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Wong Kar-wai's latest masterpiece, the TV series "Flowers", has been climbing all the way since it was released on the star central eight, and even soared to a peak of 2.6. The audience's long-awaited "Hurricane" is also about to be launched, however, unexpectedly, this time, Wong Kar-wai's work actually met a strong opponent, and this opponent is Hu Ge, who is 41 years old and returns to the national drama stage and is highly anticipated.
Ma Yili's "flowers" embarrassing acting skills
In "Flowers", 47-year-old Ma Yili plays the female No. 1 Reiko, and Po runs a restaurant full of market fireworks Night Tokyo. Although the character is shrewd and calculating, the audience is embarrassed by Ma Yili's performance. Her acting skills seem too stereotypical, the stereotypical perception of Shanghai women makes people feel contrived, and the arrogant and arrogant expression makes the character lose its likability.
Ma Yili's performance has been accused of working too hard, every movement seems to be carefully choreographed, and the performance traces are obvious, this situation is not only a problem for her, but many Mesozoic actors from professional backgrounds may also fall into this trap. In Zhang Songwen's view, actors should avoid performance traces, and Ma Yili seems to have failed to do so.
Xin Zhilei: Acting skills with full aura
In contrast, 37-year-old Xin Zhilei plays the female No. 3 Li Li in the play. Xin Zhilei's appearance and aura stand out under the lens of Wong Kar-wai, and her beauty is amazing. is different from Ma Yili's stereotypical acting skills, Xin Zhilei's understanding of characters is more unique. Li Li is a woman who can gain a foothold in Shanghai, and her performance shows characteristics such as coldness, domineering, and aggression. Through her eyes, smile, movements and other details, Xin Zhilei successfully established the image of Li Li, the mysterious proprietress of the city.
Performance: Talent over skill
Xin Zhilei's performance style is in stark contrast to Ma Yili. Xin Zhilei's acting skills seem casual, but they are full of talent and understanding. She is less skillful and relies more on talent and natural physiological responses. In contrast, although Ma Yili graduated from the Shanghai Theater Academy and has a solid professional foundation, her performance seems too routine, and it is difficult to get rid of the shadow of her previous role. Here, Zhang Songwen's teaching becomes particularly important: "If the performance is too accurate, it is not accurate", and the problem of performance traces does not come from skill, but from the lack of talent and understanding.
The perfect combination of temperament, appearance and acting skills
The reason why Xin Zhilei's acting skills can be highlighted is not only because of her talent, but also because of her temperament and appearance. Although she didn't get much resources in the early days, with her temperament and unique way of acting, she gradually entered the public eye after filming "Yangtze River Map" at the age of 30. Xin Zhilei's performance style belongs to a typical example of God appreciating food, and the perfect combination of her appearance, aura and acting skills in front of the camera makes her stand out from the audience.
Conclusion: The peak showdown between God's appreciation and graduation acting skills
In "Flowers", the battle between Ma Yili and Xin Zhilei's acting skills allowed the audience to see the peak showdown between God rewarding food and graduating from a professional class. Although Ma Yili has a solid professional foundation with her professional background, she has fallen into the dilemma of too many traces of performance.
On the contrary, Xin Zhilei relied on her talent and understanding to show more natural and vivid acting skills. Among the audience, Xin Zhilei has become one of the most eye-catching actresses in "Flowers" with her unique temperament, appearance and acting skills. This acting battle also proves once again that what really moves the audience is not the skill, but the innate talent.
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