Whether you like it or grass is the key choice to form your own writing style.
Regular script and cursive script, whether it is calligraphy, penmanship or chapter style, are very different. There is no fixed aesthetic law and is an important element in the formation of style. What kind of chapter you choose, what kind of style will be produced, and vice versa.
Erwang, Su Huangmi, Wang Duo, Xu Wei and other Xingshu all have different chapters, and even calligraphy and penmanship are also very different, and finally present their own distinctive styles and genres.
Therefore, if calligraphy wants to integrate the old and bring forth the new, the only way to start is to start with the chapter. As for the calligraphy, it only needs to be inherited, and the penmanship is not easy through the ages, and there is nothing to innovate. The ancients have long practiced and applied it to the extreme.
Learning the post is the same, such as the choice of half Fu style, left low right high word momentum to the left leaning chapter; choose two kings, between words, line spacing left more space; choose Wang Duo, a down, left leaning right oblique and other chapters; choose Huang Tingjian, up and down the word interspersed with the move, yin and yang intertwined and other chapters; choose Xu Wei, chapter grass, stone paving and other chapters are characteristics.
In short, calligraphy, penmanship, and chapter law are integrated with each other and coexist in harmony. Only then did they form their own unique style characteristics.
Today, I continued to write Cen Shen's "Bai Xue Ge Sends the Military Judge Back to Beijing". #Micro Headlines Premiere Challenge# #书法爱好者#
