that year.
Xue Jian, played by her, and Sedum, played by Hu Ge, are typical happy enemies.
The two often quarrel in elementary school chicken style, but the quarrel is noisy, and the sweetness is really sweet.
At that time, Yang Mi's aura in the performance had not been smoothed out.
One person plays two roles, the lively and cheerful Tang Xuejian, and the quiet and gentle Xi Yao, she handles them very well.
A pair of fox eyes, it's really too watery~
And Tang Yan contributed her first life role, Zixuan.
The story line of Zixuan and Xu Changqing (played by Huo Jianhua) is the real way to open the sadomasochism of the three lives.
As a descendant of Nuwa, Zixuan's role has a certain degree of complexity.
The first life is a delicate and innocent girl, and the third life is a sexy and charming royal sister.
She transcends time, space and bondage, and her infatuation and yearning for her sweetheart are full of a sense of fate.
Liu Shishi's nightshade had a lot of controversy back then.
She is a character between Yukimi and Zixuan, gentle and well-behaved.
Later, in the cultivation of the personality split, split into a strong personality of the red sunflower.
The relationship between her and Long Yang (played by Hu Ge) is a bit of an orthopedic flavor in today's words. She waited in the magic sword for a thousand years, just to wait for Brother Wang, which can be described as abusing from beginning to end.
Especially the famous scene of the nightshade sacrificial sword, she died of grief for Brother Wang, with endless perseverance in her eyes, how many people cried when they saw it?
Looking back, we used to eat so well.
In a drama back then, the actor only needed a good role, no matter how many times, all the members were on the table.
Now the best part is always off the screen. For example, a meaningless position can compete for all kinds of jokes.
If you say that "Sword and Fairy" one and three are good dramas that make stars, they are the upper limit that domestic entertainment Xianxia cannot surpass.
So today's four and six are bad dramas that force stars, and they will never be the lower limit of bad domestic entertainment dramas.
The rise and fall of the Fairy Sword IP gives us a glimpse of the future of domestic entertainment:
The upper limit of excellent works has been capped and is no longer within reach.
The vulgar ones never have a lower limit, and they are all kinds of rotten.