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Wu Tong is a high-profile variety show director whose show "Ace vs. Ace" was a huge success in 2021. However, as his popularity grew, some voices accusing him of plagiarism began to emerge.
Wu Tong graduated from Zhejiang University of Media and Communication and worked at Zhejiang Satellite TV. Through years of hard work, he has gradually become one of the most potential new directors of Zhejiang Satellite TV. He designed and produced "Ace vs. Ace" which premiered in 2016 and received extremely high ratings. However, as the show entered its third season, ratings began to decline, which forced Wu Tong to make some changes, such as inviting more popular guests to boost the show's appeal.
Another controversial show was "Youth Travel", which was well received at first, but viewers found that it plagiarized South Korea's "New Journey to the West" and even copied director Lao Luo's way of interacting. This kind of plagiarism made Wu Tong questioned, although the show received high scores at the beginning, but once the plagiarism was exposed, the score dropped sharply.
It is worth noting that Wu Tong is not the only director involved in plagiarism in the domestic entertainment industry. Similar problems also appear in other variety shows, such as "Chinese Restaurant" plagiarized "Yin Canteen", "Longing for Life" plagiarized "Three Hours and Three Moments", etc. These plagiarism have cast a shadow on the domestic entertainment industry.
Wu Tong's plagiarism has aroused people's attention to the poor status quo of domestic entertainment programs. We hope that more directors can pay attention to the problem of plagiarism and create their own original variety shows. Only by insisting on originality can we present more novel, interesting and unique program content to the audience.
Originality is not only a moral issue, but also the bottom line and belief of an industry. Originality is the foundation for the survival and development of a program, and it is also a necessary condition for the success of a director. Plagiarism not only damages the rights and interests of the original creator, but also damages the quality and reputation of the program.
In addition, media regulators should also strengthen the supervision of variety shows to detect and stop plagiarism in a timely manner. At the same time, the audience should also improve their awareness and support for original programs, so that original programs can get more attention and resources.
We expect the domestic entertainment industry to pay more attention to originality and make more high-quality variety shows, so that the audience can enjoy more rich, interesting and connotative program content.
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