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The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

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The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out
The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Sentence | An-ching-hsien

Edit | 9527 Meow Goo-kun

The Starlight Awards have gathered almost half of the stars in the entertainment industry, but such a large-scale event is destined to have many stars forced to attend invalidly, and the exposure is not as good as the top popularity.

Judging from the popularity of the event, Wang Yibo, Wang Hedi, Di Lieba, Yang Zi, these popular first-line actors, almost contracted all the highlights of the entire event, and their red carpet performance was also very outstanding, each with its own style characteristics, and its beauty was still amazing.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Wang Yibo, who has always worn a hat from the red carpet to the infield, is as cool as ever, putting aside the controversy in the fan circle, Wang Yibo's performance this time is not only handsome, but also highlights the fashion texture.

In Wang Yibo's body, netizens can really see the juvenile feeling in Japanese animation, the lazy and relaxed aura, which makes people can't take their eyes off it at all.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

As for Wang Hedi, one blonde hair is enough to hold the audience, three-dimensional facial features, flamboyant hairstyle, Wang Hedi on the red carpet is extremely vivid, when the domestic entertainment actor engraved "male virtue" in his bones, Wang Hedi generously opened business with Tian Xiwei CP, and there was no netizen who passed by who couldn't knock it.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

It's a pity that except for Wang Yibo and Wang Hedi, the red carpet performance of male stars is generally low-key. is on the side of female stars, who have truly achieved the "Starlight Awards".

Di Lieba's beauty is her magic weapon on the red carpet, when she wears a fairy dress and wears a crystal headdress, she really looks like an elf princess, even if this red carpet look is complained by many people that the makeup is too thick, but Reba in the close-up shot, smart and delicate, and her coquettish expression is unforgettable.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

As for Yang Zi, she used to have a weak presence on the red carpet, and she was directly beautiful in the infield, and when the camera panned to Yang Zi's face, Yang Zi was taking care of her hair, and her delicate face was inadvertently beautiful.

Of course, in addition to the above four, there are also many celebrities who amaze everyone with their style and state.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Ni Ni, who has always killed all sides on the red carpet with a high-level sense of relaxation, chose a dress that collided with Zhou Yutong, although her styling, makeup, hair and even accessories are similar to Zhou Yutong's overall style, but Ni Ni is too relaxed on the red carpet.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

She was generous and confident, at the last moment of the ceremony, holding the trophy in her hand, looking up at the streamers floating in the air, at this moment, Ni Ni's beauty penetrated the screen, bringing a shock that netizens couldn't help but marvel at.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Of course, the red carpet requires the blessing of experience, aura and starlight, and it is difficult to master the aura of young flowers such as Zhao Lusi, Tian Xiwei, and Zhang Jingyi on the red carpet.

But in the infield, these little flowers are younger and brighter, and the live broadcast footage can better show the vitality of their new generation.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Tian Xiwei, who is wearing a wool roll, has a red rose pinned to her head, and when she faces the camera, she is like a blooming rose, delicate.

Zhang Jingyi also has fluffy wavy hair, and her three-dimensional facial features are more noble and delicate under the modification of makeup.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

The actors and artists on the traffic track are fighting for beauty on the red carpet, and for many star-studded powerful artists, what they fight for is aura and aesthetics.

As an actress with excellent acting skills and powerful online, Zhang Yuqi's beauty and figure are more plump, and when the little flowers of domestic entertainment are still pursuing princess dresses and fairy makeup, Zhang Yuqi's red carpet style is mainly "domineering".

This time, Zhang Yuqi chose a dress with "wings", and as soon as she appeared, she had wide shoulders and beautiful legs, and her condition was not too good.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Ren Suxi, a life-oriented acting school that relies on "putting autumn pants in socks" in the theme of life, appeared in a low-key manner at the Starlight Awards event, she chose a silver bandeau dress, but it can also be seen from some of Ren Suxi's small actions that walking the red carpet is really not what she is good at.

In an interview with Birdie, she also frequently arranged her dress, as if she was afraid of running out.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

In fact, judging from the red carpet style, Ren Suxi's skirt is already very conservative, and if you want to talk about boldness, it has to be this vacuum dress chosen by Xin Zhilei.

This black dress seems simple but has a complex design, with an all-over sequin design, shining, and every time Xin Zhilei moves, the skirt flashes with different angles. The key is that this black dress also has a very exaggerated deep V design, which is completely open to the upper body of the navel, which tests the figure of the female star.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Xin Zhilei herself is in good shape, but in terms of body curves, there is really nothing too eye-catching.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

In contrast, the "rustic" Liu Lin is not exposed at all, but she shows the intellectual charm of a big woman to the fullest.

On this red carpet, Liu Lin chose a black suit, people are either deep V or backless, but Liu Lin's dress wraps herself tightly, on such a curved red carpet, Liu Lin's dress can even be linked to "soil".

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

But even so, it does not affect the audience to be attracted by the beauty of Teacher Liu Lin. When she walked on the red carpet, she had no scruples, her steps were chic, she had no worries that she would run out, and her steps were especially calm and confident.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

When she arrived at the infield, Teacher Liu Lin stood on the podium, and the spotlight was on her, but she had a faint sense of relaxation from beginning to end, as if Vanity Fair had nothing to do with her, and her faint smile was polite and decent, but she didn't want to compete in front of the camera like other female stars and show her purpose.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Even when walking the red carpet with the crew of "The Long Season", Teacher Liu Lin also reproduced a slow shake with a sense of age online, compared with Li Gengxi on the side, her movements were full of rhythm, and those who didn't know thought that Teacher Liu Lin was the all-round new generation of Xiaohua.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

In fact, the nature of the red carpet has always been led astray by most female stars. In order to compete for beauty, female stars strive to find a breakthrough in dresses, but Liu Lin's appearance proves that exposure is not an eye-catching method on the red carpet, and their own aura and calm state are the keys to making the red carpet comfortable and eye-catching.

Compared with the panicked small actions that many female stars can't hide in front of the red carpet camera, and compared with those traffic idols who wear big skirts and struggle step by step on the red carpet, Liu Lin's freedom of making the red carpet her comfort zone is more fascinating.

The vacuum's Xin Zhilei, the rustic Liu Lin, that night in Macau, the aesthetic gap between the actresses came out

Of course, the red carpet is to bloom with a hundred flowers, and the beauty of Teacher Liu Lin cannot be replicated in most of the little flowers. It's just that the audience hopes to see more stars show their more authentic and calm side on the red carpet, after all, the red carpet is also a place to reflect aesthetics.

The star-studded awards held in Macau can see the difference in aesthetics, and finally what do you think of this red carpet?

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