Wen/Sun Jishan Chief Brand Officer of People's Daily Overseas Edition (Malaysia), Member of China Cultural Relics Society, Expert of China Story Think Tank, Director of IBF International Brand Officer Alliance Grand Art Center
▲The 20th Luoshu Cultural Festival in Luoning, China.
▲ Sun Jishan restored Cao Zhi's "Luo Shu Shu" stele. The picture shows the horizontal layout, and the left poem is "Cao Zhi "Luo" Book".
The light of the sun and the moon, there is a way is illusion, illusion, illusion, illusion. There are those who are not tired of this, and there are those who are not illusory and eternal. Taoists are natural, go against the path, change along the way, and live in the way of illusion. Gengzi Xia, to Luoshui, YouCangjie Zitai, Liu Xiubai, Luo Shushu, Yan Zhenqing's Tomb and Huangshui, Jishui, Luoshui, Yishui, and Yishui, wrote "Cangjie Song", "Yuan Ou Village Huaigu", "Luo Zi Book", "Cao Zhi "Luo" Book", "Yan Lu Cemetery Huaigu", "Liu Xiu's Village Huaigu". Because of the word "Luo", see the Guluo Character Monument and the Six Generations of Fu Shaowu, Xingya. Since Bingshen's "Cao Zhi Stele" collection of characters, Gengzi sees the "Luo" character stele, missing three words "out of the book", and there is a "Han" character on the right side of the stele, which should take the meaning of The Heavenly River and the Milky Way in ancient times. Determine that under the word "漢" is the word "Huang Chu"... Badou Cao Zhi looked at each other, gladly ordered the pen, and then restored the three words "out of the book".
Jingshui Valley, such as Si Ru Xiang, Material Tong Salary, such as Rising As a Guide; Civilized Lifting, Ze Gao Yuan, Xing Leili, Ren Zhi Guanghuai; Mountain Cliff Shifting, Contradiction and Self-Comfort, Stepping on Three Lines, Unintentional Differentiation; Establishment Easy, New Rank Good and Lost, Ji Gu Shi, The Only Dao Fa; High Mountains, The Most Taboo Time, Jing Xing Stop, The Most Taboo Empty Eyes; LookIng Down, Program Divine Meeting, Ping and Looking, Verses and Sentences; Seeing Rather, The Tao Wisdom Opens Itself, Is And Seeing, wisdom is the way to come. so:
▲ Mr. Huang Quan, a famous calligrapher in northern Anhui Province, wrote Sun Jishan's poem "Cao Zhi "Luo" Book", "Yuan Wo Village Huaigu", "Liu Xiu's Wo Village Huaigu".
<h1 class = "pgc-h-arrow-right" >, six poems of the ancient kingdom</h1>
"Ode to Cangjie"
Rizhao green field thousand mile warehouse, moon understand the home of ten thousand acres of mulberry.
Qushui Yang Yuhua goose eggs, good weather and rain become clouds.
Kunpeng showed Wolong Creek, and the winding mountain curtain fell and flowers bloomed.
Created a pictographic tricolor, eyebrows opened the Holy Spirit Four-Eyed Emperor.
One dust and one sex, all things are born, one color and one taste, and the form is prosperous. Living in the waters, attacking the map, speechless, and feeling hidden. There are feelings in the open things, traces are transmitted far away, oral transmission is given to the heart, and music and painting are taken together. The rivers and mountains are solid, the knowledge is like the obvious, the pictograms are simple, and the cangjie is made. The boundary is to say that all ghosts and gods are inscribed, and they belong to the inscription of all things. One king on the other, one king under the other, four eyes of wisdom, the era of civilization.
"Yuan Ou Village Huaigu"
The horizontal side of the cypress faces the west, when the bed into the dream lying prince.
Bow down and have an early mind, and the essence is far away and must remain often.
The towering grass tree has a thousand years of life, and it looks all over the world.
In the past, there was no waiting to meet, but now Cangsheng gathers to travel.
The Book of LuoZi
Luo Shushu is from the Cao Zhi Book, and the Chen Siwang Stele is a collection of characters.
The stones of the Three Gong Mountains are similar, and there is no disparity between the Han and Wei dynasties.
"Cao Zhi "Luo" Book"
Pray to the sage into the fang mud, and the river map will go to no surprise.
Harrier Bird endowed with a grass shadow in the middle chapter, and the chen siwang monument reflected Cao Zhi.
Zhang Hanmiao's pen is hidden, and the world is more or less chasing Gu Qi.
The golden stone is the seal of kaidu, and the six generations of the Fu clan have been passed down.
"Yanlu Cemetery Nostalgia"
Go north to the Hanging River West Gaoqiao, and figure out the yin and yang of Iloilo.
The source of the star determination is exhausted, and the development of Wenhui is five thousand long.
"Liu Xiuwa Village Huaigu"
Look at the sky and look at the green mountains.
Dancing forest tree show, poetry books wrapped around the belly.
Born to smell, not afraid to turn over.
The head is high and the sun shines, don't go to get Lone xuan.
<h1 class= "pgc-h-arrow-right" > ii</h1>
The character "Luo" began with the inscription, which was found earlier than in the oracle bones of Emperor Yi and Emperor Xin of the Shang Dynasty. In the Shang Dynasty, he luo duyi, called "luo" in the oracle bones. The "Book of Hetuluo" was first included in the Book of Shang, followed by the Yi Chuan, and there are many records of the hundreds of sons. "The heavens are like the heavens, and the auspicious are seen, and the saints are like them." The river is out of the map, The book is out of the book, and the saint is out of it. "River Map, Luo Shu, The Source of Chinese Culture, Yin and Yang Five Elements." The Han Dynasty Weishu has nine "River Maps" and six "LuoShu", with ninety-six appendages to the number of Heluo. Liu Xin of the Western Han Dynasty used the river map as a gossip and the Shangshu Hongfan as the Book of Luo. In the early Song Dynasty, Chen Zhuo created the "Dragon Diagram Yi" and proposed the pattern, the famous dragon diagram, that is, the river diagram. The Western Shu hermits used Chen Zhuo's Innate Taiji Diagram as a river diagram. Liu Mu developed the Chen Dragon Diagram into two kinds of schematics, the River Diagram and the LuoShu Diagram, the Nine Palace Diagram as the River Diagram, and the Five Elements Generating Diagram as the Luoshu Diagram. Zhu Zhen of the Southern Song Dynasty published his map in the Zhou Yi Hanging Chart. Cai Yuanding called the Nine Palace Diagram the Book of Luo, and the Five Elements Generating Diagram as the River Diagram. In the Southern Song Dynasty, Xue Jixuan used the Nine Number River Map and the Book of Ten Numbers luo as maps and geographical records of the Zhou Dynasty. Zhu Xi's Zhou Yi Benyi volume contains its diagram at the beginning. Later generations generally refer to Cai Shuo. Qing Huang Zongxi's "Yixue Xiang number theory" and Hu Wei's "Yi Tu Ming Discernment" also believe that the Hetuluo Book is a category of the Four-Square Tujing. Gao Heng believes that the Book of River Tuluo may be an ancient geographical book; others believe that the river map is an ancient climate map, the Luo Book is an ancient orientation map, or the river map is a map of the Tianhe River. Qu Maiwang of the Luoshu Research Association believes that the Book of Hetuluo is infinitely mysterious; its small is inside, its big is boundless; it is happy with words, it is used in words, and words are used inside, and words are used to speak people but not outside. Master Tingzhang believes that the Yi culture has a long history, there are many opinions, many of which are unverifiable, and the Yi culture is all-encompassing, broad and profound, and now it has been handed down only a drop in the sea. The Book of Hetuluo is a kind of ancient culture, the birthplace and cradle of Yi culture...
▲ Luo's book office "Before and after the restoration of the ancient stele of Han and Wei."
<h1 class="pgc-h-arrow-right" > third, "Lo book" restoration index</h1>
▲ "Cao Zhi Monument" rubbings and related research.
1. The collection of characters "Cao Zhi Stele" is the basis for restoration. "Cao Zhi Monument", also known as "Chen Si Wang Cao Zi Jian Temple Stele", "Cao Zhi Temple Stele", "Chen Si Wang Stele", "Cao Zi Jian Stele", etc., was erected in the thirteenth year of the reign of Emperor Wen of Sui (593 AD), and the stone was in the Yushan Ancestral Hall eighteen kilometers south of Dong'a County, Shandong. The author recounts in the "Cao Zhi Monument • Dao Shu": Zi Jianshan Book, the deeds change, the future generations respect, will be respectful. The great events of the upper stone cannot be praised by the book of the unity of the engraving, and the bookmaker takes the infinite posture to show admiration. Through the stele, the shape of the text is not up to the high ancient, so the seal book is on top. He also made the method of collecting characters, the temple plaque, the carved stones in the mountains, the drawings of zijian brush strokes, and the kneading into the whole text, and the ancient real grass was attached to the seal line, and the atmosphere was complete. The author recounts in "Yushan Fu": The Sui Monument appeared, and it was all playful. Those who have attained the truth, who are not controlled by the times, and who are optimistic in the same way, will show Zhu Mo's article. Zi Jian Kaiwen showed wisdom, which could not be described in the form of a table of seals, so the future generations took an infinite posture to express admiration. The style of the writer and the talent of the king are beautiful and infinitely glorious. (Note: Published in "East Asian Literature and Art", "China Xu Beihong Painting Academy Academic Journal", "Ancient Country Divine Tour". ）
2. The ancient stele is the four characters of "Luo Out of the Book". There are two ancient steles in the "Luo Shu Shu", one with the character "Luo" on it; the other has the four characters of "Luo Chu Shu", which is "Yin Zhang Han Shu of Henan Province", inscribed in the second year of Yongzheng (1724 AD) in the waxing moon, and was established by Shen Yu, the county commander of Yongning County at that time. At the beginning of the "Chronicle of Henan Province" in the forty-fourth year of Qianlong (1779 AD), there is the "Preface to the Chronicle of Henan County" written by Zhang Han, which begins with the mention of the Book of Hetuluo, saying that "there is heaven and earth, and there is the Yellow River." And the river out of the dragon horse, the beginning of the figure also. There is a river
There is Luo, Luo is out of the turtle, the beginning of the book is also. Zhang Han traveled west, looking for "Luo's book place", and he saw Cangjie's character platform in Luoning's Yangxu Mountain: "I looked at the character platform, and suddenly saw the history of Cang. Luo Gush pressed the group of books, and there was no word to start. At the beginning of the ancient world, the knotted rope was the upper reason. ”
▲ "Han Changshan Xiang Feng Junqi Sangong Mountain Stele".
3. Comparison of stone weathering of ancient steles in two passes. The Ancient Han and Wei Stele "Luo ChuShu" is a symbol of Heluo culture and Chinese civilization, this stone stele is granite and rocky, and the stele is engraved with a Guishou pattern. "Qisangong Mountain Stele", full name "Han ChangShan Xiang Feng Jun Qi Sangong Mountain Stele", commonly known as the "Great Three Gong Mountain Stele", Qing Weng Fang Gang examination for the fourth year of the eastern Han Dynasty (117 AD) composed. The monument was obtained in the thirty-ninth year of the Qianlong Dynasty (1774 AD) for Wang Zhiqi of Yuanshi County to visit outside the city of Yuanshi County, and now exists under the Fenglong Mountain in the northwest of Yuanshi County. The Qing Dynasty Wang Chang's "Compilation of Golden Stones" recorded the stele: "The height of the stele is six feet nine inches and five minutes, and the width is two feet and five inches. ”
4. Read the inscription of "Harrier And Sparrow Endowment". "Harrier And Sparrow Fu", written by Cao Zhi during the Three Kingdoms period, mainly describes the story of "harriers want to take birds", and the finches fight with them for life and death. "Harrier Fu" and "Xuan Chang Fu" are Cao ZhiZhangcao, and the handwriting is compared with the "Luo" and "Place" two characters of Yin Zhanghan's book "Luo ChuShu" in The Second Year of Yongzheng Province, which confirms Zhang Han's admiration for Cao Zhi's calligraphy.
▲Portrait stone of the Stone Ancestral Hall of the Eastern Han Dynasty of China (Wu's Ancestral Hall).
5. The evolution of the carving of the ancient stele of the Han and Wei Dynasties. The stone carvings originated from the "Sumerian civilization" of the Euphrates and Tigris rivers, and since then the text and picture have been recognized for a long time, and have been passed down to Egypt and northern India, and spread to the east and popular during the Qin and Han dynasties. The portrait stone is not only the peak of the development of classical Chinese art before the Han Dynasty, but also has a profound impact on the art of art after the Han Dynasty. The yin line is engraved on the stone surface directly with the yin line to outline the image. The biggest feature of this technique is that there are no bumps on the surface of the portrait, and the object and the afterglow are on the same compositional surface. Due to the different treatment methods of stone surfaces by stonemasons, this technique can be divided into two types: flat yin line carving and chiseled ground yin line carving. Concave line carving is a carving technique in which the image surface is cut low along the contour line of the object on the stone surface, so that the object image surface is slightly lower than the concave surface of the remaining white surface, and the detail of the object image is expressed by the yin line. This technique is also divided into two types: flat concave line engraving and chiseled concave line engraving due to different treatment methods of stone surfaces. Chiseled concave face carvings are mainly popular from the late Western Han Dynasty to the early and middle Eastern Han Dynasties, and the late Western Han Dynasty works have rigid lines and simple images. Convex line engraving is a carving technique that is diametrically opposed to concave line engraving, that is, on the ground stone surface, the remaining white surface other than the contour line of the object is cut low, so that the object image surface is flat and convex, and the details of the object image are then expressed with yin line or ink line. Due to the different treatment methods of the residual white surface and the expression method of the details of the object image, this technique has three forms of expression: chisel subtractive convex line engraving, shoveling convex line engraving and shoveling convex surface engraving. Compare the handwriting, notches and stele decorations of the "Luo" character in the "Luo Shushu", which is from the Han and Wei dynasties.
6. Round head stele and calligraphy. The shape of the stele is taken from the five elements, and the circle is gold. Cao Cao banned the stele, and the history books have the following records: "After the Han Dynasty, the world sent death to luxury, and many stone stele inscriptions and other things were made in stone chambers. In the tenth year of Jian'an (205 AD), Emperor Wu of Wei ordered that no thick burials should be buried and that monuments were forbidden. (Book of Song, Li Zhi II) Wei Li, who was "pen-bound and italic", has begun to have the form of a calligraphy in the early Three Kingdoms since the development of the Eastern Han Dynasty. The stone inscriptions of Cao Pi's "Shangzun Trumpet" and "Zen Table" are indeed taken in the asana style of "attaching the pen and italic shape". Han Wei erected a monument, and the official declared it.
7. The great talent Cao Zhi wrote a poem in seven steps. The idiom "Cai Gao Badou" is now used as a metaphor for the high level of humanism, and it was originally cao zhi who was described by this word. Xie Lingyun, a famous poet during the Southern Dynasty, once said: "There is only one stone (ten buckets) in the world, Cao Zijian has eight buckets, I have to fight, and the world is divided into one bucket." Li Bai commented on Jianzi: "Cao Zhi is the hero of Jian'an, but he can only hold on." The world is rich and handsome, suddenly tending to the wind, white is insensitive, and stealing high theories. Du Fu commented on Zi Jianyue: "Cao Zhixiu's predecessor, Zhang Zhi's later body." Zi Jianwen is strong in writing, and the river meridian is stored. Endowed with Yang Xiong's enemy, the poem looked at the son to build a relative. "San Cao (Cao Cao, Cao Pi, Cao Zhi) was the master of Jian'an literature, and poetry in the Jian'an period was gradually separated from music, so in terms of poetry rhyme and form, Cao's father and son made a model role in inheriting the past and the future. The inscription of major events, must not fail to observe also, Han Wei Nengshu "Luo out of the book" only Cao Zhiye.
▲ "Roselle Futu".
8. "Luo Shu Shu" and "Roselle Endowment". According to the preface, Cao Zhi was composed after Emperor Wen of Wei entered the imperial capital Luoyang in the third year of the Huang Dynasty (222 AD), and when passing through Luoshui on the way back to the fiefdom of Juancheng, he "felt Song Yu's affair with the goddess of the Chu King". After Cao Zhi himself took office, he also played the title of "drunken and slow, robbing and threatening emissaries" for the overseers of the state, and was demoted to the Marquis of Anxiang, and later renamed the Marquis of Juancheng, and then established as the King of Juancheng. (See "Romance of the Three Kingdoms, Biography of King Chen Si") "Luoshenfu" can be seen as a bridge for the transformation of the Han Dynasty's large endowments into the lyrical small gifts of the Six Dynasties, and has a very extensive and far-reaching influence in history. The great calligrapher Wang Xianzhi of the Jin Dynasty and the great painter Gu Kaizhidu once shaped the brilliant style of "Luoshenfu" into ink, adding a rare fine product to the book garden and the painting world.
9. The weight of the monument is heavier than Mount Tai. Granite is a fully crystalline structure of the rock, high-quality granite grains are fine and uniform, tight structure, quartz content, feldspar luster bright, its color depends on the type and number of components contained. Ancient origin transportation is extraordinary. Yuan Mingshi Du Renjie Seven Words Poem "Inscription Changshui Xiluo Book to Yu Land Luo Zheng's Stone Carving": Zhang ShengZhuo was really curious, and called me out of the city to see the Yu Monument... Luo Shu first fell into Yu's belly, saying that it was a heavenly gift... The glyphs are not fully recognizable, and the years are known only by the moss. The "Luo Shu Shu" was carved from the stone and belonged to the official plan.
▲ The Mohs hardness of granite is around 6 to 7 degrees.
10. The way of engraving. The author wrote in the article "Discussion on Inscription Techniques": Interlaced mountains since ancient times. The fine inscription is like the beginning of Hanmo, the thousand-year-old stone surface, the mottled traces, the imitation and expansion, the penmanship still exists. There are those who are radiant on the cliffs, and there are those who are in full swing. Ancient tools are well used, blades and stone shadows, hammers and chisels, mysterious and unpredictable. The method of engraving is diverse, the seal is different, the pen is abrupt and swinging, the pen is shallow, light, and urgent, and the dot painting is divine, and the ancient and mysterious are high. There are many chisel marks "V" type, "concave" type, "convex" type, "W" type, "U" type. In addition to the quality and weathering of the stele, there are also chiseling causes, and if all techniques are not performed by the Tao, they will have no reason to stand up and become nothing. The changes of the times, due to the carving of stone, the enlargement of original characters, the use of places, the straightness of masonry according to shape, the decoration of forms, and the engraving of imitations, all have the cause of distortion. However, the great realm of the law cannot be violated.
11. Inheritance from generation to generation. "Zhou Yi", "Shi Xinyi", "Five Elements of the Book of the Later Han Dynasty", and "Book of Song" are all related to theory. Tang Lijiao has poems: Cut Jian Long Wen See, Linchi Bird Trace Shu. At the beginning of the River Chart Bagua, the Luo characters came out of the nine domains. In the sixth year of Ming Hongzhi's reign, Liu Wuchen of Guangdong DaojinShi Xishu wrote "The Turtle's Nest Is Here Evenly Formed": Lead the vine edge cliff to step into the spring, the bird sound is clear, the sneak trace mo sends the frightened to fly away, and stays with the tourists as an orchestra. Zhang Hanshu "Luo Out of the Book". Fu Shaowu, the inheritor of the Luo Book, wrote a couplet for the Luo Temple: Qianqiu Dragon Horse Dedication River Map, Ten Thousand Years God Turtle Zai Luo Book. Qu Maiwang's "Luo Shufu": The Qing stele "Luo Out of the Book" left Zhang Han; the Wei stele "Luo" character shou vicissitudes.
12. Artistic presentation. The form of the engraving of the "Luo Chu Shu" is easier to identify and decorate, restoring the beginning of the ancient stele, applying gold, shining in the environment, and presenting in three dimensions.
13. Research on handwriting. According to the principle that the handwriting characteristics correspond to the inner qualities of the writer, the various personality traits of the writer are speculated. The "Cao Zhi Stele" contains fonts such as Lishu, Kaishu, Seal, Zhangcao, and Xingcao, which can confirm Cao Zhizhi's penmanship. The "Luo" character form of "Luo Out of the Book" comes from Cao Zhi. The handwriting is like a person, and the Western Han Dynasty Yangxiong said: "Words, the voice of the heart; books, heart paintings; sound painters, gentlemen and villains, why are they emotional? ”
14. The Word. The Tao Fa is natural, and the Tao is also the one who does not have to deviate from it. Although there are all kinds of changes in the world, all kinds of changes are inseparable from their origins.
<h1 class="pgc-h-arrow-right" > IV, Expert Review of "Luo ShuShu" Restoration:</h1>
1. Fu Shaowu, the sixth generation of the Book of Luo: unique in vision and outstanding in insight.
2. Shang Qingzhou, former deputy director of the Luoning County Education Bureau: Luobei restoration, immeasurable merit, wisdom crown Huaxia, ancient singing.
3. Zhao Lianjia, a famous Chinese calligrapher: picking up the pieces and supplementing the work, different ink and the same work.
4. Pei Gaobo, the inheritor of the intangible cultural heritage Pei's passing on the skills: abundant tendons and many forces, and the characters are full of fullness.
5, Yuncheng Temple Yanzhang Abbot: Easy to imitate, difficult to restore, it is even more difficult to restore the monuments to this extent; Yoshiyama can do so, do so, it is really ingenious.
6. The famous scholar and monk explained to: the form and the gods are lush, exquisite art.
7. Qu Maiwang, president of the Luoshu Research Association of Luoning County, Henan Province, made "Ingenuity" to comment: A thousand ancient monuments stand on the shore, and one side rhymes to the Marquis of Yang. The river is hanging in the sky, and the Logong turtle book is collected in the ninth house. Cao Zhicao Xianhui Han Wei, Ji Shan resumed the Spring and Autumn. The paper field ink is ingenious, and the magic pen is in the city.
8. Director of The Tomb of Cao Zhi in Shandong Province: Out of Cao Zhi's penmanship.
9. Zhang Xinmin of Gu Yun Ya She: The pen is shenxiong, Zhuo Is ups and downs, showing Wei Jin's shocking and steep spirit, and Cao Zijian is no different.
10. Xu Yijin, the owner of Xu's Caotang: Fubei Wencai, now Cao Zhishu.
11. Wang Hongjun, the guardian of Dengfeng culture: In the midst of heaven and earth, humanities are complete!
12. The famous calligrapher Bai Xi commented: The stone stele regains the original text, and the difficulty is so high that it is not easy.
13. Xu Dashan, Shanyuan Painting Society: Magical man, magical work.
14. Calligrapher Wang Shichen: Gao Gu natural, with Zhong Tai Fu Yi, in Hun Mu self-sufficiency.
15. Famous artist Zhang Zechuan: Bones and bones, books like people.
16. Entrepreneur Liu Hongqi: Although it is a backup, it is like a natural.
17. Excellent teacher Zhai Tingxiang: "Luo out of the book", such as Tianyi.
18. Cultural scholar Li Feng: The eight parties are in the middle, and Luo luo is generous.
19. Dong Yutang, director of the Prairie Stone Tool Museum: The majesty of the three characters is consistent with the style of the first word, and the pitching to the back letter is really seamless.
Summary: The Han and Wei ancient stele "Luo Chushu Office" was written by Cao Zhi, the monument was a "national project" of the time, and the stone stele was the legacy of the evidence. The restoration of the ancient stele is serious and the academic results are published, which is quite gratifying. A hundred families have expressed their own opinions, and the opinions are different, which is also a blessing,
It's also a lament. Yin and yang fade, and change rotates. The wisdom of the ancient sages, today's people should go to the false and the true, carry forward and expand, orderly inheritance, integrate into social life, and help the world.
▲ Shang Qingzhou (former deputy director of Luoning County Education Bureau), Ji Fangfang (director of Xinyu Kindergarten), Wang Yong (secretary general of Luoyang Jishan Painting Institute), Liu Kangxing (president of Guangxi ASEAN International Yixue Research Institute), Chen Shousheng (researcher of China Staff Education Research Institute), Qu Maiwang (director of China Heluo Cultural Research Association, president of Luoshu Research Association of Luoning County, Henan Province), Wu Quanjun (chairman of Zhibo Architectural Design Group Co., Ltd.), Sun Jishan (member of China Cultural Relics Society, expert of "China Story" think tank, Chief Brand Officer of Malaysia Overseas Edition of People's Daily), Fu Shaowu (The Sixth Generation of Intangible Cultural Heritage Luoshu), Liu Hongbing (Secretary General of Luoning Luoshu Cultural Research Institute), Zhang Shuwei (Chairman of Changrui Real Estate Development Co., Ltd.), Duan Qinghu (Vice President of Luoning Taoist Association). Photography / Du Jiansong
Wang Xiaodong (left), Executive Secretary of the Chief Brand Officer Alliance (CBOF), and Sun Jishan (right), Director of the IBF International Brand Officer Alliance Grand Art Center.
Editor/Wang Xiaodong, Executive Secretary of cbOF, Chief Photojournalist, Executive Producer and Brand Planning Director of CCTV Brand Column