Chinese Herald Dongying years
Author: Du Hailing
Tokyo Budokan on October 3, many people. For a man named Li Zongsheng, for many of his songs that remain in our hearts.
According to the era, he sang one piece after another, always causing bursts of cheers.
Li Zongsheng sang "Let Me Joy and Let Me Worry", which is also sung by many people, including me.
He sang: "Love to the end, it is difficult to reap the water."
Love yoyo hate yoyo
Why is it impossible to retain
Only then did I remember your tenderness again."
At this point, the singing stopped, but there was a stronger exclamation, it was Zhou Huajian who walked to the center of the stage and continued to sing - because he forgot the words again, so there was a few seconds in between, and the cheers of the audience just caught these seconds steadily, as if it was a preset emotional connection.
"I want to say that I really love you
I want to say I'm sorry for you
You cry and say the love is over
Difficult to continue Difficult to continue
Please give me a little more time
A little more greetings
Don't take everything away
Please give me a little more space
A little more tenderness
Don't make me so uncomfortable
A group of friends like you (the original word was a woman like you, in this concert, it was temporarily changed to friends)
Let me rejoice, let me love (original word for worry)
Let me give everything I have for you."
Getting here is almost the limit of the audience in the venue, because no one knows Zhou Huajian's surprise. However, there are mountains outside the mountain, and Zhou Huajian said, today's lyrics are here, and the Chinese singing is also there, and I would like to meet the Japanese singers. Li Zongsheng went on to say, if the original Japanese singing is also good?
As more than 10,000 people shouted "good" in the Budokan, ASKA appeared and said "Hello everyone." This song was then sung affectionately in Japanese ("Man and Woman" by Chuck and Asuka).
Li Zongsheng said: We have been waiting for this moment for 30 years.
This night is destined to be unforgettable.
A friend of mine said, "I have spent all these years in Japan, and today I am the happiest." ”
I saw many familiar faces, each with a vivid look on it and bright eyes.
In many songs that night, people sang along with Li Zongsheng, and also recalled the years of youth and the time of laughter and sadness in the songs.
Many people were in tears, myself included. The woman next to me who didn't know me was wiping her tears, but no one was embarrassed because many people were crying.
Especially in Japan, a place where you need to maintain emotional stability and be a dignified society. In Li Zongsheng's songs, in concerts, you can express your joy, anger and sorrow.
Last night was very coincidental, I shot some videos, all fragmentary, some familiar songs to shoot a few lines. The only "Let Me Joy and Make Me Worry" was filmed completely, and after returning home, it was posted on the video number, and a friend said that "tears flowed in the big night", and I replied: Yes, there were also many tears on the scene. No one is shy because they are laughing and crying.
Li Zongsheng, Zhou Huajian, and ASKA sang a song on the same stage, how can such a scene not make people feel moving.
So many familiar songs, delicate songs that express the love and hate of all living beings, are the words for the emotions of many people.
What was particularly touching last night was that Li Zongsheng said that he would write more and more sincerely, leaving us songs. As he grew older and experienced the emotional stories of the world. His lyrics are condensed, the power of four or two pounds. This "New Written Old Song" was the first time I listened to it. Well written.
"When in vain the world is entangled
Cashed into wind and frost folds
Dad, I missed you
It was only when he was old that he thought of reflecting on the relationship between father and son
Seriously, you're actually answering yourself
Perfunctory proposition for half a life
Heavy proposition
And here it drags me back in time
It's like a spell that has finally worked."
One poem after another, so many poem-like sentences, some gorgeous, some simple, all fell in people's hearts one by one, the words had affection, and the words were hidden and wept. It resonates with the fact that we accidentally find that time is too rushed in life, and sorrow and happiness are mixed.
At the concert, a song "Crossing the Ocean to See You" led to a good story. Li Zongsheng invited Ms. Nan Changjiang, who came to Japan more than 30 years ago, when Li Zongsheng was a young man, asked her to arrange the music and recorded the song in her studio.
A few hours before I went to Lee Zongsheng's concert, I was also in a recording studio in Tokyo, and it was a coincidence that the young man Reimi was recording her original songs, and she often spent the days in the studio, and I also observed it, and I knew to add various dubbing little by little (so when I heard Lee Zongsheng talk about the past of the Tokyo recording studio that night, I was even more moved by their musical cooperation back then). Halfway through the observation that day, I said that I was going to listen to Li Zongsheng's concert, Limei didn't know who it was, I said, "Crossing the Ocean to See You", she immediately said, this knows, that is really a powerful person! She asked me if I made a fan – when young Japanese people chase stars, they put various patterns and the names of musicians on blank fans, and she said that she was very happy to do it.
In our era, we don't understand some of their small designs of chasing stars like this. We went to the scene to sing together, laugh together, cry together. What a precious, pearl time.
Looking forward to Li Zongsheng coming back to Tokyo next year.