Once upon a time, the music scene in Chinese mainland was like a sea of songs and laughter, singers jumped like dolphins, hundreds of schools of thought contended, and fans were immersed in the sea of music, dreaming of a better tomorrow. However, in recent years, the ocean has gradually become silent, and the singers seem to have lost their original passion, and the pomp and change of the music scene have quietly unveiled the veil of mystery.
One of the protagonists of this story, Daolang, is like a meteor falling from the sky, emerging in the music scene with his unique musical talent. His songs, like a Swiss Army knife, are simple and practical, touching people's hearts with a light wave. Especially in terms of love songs, Daolang's works are like a warm wind, blowing every soul chasing dreams. At that time, the same pop songs in the music scene had made people aesthetically tired, but Daolang's music brought people a new experience.
Na Ying and the other eldest sisters couldn't help but feel waves in their hearts when they saw this new star rise so suddenly. In their eyes, the music scene should be a temple of art, not a vulgar place. So, Na Ying took the initiative to stand up and was no longer silent. She thinks that Daolang's music is too mediocre and lacks artistry, as if it is a plate of junk food blindly pursuing commercial interests, which cannot satisfy the taste buds of listeners at all. This remark caused widespread controversy, and for a while, the music scene was surging, and fans expressed their opinions one after another.
Netizens sparked a heated discussion on social media. Some people think that Na Ying is too conservative, sticking to the old ideas, and boycotting Daolang just because his music style is not in line with them. The other side supports Na Ying, believing that the music scene should return to real music, rather than being swayed by commercial interests. This war of words makes the whole event even more confusing, as if it were an invisible war, with notes and words colliding fiercely on a virtual battlefield.
At this time, Yang Kun and Wang Feng, two powerful singers, also joined the boycott camp. Yang Kun criticized Daolang's music as a pool of stagnant water, lifeless, and Wang Feng bluntly said that Daolang's songs are just garbage in the entertainment industry and are insignificant. This war of words has intensified, and the battle in the music world has become white-hot.
The boycott of Na Ying and others had a huge impact on Daolang. He may have thought that he was a dark horse in the music world, but he didn't expect to be forced back by a group of white deer. Although some people think that this is a sign of jealousy, Na Ying and others have righteously stated that everything they do is out of love for music and concern for the music scene. In their opinion, the rise of Daolang is just a commercial hype, and there is a lack of real music pursuit behind it.
The strong force of the boycott made it impossible for Daolang to continue to break through in the music scene. Perhaps, he felt the heaviness of not being able to swim against the current in this musical storm. So, unwillingly, he made a surprising decision - to retire for more than ten years. This decision was like a shocking news thrown into the pond of the music scene, causing countless ripples.
Daolang's retirement made fans feel sorry, and also made Na Ying and others proud. However, today, more than ten years later, Daolang has reappeared in front of the public with a new song. His music seems to be more mature and deeper. This makes people wonder, was the turmoil in the music scene too impulsive, and did they really understand Daolang's music?
Perhaps, what the music scene needs is not a war of words, but a more diverse and inclusive music style. Daolang's retirement and comeback, is it telling us that music should not be confined to a fixed framework, but should have a broader space for development?
In general, Na Ying and others' boycott of Daolang may have his own ideas, but Daolang's retirement and comeback also make people reflect on the aesthetic orientation of the music industry. This turmoil in the music scene may only be a product of a transitional period, and those who can really stay are those musicians who break the routine and dare to innovate. The music scene is like an invisible war, but the final victory may not belong to one party, but to those musicians who stick to their original intentions and dare to challenge. In this unpredictable music scene, perhaps what is really needed is a more tolerant and open attitude towards music.