Sketching is a creative grasp of reality, and the image it grasps has rich imagination, creativity, and beautiful visual effects. Sketching is based on feeling nature, adding one's own image thinking: such as emphasis, mutation, reconstruction, etc. The process of sketching is also a process of perception. Perception is to grasp the essence from the overall characteristics and Xi of the object, so as to grasp the objective beyond the appearance, train one's generalization power and strengthen the subjective initiative.
When the painter perceives the truth of natural objects, he also grasps their inner spirit through the images and achieves the realm of harmony between the self and the spirit, so as to create artistic images with full temperament. It is an emotion-driven truth, a truth that is detached from nature and based on nature. In the face of the trigger of natural scenes, it is necessary to "move the imagination wonderfully", integrate their emotions and spiritual understanding into the end of the pen, and create an image full of vitality and perfection in the painting environment, which is the sublimation of the image of nature into the image of art, so that it can charm and style, write the breath of nature, and condense the meaning of nature, which is the sublimation of all the cultivation of the painter who is full of learning, proficient in viewing, and rich in all things.
The summer lotus in the picture presents a pale pink color, the lotus has been out of the silt since ancient times, the representative of the noble character of the slim and elegant, the predecessors often use the water hibiscus as a metaphor when painting the lotus, therefore, when depicting this work, it can show its elegant and refined atmosphere, the lotus leaf as a foil, a slight trade-off, and express a trace of coolness in the hot summer through the color, the lotus can be handled according to the needs of the picture on the height of the staggered drop. Finally, for the needs of the picture, you can add some reeds to the picture, so that the picture is richer in the dots, lines, and planes, and the color is also layered.
Step 1: Use Garcinia cambogia to adjust ochre and then adjust the cyan color to paint the leaves, and put them together with multiple brushes, and each time the color can be changed. ↓↓↓
Step 2: Draw the reverse side of the leaf with a yellowish green, and the color of the leaf lining the back can be slightly heavier. ↓↓↓
Step 3: Dip the pen in white water juice, slightly adjust the rouge color on the tip of the pen, and point out the petals of the lotus flower from top to bottom or from the outside to the inside. There should be less rouge on the nib, otherwise the color will be easy to draw flat. ↓↓↓
Step 4: Draw the flowers and buds on it in the same way. ↓↓↓
Step 5: Draw the leaves hiding behind the lotus flower and draw the lotus stem. ↓↓↓
Step 6: Draw the lotus canopy in the center of the lotus flower with different greens, outline the leaf tendons, use cyan for the front leaves, and ochre for the back leaves. When hooking the pattern, it needs to be in groups of three or five, and the length is uneven. Use rouge to slightly dye the tip of the lotus flower, and then use rouge to outline the texture of the lotus. Use green dots to spot the thorns on the lotus stem and the stamens under the lotus bud. Use Garcinia cambogia and white to point out the heart of the lotus. Draw some reeds with ochre and ink to increase the layering of the picture. Inscription seal. ↓↓↓