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Introduction:
Shen Teng's performance is unusual, he performs a thought-provoking sci-fi movie behind a funny face. The movie "Walking on the Moon Alone" uses science fiction as a gimmick, which provokes the audience to think deeply about loneliness, death, altruism and collectivism. However, it is puzzling that despite some doubts about the film's sci-fi elements, audiences are still willing to pay for it. What are the underlying reasons behind this phenomenon?
The film logic is reversed and reorganized:
When analyzing why audiences are willing to pay for "Alone on the Moon", we have to consider the themes explored in the film and the differences in the audience's definition of it. The film is not just a science fiction work about the "trolley problem", but a deeper exploration of the fear of loneliness and death, and the self-sacrificing choices made by individuals under this fear. The protagonist Duguyue in the film is not the focus of attention and attention, but a marginalized "middleman".
Given the general acceptance of egoism in contemporary society, Kant's famous phrase "the stars in the sky and the moral law of the heart" seems somewhat archaic. However, in the context of the pandemic, altruistic behavior has become almost routine. This has led to reflections on the relationship between altruism and collectivism, especially in a collectivist culture like China's.
Peking University professor Qian Liqun questioned the university's cultivation of "refined egoists", revealing society's different attitudes towards moral concepts. However, true altruistic behavior often erupts in times of crisis, suggesting that latent collectivist ideas are stimulated in specific situations.
Deeper into the film, Duguyue's decision to self-sacrifice triggers a confrontation of values between collectivism and individualism. In contrast to Hollywood films, which usually tell the story of collectively saving individuals, "Walking on the Moon Alone" highlights the sacrifice of individuals to achieve the entire human race. This may reflect a greater emphasis on collective interests in Chinese culture.
In the dilemma of the "tram problem", Ma Lanxing's decision embodies the idea of collectivism, and in the second choice, it is given to Duguyue's personal fork in the road. This approach, unlike other Hollywood films, highlights the delicate balance between individualism and collectivism.
When talking about altruism, people often presuppose that they will do good after settling in. It is difficult to conform to our moral code for the act of asking to sacrifice oneself to help others. This leads to reflection on the conflict between altruism and the need for survival.
Duguyue's decision to self-sacrifice may have something to do with his personal traits. As a "weak person" who has never been paid attention to and valued, he chose to become a "leading bird" and become a savior at a critical moment. This coincides with the human pursuit of excellence, and also shows the possibility of the weak counterattacking at critical moments.
Herbert Spencer's theory emphasizes indifference to the weak as part of natural selection. However, the film expresses a re-examination of the weak through Duguyue's sacrifice, believing that the weak can stand up at certain moments and become a presence in the light.
When discussing loneliness, the film profoundly depicts the fear of death and social loneliness. The underlying human fear of death is closely linked to the fear of absolute loneliness. Social loneliness, the fear of not being able to connect with others due to external circumstances, triggers "existential anxiety."
The discussion of loneliness is even deeper in movies, especially in space science fiction movies, where loneliness and death are often discussed at the same time. "Walking on the Moon Alone" becomes the last human being in the universe through Dugu Yue, presenting absolute loneliness and absolute death anxiety.
At the end of the movie, Duguyue faces the earth and chooses to give up her lonely life. This passage may be intellectually difficult to explain, but emotionally it touches the audience's deep emotions of loneliness. Being a ray of light in someone else's life has profound implications for the end of loneliness.
Epilogue:
By reorganizing and elaborating the core ideas of Walking on the Moon Alone, we pondered deeply
It examines human nature, morality, and fear of life and death. When this film presents Duguyue's personal choices, it is not only a sci-fi adventure, but also a deep challenge of the soul.
As the film shows, the complexity of human nature lies in the balance between altruism and self. Although modern society generally advocates the independence and autonomous choice of the individual, the spark of altruism can still ignite the warmth of the collective in times of crisis. This belief in the true goodness of human nature makes people re-examine the importance of "others" and the collective in the film.
The self-sacrifice depicted in the film is not the product of rational decision-making, but more of a deep response to the fear of death and loneliness. When choosing to give up a lonely life, Duguyue is actually looking for an affirmation of "existence". At this moment, he found hope in the light emitted by countless people on the earth and found a way home.
Perhaps, it is precisely because of this subtle emotional resonance that the audience is willing to let go of the pickiness of sci-fi elements when facing the movie, and is willing to invest in a cosmic story about life and death, loneliness, and moral choice. Shen Teng is no longer just synonymous with funny, but shows deeper emotions and connotations in this work, which makes people resonate more with his performance and the film itself.
The "middleman" Duguyue in the movie has become the hero in the story, which is not only a redefinition of individual value, but also a call for marginalized people in society. Through his choices, the film conveys to the audience the idea that "everyone can be a hero", regardless of your social status, everyone is likely to stand up at critical moments.
The deep rewriting and logical subversion of the film make the audience feel more touched in the emotional resonance while reflecting. This is no longer a simple sci-fi comedy, but a feast of ideas, guiding people's thinking about life, death, loneliness.
In the end, the movie "Walking on the Moon Alone" is not only a science fiction adventure, but also a profound investigation of human nature. By subverting the traditional narrative structure, the film presents the audience with a more complex and real world. And Shen Teng's performance in it adds a lot to this story, presenting the audience with a brand new Shen Teng, an affectionate and connotative Shen Teng.
In this society full of indifference and egoism, the film allows the audience to re-examine altruism, collectivism, individual values and the concept of life and death through Duguyue's choice. Perhaps, in real life, we will not face such an extreme choice, but the thinking about the nature of human nature triggered by the film has stirred ripples in the hearts of the audience.
Therefore, "Walking on the Moon Alone" is not only a visually stunning science fiction work, but also an adventure to explore the depths of human nature. This film through deep rewriting and logical subversion,
The audience is not only visually immersed in the wonders of the universe, but also asks questions about existence in the depths of their hearts. From the perspective of Duguyue, the film depicts an individual who is marginalized by society, and in the face of the choice of fate, the choices he makes trigger people's thinking about morality, human nature and society.
The deep rewriting of this work is not only a subversion of traditional narrative, but also a challenge to the audience's way of thinking. The film no longer uses sci-fi elements only for entertainment, but uses this fictional cosmic background to deeply explore the key issues facing mankind. In the film, the audience not only sees the display of scenes that science cannot explain, but also finds in it the resonance of a deep understanding of human nature.
Through the role of "middleman", the film guides the audience to think about the existence and value of marginalized people in society. Duguyue's choice is not simple heroism, but the pursuit of individuals to find a sense of existence in the tide of society. When he decides to step out of the base and face the earth, he is actually looking for a confirmation of the existence of the "other", and the last affirmation of his own existence.
Such a plot design allows the audience to think more about the people at the bottom of society. In the movie, Shen Teng's role was originally an unknown "middleman", but at the moment of life and death, the courage and sacrifice he showed made people re-examine the possibilities of every ordinary individual in society.
The film incorporates a profound reflection on moral concepts. In contemporary society, people tend to attach more importance to egoism and pursue the maximization of individual interests. But by showing the real existence of altruistic behavior, the film allows the audience to re-recognize the inner goodness and empathy of human beings. Especially during the pandemic, altruistic behavior has become almost routine, and this kind of care and help for others underscores the kindness that still exists in society.
Through two shows of the "trolley problem", the film highlights the multi-layered thinking about life, death, and loneliness. The first trolley problem represented a collectivist choice from the perspective of the executor. The second time gives the choice to the parties, showing an individualistic side. This cross-arranged presentation makes the film not only limited to the discussion of morality, but also involves the collision between different cultures and different values.
The depiction of loneliness and fear of death in the film also provokes the viewer to think deeply. Whether it is the innate fear of death or the avoidance of absolute loneliness, it touches the sensitive nerves of everyone's heart. Through Duguyue's personal experience, the audience is guided to think about their attitude towards life and companionship.
The deep rewriting of this film is not only an innovation in the narrative of the film, but also a deep excavation of human existence. After watching the film, the audience may find some resonance in their hearts and have a deeper understanding of human nature, life and death, and society. It's a journey of the mind that transcends the sci-fi framework, giving people a more realistic look at their own hearts.
In this movie, Shen Teng is no longer just a comedian's label, but has become the most thought-provoking character in this story. Through the portrayal of the fate of the "middleman", he allows the audience to see every corner of life that is not paid attention to, and see the courage and persistence shown by every ordinary person in the face of fate.
In summary, the movie "Walking on the Moon Alone" not only breaks the traditional sci-fi framework through deep rewriting and logical subversion, but also triggers the audience's deep thinking about human nature, society, life and death. This is not only an adventure, but also a baptism of the heart, allowing people to find the affirmation of their existence in the vastness of the universe.
Revelation:
Through Shen Teng's outstanding performance and profound thematic discussion, "Walking on the Moon Alone" triggers the audience's deep thinking about life, loneliness and death. First of all, the film successfully combines science fiction with comedy, making the audience think about deep life questions in laughter. Secondly, through the image of Duguyue, a weak person, the film explores the conflict between altruism and collectivism in human nature. The altruistic behavior that emerged during the pandemic also found its echo in the film, emphasizing the good side of human beings. Most importantly, the film profoundly reveals the human fear of death and loneliness, as well as the complex psychology of individual choice and self-sacrifice in extreme circumstances.
Summary:
"Walking on the Moon Alone" is not only a comedy science fiction movie, but also a deep observation and reflection on human nature. Through the exploration of loneliness, death and altruism, the film presents the deepest emotions in life. The audience was guided to think about the true meaning of life amid laughter, and gained a deeper understanding of the concern for the weak and the value of collectivism. The altruistic behavior of the pandemic echoes the theme of the film, emphasizing the goodness and collective consciousness of human nature. In the end, through Duguyue's choice, the film outlines the complex emotions of human beings in the face of death and loneliness, allowing the audience to experience the reality and preciousness of life between laughter and tears.
In addition, the film also reflects on the egoism that prevails in modern society. With the development of society, values such as sincerity and ideals seem to be gradually replaced by egoism, and people pay more attention to profit and loss than love and preference in work and marriage. However, through the shaping of the character of Duguyue, the film emphasizes the existence of good deeds in human nature. During the pandemic, the self-developed altruistic behavior of countless people has become an example of the spontaneous operation of the good instinct at critical moments.
For the discussion of collectivism and individualism, the film shows a profound value through Duguyue's sacrifice choice. Compared with Hollywood films, which usually emphasize the collective rescue of individuals, walking alone on the moon focuses more on the sacrifice of individuals to bring the possibility of survival for the entire collective. This may reflect the influence of collectivism in Chinese culture, which makes the film take on a more individual view of emotional expression.
It is worth mentioning that through the image of the "middleman" Duguyue, the film reveals the complex hearts of the weak in society when facing life and death decisions. In real life, we often ignore those who give silently in the corners of society, and the film calls for people to pay attention to and respect each individual through the story of Duguyue, because they may also become rescuers at critical moments.
The film's profound depiction of loneliness and the fear of death resonates with the audience. Loneliness is not only isolation from others, but also an existential anxiety, once the "other" is lost, the individual will fall into a deep sense of helplessness. And death, as one of the most primitive fears of human beings, was cleverly integrated into Duguyue's choice by the film, making the audience think about the true meaning of life in laughter and tears.
Overall, "Alone on the Moon" provides the audience with a feast of thoughts and emotions with its deep themes, excellent performances and excavation of the complexity of human nature. Through reflection on real social phenomena and analysis of individual hearts, the film guides the audience to think deeply about the meaning of life, the goodness of human nature, and the complexity of individual choices in the face of difficulties.
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