Zhou Yunfa praised the creative freedom of Korean films, and did not look at the current situation of Korean films

Recently, Chow Yun-fat's attendance at the Busan Film Festival attracted a lot of attention, and then some netizens found that he praised the freedom of Korean film creation, and directly compared the censorship requirements of mainland films, which instantly triggered heated discussions among netizens, and related terms soon appeared on hot searches.

Regarding the so-called "freedom of Korean film creation", Zhou Yunfa's original words are as follows: "The reason why Korean dramas are good is that the subject matter is very broad, the creator's thinking will be very broad, and I am so surprised that there are many themes, and they are brave enough to shoot these!" ”

In addition, he said that mainland films have a lot of censorship requirements, so they are restricted, and in the 80s there were many people who watched Hong Kong movies and were proud, but since then many things have changed.

In fact, if Chow Yun-fat said this during the period when Korean films were developing well, it may be understandable, but the problem is that Korean films have long begun to decline, and his remarks look somewhat ironic.

Just by looking at all the new films released in South Korea's Mid-Autumn Festival, you can know that the decline of Korean film is very obvious, even the box office of Song Kang-ho's movie can't pass the profit and loss point, and the movie he starred in has experienced three consecutive pounces.

Even Korean fans directly said: "I didn't get a movie with a very interesting response." "This is the truest evaluation of Han Ying. Some industry members also said: "If this continues, there will be no new Korean film releases." ”

I don't plan to make a new film, where does the subject matter have broad creative power to talk about?

Nowadays, Han Ying collective on the street is not profitable, about the competitiveness of Han Ying, netizens' evaluation can be said to be very sharp and true, if there is really the so-called competitiveness, it will not be profitable only two local films a year.

And if you can't make a good movie, the review is also an old routine, other countries also have their own strict review standards, but they can still win awards at international film festivals, so don't blame the road for not being even.

Taking the audit to talk about things can only be regarded as pushing the pot. Always spinning around in the old theme, unable to find a breakthrough, began to blame the environment.

On the contrary, in recent years, such big productions as "The Wandering Earth" and "Chang'an 30,000 Li" filmed in the mainland cannot be imitated by South Korea.

It is not denied that South Korea has made a lot of films related to social themes, such as "Suwon" and "The Melting Pot", but that was many years ago, and has always been used as an example to say that Korean films are very "daring" films, there are almost no international box office awards, and the only "Parasite" that can be watched internationally is a 2019 movie.

Returning to this matter, it is understandable that Zhou Yunfa will express his feelings about the freedom of Korean film creation and share his ideas, but it is more important to see the current situation of Korean films, without profit can not attract the audience, any freedom is free to talk. Han Ying, who always shoots realistic themes, has not made any changes to the current social situation, and the so-called creative freedom is not real freedom.

And the decline of Hong Kong film is inevitable, at present, whether it is the theme or actors, there is no fresh blood injection, thinking and creativity can not keep up with the changes in the audience, some time ago "Assassination Storm" was released dismally, giving 10.8% of the films only 4.0% of the box office results, they don't fight who to blame.

At that time, some netizens commented that the pattern of Hong Kong filmmakers is not big enough, the station is not high enough, and the cultural accumulation is not thick enough, and it can no longer keep up with the development of the times. Now look at Chow Yun-fat's statement, it seems that this comment has been verified repeatedly.

As netizens said, the mentality has not changed, I don't want to really embrace the mainland market, I just want to make quick money, and if I can't earn it, I blame this and that, which is still a problem of ability. You know, with the impact of various types of films, the audience's viewing needs and aesthetics are also constantly improving, and it is okay to engage in feelings once or twice, and more is just another consumption.

Of course, Zhou Yunfa frantically praised Han Ying, which may also be influenced by attending the Busan Film Festival, but everyone knows how Han Ying is, so there is no need to use this to praise it, let alone step on one.

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