Today's film and television industry used to be a glorious stage, but now it is deeply in the haze. In recent years, actors who were once in the limelight and limelight seem to have fallen into a strange "acting slump". Have you ever been surprised to find that the acting skills of these stars seem to be trapped in stereotypes, and the homogeneity between characters is shocking, like sticking to fixed boundaries, losing depth and flexibility? Their acting skills used to be as hot as the sun, but now they have gradually faded.
As a senior actor, Jin Dong has a high reputation in the industry. He became famous through his excellent performance in "The Pretender", and surprisingly, after "The Pretender", Jin Dong chose more and more single roles, basically the image of mature and intelligent successful people.
This highly similar choice of roles not only limits his development space, but also fatigues the audience's aesthetics. What is more worrying is that over time, Jin Dong's acting skills have also regressed significantly. Take the spy war drama "Infernal" he participated in as an example, there is a scene of electric shock torture, Jin Dong cannot show the pain of the characters through expressions and movements, and the whole performance is very stiff and stiff, far from his early level.
Zhang Jiayi is also known for his strong acting skills, and his walking posture in the TV series once became the object of imitation on self-media platforms, and later he took the initiative to explain that the hunched back shaking riffraff's steps was due to physical illness, and the external character form also brought him a wave of heat outside the drama. The well-known nature of this specific walking posture makes it easy for the audience to break away from the characters in the play and think of Zhang Jiayi's realistic image, making it difficult to integrate into the plot.
Zhang Jiayi's recent guest appearance in the urban suspense drama "Echo" is also seriously divided by word of mouth, and many viewers have given bad reviews. Some netizens commented that Zhang Jiayi's cameo in the group performance, even if there are highlights, will eventually be dragged down by the word of mouth of the entire drama. To say that Zhang Jiayi is a characteristic walking posture due to physical reasons, choosing a script with a poor reputation is probably hindered by director Feng Xiaogang's feelings.
You must know that the original Liu Tao is often invited to play the national goddess of CCTV dramas. The white lady she played is obviously a snake demon, but she is fairy. But it's not just because she has a gentle face. It is obviously the same face, but Lin Moniang, who she played in "Mazu", is full of determination, which is completely in line with the image of a goddess who cherishes the world in the heart of many people.
But I didn't expect that the current Liu Tao plunged into various workplace dramas and was keen to play various workplace elites. The acting skills are also not as natural as before, often like a robot expressionless. When expressing the emotions of opening and closing, I can't control my facial expressions, and even some spicy eyes. It is no wonder that she once married a rich husband during the rise of her career, she originally thought that she was going to live the life of a rich wife of idle clouds and wild cranes.
Strength determines everything, this is the iron law of the entertainment industry, but we must also be vigilant, as time goes by, any artist cannot escape aging. When the flowers and applause fade away and praise is hard to find, can we still stick to our original intention and not forget the origin of art? This is the foundation and realm of an artist, no matter how high the achievements, you must maintain a humble heart and a desire for progress in your heart.
Therefore, we should not comment on others easily, because everyone's path is different and everyone is trying to move forward. Let us give encouragement and support, as well as time and space. To sum up, the performance of these "old drama bones" has indeed caused dissatisfaction and disappointment among the audience. But at the same time, they can also learn from it and re-examine their performance style and role choices. Only by continuous efforts and the continuous pursuit of progress can we go further and steadily on the road of acting.