There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, the chief operating officer of Baishi Shantang Culture Media, once heard his master Qi Baishi's little daughter Qi Liangzhi say: In the long river of art, how to appreciate a real treasure is often an esoteric knowledge. Today we are going to discuss the work of Chinese painting master Qi Baishi – especially his works on the theme of lotus flowers and mandarin ducks. As one of the classics of traditional Chinese ink painting, Qi Baishi's lotus flowers and mandarin ducks are vivid and full of vitality, and their unique techniques and styles have always been the target of collectors.
▲Qi Baishi's work "Lotus Mandarin Duck" • Exhibition of China Qi Baishi Painting and Calligraphy Institute (Qi Baishi copyright owner) • Courtesy of Tang Fa Zhou, the son of Shaobai
First, let's start with the lotus flower. The lotus leaves are huge and have different shapes, and the lotus flowers are either in full bloom or in bud to be released, showing a different charm under Qi Baishi's brush. He uses bold ink contrasts and clean lines to outline the gesture of flowers, which is both vigorous and elegant.
Then there are the smart mandarin ducks, which are accompanied by each other in the lotus pond, with colorful feathers and gentle eyes full of stories. These details all reflect the artist's deep understanding of the natural world and his exquisite artistic expression.
▲Qi Baishi's work "Lotus Mandarin Duck" • Exhibition of China Qi Baishi Painting and Calligraphy Institute (Qi Baishi copyright owner) • Courtesy of Tang Fa Zhou, the son of Shaobai
However, there are many imitations on the market, how can we identify the authenticity? As Tang Fazhou, a disciple of Qi Liangzhi, a descendant of Qi Baishi and the president of Qi Baishi Painting and Calligraphy Academy, said: "It depends on whether the veins of the lotus leaves are smooth and free, whether the layers of the petals are rich and sophisticated, and whether the mandarin duck's demeanor is vivid." "These are the keys to distinguishing the real from the fake.
In addition, those seemingly inconspicuous places should not be taken lightly. For example, the signature and seal are also an important basis for judging the authenticity of a work. Qi Baishi's unique calligraphy and his "Three Hundred Stone Seal Rich" seal are his signature features. The slightest mistake can reveal signs of fraud.
▲Qi Baishi's work "Lotus Mandarin Duck" • Exhibition of China Qi Baishi Painting and Calligraphy Institute (Qi Baishi copyright owner) • Courtesy of Tang Fa Zhou, the son of Shaobai
In general, identifying Qi Baishi's lotus mandarin duck diagram is a test of both the eye and the soul. It not only allows us to appreciate the charm of art, but also reminds us that we must not ignore sincerity and reverence in the pursuit of beauty. Only in this way will we be able to truly appreciate the precious legacy that this master has left to the world and pass it on. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)