1. Introduction: Recently, it has been rumored in the entertainment industry that many popular female artists have adopted the behavior of "fake eating" when they starred in food scenes, which has aroused heated discussions among the majority of netizens!
Recently, the entertainment industry has stirred up a wave of public opinion - many high-profile popular female artists have invariably chosen to use the method of "fake eating" during the filming of food scenes in their acting careers, which has undoubtedly aroused heated discussions among the majority of netizens.
Among them, the most controversial incident is a scene shown by Yang Zi in a certain TV series, in which she holds a fragrant roast chicken leg and poses as if she is about to feast. However, just as she opened her mouth to bite, the chicken leg slid from her mouth in a smooth way, without entering her mouth at all. Immediately afterward, she began to chew, but there was nothing between her lips and teeth, and she could only rely on exaggerated facial expressions to interpret the deliciousness of the food.
Also attracting attention is another popular actress Shen Yue, who covered her face with a large bowl during the shooting, showing a gobble up gluttony. At first glance, it does look like a frenzy of eating, which is reminiscent of the various dilemmas that may be encountered in the plot. However, attentive viewers soon noticed that the corners of her mouth were always clean and free of any food residue, and that the whole eating process was clearly lacking in realism.
Ying'er, who was once widely known for the topic of weight loss, shared a clip of her daily life of "tasting low-fat barbecue" on her personal social media, and attached a text description close to life, trying to create a friendly and lovely image. However, in this video, she only chews mechanically, never swallowing, and whenever it comes to the critical moment, the footage is ruthlessly edited, making people question whether she is really "fake eating".
In addition, Yang Ying held popcorn in a variety show with a seductive expression, but she didn't actually eat it, and Ouyang Nana acted as if she had suffered a great grievance when she drank juice, which was extremely pretentious.
These "fake eating" shots have undoubtedly aroused strong disgust from a large number of viewers and netizens, who have accused these stars of being too contrived and hypocritical in their acting skills, failing to adhere to the professional ethics they should have as an actor, and failing to bring professional and sincere performances to the audience.
2. Insert the narrative: Since the film and television drama "The Glory of the Fathers" was released, it has received rave reviews! What is especially amazing is that Liu Lin's realistic and convincing "eating drama" performance in the play has made the image of rural women she created for the majority of audiences deeply rooted in the hearts of the people, which can be called the pinnacle.
In stark contrast to the many "fake eating" performances, the recent hit drama "Glory of the Fathers", which has been enthusiastically pursued by audiences, has been very popular since its launch. The audience was full of praise and were amazed by the excellence of the sets, costumes, props and details of life in the play, which successfully reproduced the simple life scenes of that era, making people feel as if they were in that warm time.
However, among the many wonderful performances in this play, the most unforgettable for the audience is undoubtedly the scene of actor Liu Lin "eating a scene" in the play. The plot is set as follows: Chen Xingjie had dinner at Gu Changshan's house for the first time, and everyone tasted sauerkraut stuffed dumplings, which was crucial, and needed to present a family atmosphere that was both intimate and just right.
It is in this link that Liu Lin, with her profound acting skills, perfectly interprets the simple and unpretentious attitude of rural women. She eats her dishes with a hearty sip, her mouth full of sugar triangles, and she responds naturally and fluently to family conversations and questions.
Although her mouth is stuffed with food, her every expression is closely connected to the character, vividly showing the ease with which a rural woman copes with her hustle and bustle.
From the time she handed Chen Xingjie dumplings with her own hands and picked up the sugar triangle without hesitation to taste them, to her munching on cabbage mixed with vermicelli and answering questions about her son's words, to her dipping sauce and eating green onions, for an authentic Northeast person, this kind of intimacy is really indescribable.
Throughout the scene, Liu Lin vividly showed the simple and unpretentious and indomitable attitude of rural women to life, without any sense of pretentiousness, making the audience feel as if they had experienced that time in person.
Indeed, it is such a seemingly ordinary but extremely close to life "eating drama" that makes the audience marvel at the superb acting skills of Liu Lin, a veteran actor, who successfully portrays the character traits of rural women vividly and deeply into the bone marrow.
3. Reverse narration: Let's go back to the role of "Dehua" played by Liu Lin in the classic TV series "Parents Love" in her early years, and the classic scenes that caused the audience to laugh are still vivid.
When it comes to Liu Lin's excellent acting skills, we can't ignore the outstanding role she created in "Parents' Love" - "Dehua". Although Liu Lin had not yet emerged at that time, it was through the wonderful interpretation of this role that she instantly became famous and became a well-known movie star!
In the play, Dehua played by Liu Lin can be described as a worried big sister, because she has to take care of multiple children for her brother and sister-in-law, which makes her busy and tired. And this seemingly bland line has been delicately interpreted by Liu Lin, but it is vivid and interesting, which makes people laugh. You see, she dragged out the words "Oh God" in a long tone, accentuated her tone, and her face showed deep despair and anger, and the second half of the sentence "You still don't let people live" was done in one go, and her tone was full of endless grievances and dissatisfaction.
At the end of the whole scene, Liu Lin successfully brought the image of the overworked and cynical Dehua to life in front of the audience, making people deeply feel the bitterness and suffering of Dehua in the laughter. This classic clip has become the most talked-about scene in "Parents' Love", and at the same time, it has also made the role of "Dehua" deeply rooted in the hearts of the people and has become a representative work of Liu Lin's acting career.
Time flies, and now looking back at Liu Lin's perfect performance in "The Glory of Fathers", people can't help but admire her in-depth understanding of roles and scripts, as well as her exquisite skills in navigating between various roles. And that classic "Dehua" bridge is undoubtedly the eternal starting point and symbol of her acting career.
The fourth part contrasts the "fake eating" performance performed by the modern traffic Xiaohua to maintain a slim figure with the professionalism of the veteran artist Liu Lin.
There is no doubt that Liu Lin's dedication to drama fully demonstrates the persistent pursuit and high professionalism of a generation of veteran drama bones in their artistic careers. She can always devote herself to the role, perfectly presenting the inner world of the character, so that the audience is dizzy and captivated.
However, some of today's young traffic flowers seem to lack due respect for scripts and performances. In order to maintain a slim figure, when filming eating scenes, they often choose a pretentious "fake eating" method to perfunctory.
Taking Yang Zi as an example, during the filming, she held the chicken leg in her hand, enjoying it like a gourmet, opening her mouth as if to sweep away the food, but in fact, she only highlighted the wonderful taste of the food through rich facial expressions, and Shen Yue, she covered almost the entire bowl of food on her head, creating the visual effect of gobbling up, but when we looked closely, we found that the corners of her mouth were always clean and flawless, and there was no trace of residual food.
Yinger, who has attracted much attention because of the weight loss turmoil, shared a clip of her daily life of "tasting low-fat barbecue" on social platforms, accompanied by a kind text description. However, if we pay a little attention, it is not difficult to see that she is only chewing in her mouth and never actually swallowing any food, and the video has been ruthlessly cut because of this.
and Yang Ying, holding popcorn in the show, posing as a delicious look, and Ouyang Nana showed an exaggerated expression as if she had been wronged when drinking juice, and the deliberate performance of the two stars was really disappointing.
On the other hand, Liu Lin's "eating drama" in the TV series "The Glory of Fathers" is real and simple. Not only does she feast, but she also stuffs a triangle of sugar in her mouth from time to time, while munching on food casually while having a light-hearted conversation with her family, vividly portraying a rural woman socializing on a special occasion. Despite being stuffed with food in her mouth, her expressions and movements blend perfectly with the character without any pretentiousness.
It is precisely because of her deep understanding of the character and sincere respect for the script that Liu Lin's acting skills have reached the point of perfection, and she is able to interpret the character's personality and mental outlook vividly, which makes the audience dizzy. In contrast, those young traffic flowers who perform "fake eating" performances in order to maintain their figure are obviously not comparable in terms of dedication and professionalism.
The fifth part, the theme of sublimation: The true value of film and television art is not only reflected in the external gorgeous packaging, but more importantly, the inner cultivation created by the actors' hard work. Only by digging deep into the connotation of the characters and interpreting each role with heart can we make the drama work more vivid and touching people's hearts.
In fact, the unique charm and strong appeal of film and television art do not only depend on the exquisite packaging on the surface, but on whether the actors can perfectly present the inner world of the characters in front of the audience with their deep feelings and superb professionalism.
Only by deeply analyzing the core spirit of the characters and carefully shaping the emotional journey of the characters can the play be brought to life and touch the depths of the audience's heart. This is why Liu Lin was able to create a unique and charming character in "The Glory of the Father", the key is that she has a deep and comprehensive understanding and insight into the role. Rather than reducing the role of this rural woman to a superficial image, she digs deep into her personality traits and lifestyle habits, so that every detail is vividly portrayed.
From her indulgence in eating her meal, with the sugar triangle in her mouth, to her leisurely contentment in munching on pies while easily coping with family chatter, to her unrestrained dipping sauce and eating green onions, every subtle action shows the true face of a rural woman's daily life. It is precisely because of such a nuanced understanding of the role that Liu Lin's performance is unpretentious, and it is so natural and smooth that it seems to be recording the bits and pieces of real life.
In contrast, those young stars who perform "fake eating" performances in order to maintain their figures, they are too obsessed with the shaping of their external image, but they ignore the inner spiritual world of the characters. This kind of performance seems stiff and deliberate, which is incompatible with the style of the play, and it is difficult to resonate with the audience. The true charm of film and television art requires the actors' dedication and internal learning and perception to be perfectly presented.
Through the comparative analysis of Liu Lin and those young traffic flowers, it is not difficult to see that there is a huge difference in the attitude towards the drama between the professional attitude of a generation of old drama bones who perform roles with heart and dedication, and those young stars who perform "fake eating" performances in order to maintain their figure.
We should advocate modern young actors, keep up with Liu Lin and other veteran actors, treat every role and every work with a professional and dedicated attitude, and interpret the spiritual world of the characters with sincere acting skills. Film and television art is not only about "capturing beauty", but more importantly, it is more important to arouse the audience's resonance and inspire people's thinking through delicate and nuanced performance.
Only with this awe and the most sincere acting skills to show the emotional world of the characters in the play can we create shocking masterpieces and make film and television art truly glow with value and significance.
In stark contrast to the new generation of actresses who pursue beautiful bodies by extreme means such as "fake eating", the older generation of artists like Liu Lin use their practical actions to interpret the deep love for their artistic careers, as well as their respect and adherence to professional ethics!
Let's hope that in the future, more and more young actors will be able to follow Liu Lin's footsteps, temper their acting skills through in-depth understanding and vivid interpretation of various roles, always uphold professionalism, and try their best to present the most perfect presentation for each work, rather than just indulging in superficial image building.
Only in this way will they be able to make steady progress on the road of acting, win the sincere praise of a wide range of audiences, and grow into a new generation of highly respected performing artists.
We believe that as long as we have a deep respect for theatre and devote ourselves to every performance, everyone will have the opportunity to display their unique talents in the industry and achieve sustainable prosperity in their careers.