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The recent dynamics of internal entertainment make people feel as if they are celebrating the New Year, and they are attracting attention. All kinds of cheating, divorce, imprisonment, tax evasion and other scandals continue, like a continuous feast of melons and fruits, attracting the interest of the melon-eating masses, like a rue in a melon field, jumping up and down.
However, these jaw-dropping "bloody" plots do not only occur in TV series or movies, but frequently appear in real life, causing widespread controversy. We may have some opinions about the private lives of celebrities, but in general, we have no right to interfere. However, from the perspective of professionalism, the recent problems in the internal entertainment industry are also worth pondering.
Recently, the issue of art ethics and speech has attracted widespread attention, and People's Daily has criticized it twice in a row, pointing out that stars and the entertainment industry should not become wild horses out of control. For stars like Li Sheng and Zhang Han, it means that their "good days" may be over.
The quality of TV shows is also controversial. The remote is spinning around, and it's hard to find a show that's really worth watching. The output of TV dramas has been declining year by year, and the number of approved broadcasts is far lower than the actual number of productions, resulting in a large number of repetitive and low-quality works in the TV drama market. Although some episodes have high ratings, the level does not directly reflect the quality of the work.
Some works starring in traffic stars have also been criticized. Using traffic stars to remake classic works, but receiving negative feedback, shows that the audience has higher expectations for the quality and innovation of the play. At the same time, some realistic works of life have also been criticized, especially in terms of fairy tales and fantasy themes, and the audience expects more originality and depth.
No matter which route you take, the audience wants to see good-looking works, but in reality, it is full of silly and sweet acting skills, pretentious plots, unified dubbing and fake backgrounds, which makes netizens complain one after another. The audience has higher expectations for the quality of the script, the acting skills of the actors and the production level, which is also one of the challenges facing the entertainment industry.
However, in this general trend, Wu Jing and his series of films have become representatives of "conscience production". His work has been successful in a highly competitive market, proving that good films can still attract audiences. On the contrary, some celebrities ignore the quality of their works in the process of pursuing traffic and popularity, and are eventually abandoned by the audience.
Zhang Han is a typical example. He once successfully transitioned, but in the end, his self-written, directed, and acted works were widely criticized. He had previously said that he had polished it for ten years, but it eventually became a laughing stock. This shows that time alone does not guarantee the quality of a work, but also requires innovation and depth.
In the field of stand-up comedy, Li Sheng, as a prominent performer, was initially loved by the audience. His show "Spit Assembly" pioneered a new format that made stars ordinary people in the eyes of the audience. However, over time, talk shows began to sourn, and some performers were no longer simple humors and jokes, but were sarcastic and ridiculing each other, even violating public order and good customs. This triggered a warning from the regulatory authorities, requiring that talk shows must not violate public order and good customs and must not infringe on the legitimate interests of others.
The emergence of these problems is not accidental, but the accumulation of the internal entertainment circle for a long time. Paying too much attention to traffic and commercial interests, while ignoring the quality of works and innovation, has led to the degeneration of some stars and programs. The audience expects more in-depth and thoughtful works, and also hopes that the stars can remain humble and innovative, rather than falling into the trap of utilitarianism and chasing heat.
Finally, the entertainment community needs to think about how to find a balance between business and art, how to create more in-depth and innovative works, and how to maintain respect for mainstream values. Only in this way can the audience continue to pay attention to and support domestic entertainment, so that it can move towards a more healthy and sustainable development path.
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